Category Archives: Book Adaptation
The Big Short (2015)
When I think of the collapse of the housing market and the beginning of the Great Recession, I don’t immediately think of a comedy. Millions of hard working Americans losing their homes and pensions and having to bear the burden of a government sponsored bailout makes me think of a hard-hitting and moving drama. Well, The Big Short is both of those. It is more than a comedy, but it is also tremendously entertaining even while it made me really mad and sad.
Adam McKay took the directorial chair in this adaptation of Michael Lewis’ book. McKay has previously been known for a number of Will Ferrell comedies like Anchorman, The Other Guys and Step Brothers which kind of explains the tone of the film. Lewis has been responsible for writing a number of books that have made it to the big screen despite their traditionally dry subject matter, think Moneyball (another Brad Pitt Project) and to a lesser extent The Blind Side.
The Big Short is set in the years leading up to the financial meltdown of 2008 and tells the story of a handful of investors who saw it coming. Bitter humor (primarily delivered by an excellent narrator in Ryan Gosling) guides us through an educational journey that ultimately ends in tragedy (for everyone but our protagonists). The housing market is usually a rock-solid investment. But these guys read the signs and started suspecting that it was a skyscraper built on sand and it was getting ready to collapse. The “experts” of the day told them that it was impossible, That it couldn’t happen.
What was their argument? Because it never has. But they had no clue how blinded they had become by their own greed and self-interest. They continued giving loans to people, no matter if they’re qualified. And not just any loans but sub-prime adjustable rate mortgage loans. In some ways, it’s a horror story: We were all affected by the illegal and fraudulent activity that led to this downfall, and most of the culprits received no punishment (in fact many used the bailout money to give themselves substantial bonuses).
The most difficult subjects can be explained to the most slow witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him. – Leo Tolstoy, 1897
Despite its ominous and (let’s be honest) boring subject matter. The film is so entertaining, I had to go back and see it a second time. It sports a star-studded cast (Brad Pitt, Steve Carell, Ryan Gosling, and Christian Bale) effortlessly operating at the top of their game. McKay uses a multitude of techniques to tell the story. There are plenty of fourth-wall breaking moments and monologues, my favorite being Anthony Bourdain using a cooking metaphor to explain the disgusting product that is a Collateralized Debt Obligation. 
There are jump cuts, slow motion, foreshadowing and flash backs. The filmmakers use any and all tricks to explain a complicated mess of financial underhandedness in order to help the audience understand, because as our narrator tells us, “Mortgage backed securities, subprime loans, tranches… Pretty confusing right? Does it make you feel bored? Or stupid? Well, it’s supposed to. Wall Street loves to use confusing terms to make you think only they can do what they do. Or even better, for you to leave them the f*** alone.” The banks, mortgage brokers, the credit ratings agencies and the government manipulated people in the nation and world into investing in worthless packages of bonds, and it behooves the director and writer, Adam McKay, to use all cinematic tricks to explain and untangle the financial corruption. The miracle is that the film deciphers the economic melt-down well while entertaining its audience.
It would probably be a good time to compare this film to two other recent films which addressed similar issues but in very different ways. First you have the over the top Martin Scorsese film, Wolf of Wall Street. That film became known for the number of F-bombs it dropped while attempting to make the world of investing look cool. Then there was the Oscar winning documentary by Charles Ferguson, Inside Job. It had a cool narrator in Matt Damon, but you almost needed a degree in Finance to follow along as they explained the crisis and spoke to experts. I feel like Adam McKay sought to walk a like between these too films, it is not over the top in an attempt to be cool, nor is it preachy and heavy handed. It reminds me of a heist movie in the vein of Ocean’s Eleven, the casino gets taken for all it’s worth, but in the end the house still wins.
I’ll let you watch the movie for yourself to get to know the awesome characters that McKay develops for us. As a middle-class worker, I could not have less in common with these guys, but dang it if I didn’t feel myself rooting for and empathizing with them. We’ve got a socially backward fund manager who blasts death metal in his office. The two young guys who started on their own fund while they were still in college. Knowing that they are out of their league, they call in the investing giant turned reclusive doomsday-prepper. Then there’s the hedge-fund manager (and his team) with a bad attitude toward banks.
I already mentioned that our tour guide is played by Ryan Gosling, he is a subprime specialist at Deutsche Bank who is certain things will crash. He’s slicker than a used car salesman, but convincing and hilarious. It’s difficult to root for them when that means rooting against the economy and your own wallet. But McKay uses their formidable talents and personalities in such a way that makes it nearly impossible not to.
The Danish Girl (2015)
This is such a heavy handed Oscar grab. In a year with Caitlin Jenner, Orange is the New Black, and Transparent, I think most people are looking for a deeper look at this subject, but this film never gets deeper than the pretty pictures and scenery. In our all-inclusive political climate, even I feel the pressure to speak nicely of a film like this lest I feel the wrath of the left wing battering me for being some kind of sexist bigot. If I want to watch Eddie Redmayne transform before my eyes, I will dust off Theory of Everything from last yea. But in this film, I never get past feeling bad for his/her wife and being tremendously thankful that they didn’t have children. I don’t want to waste more time on this film than I must. There are much better offerings to discuss this year, and I hope that the Academy can see through this feeble attempt by Tom Hooper to continue is award winning streak by playing on the hot topic of the year with one of the best new actors out there.
Room (2015)
After seeing Room yesterday, I am struck by its range. I expected it to be emotionally anguishing, and it was. But I did not expect to find a film so absorbing, thrilling, and redemptive. This film should be experienced by anyone who considers themselves a fan of the medium. If you are not familiar with the plot of Emma Donoghue’s bestselling book on which it is based, it is probably better that way. This is not to say that the novel isn’t fantastic, but I haven’t read it and am not reviewing it. I just believe that this is a film that should be approached with as few preconceptions as possible. I would think that the screenplay is faithful to the novel seeing that Donoghue wrote the screen adaptation and Lenny Abrahamson, best known before this film for taking the helm on last years’ Frank, directs with a deft touch and creativity.
However, what ultimately sells the movie are the two central performances by Brie Larson and young Jacob Tremblay, who is one of the most unforgettable child actors you will ever see.
Larson, I have to confess, I have previously overlooked as superfluous, however she is stunning here in a role that requires her to be victim and rock, mouse and lioness, often at the same time. As terrific as Larson is, it’s Tremblay who emerges as the film’s true star. The adorable youngster proves to be both charming and heartbreaking as he charts Jack’s plastic transformation from innocent ignorance to the often painful struggle of experience.
Room is a film about liberation hidden inside a tale of entrapment. I don’t want to share too much, but Jack (Tremblay) lives with Ma (Larson) in Room. Notice the lack of a definite article, it is missing because Room is the only place on Earth the 5-year-old has ever known.
Room, we come to learn, is nothing more than a dingy tool-shed supplied with the bare necessities (a single bed where they both sleep, a toilet, a filthy rug, and an unreachable skylight). This is where Jack and Ma go through their daily regimen of washing, exercising, reading, eating, etc. At night, Jack is sent to the wardrobe while a nearly mythical monster of a man they call Old Nick unlocks the door that keeps Room locked up tight and proceeds to make strange noises with Ma on the creaky bed.
Jack knows of no world outside of Room, and all the inanimate objects within are his friends and playmates. “Good morning, lamp”; “good morning, sink,” he cheerfully greets each object daily. As they celebrate Jack’s fifth birthday, Ma decides that he’s now old enough to learn about the world outside of Room. She tells him how she was stolen by Old Nick when she was 17 and how she used to be a little girl named Joy with parents who live in a house, but Room is the only world she has known for the past 7 years. Viewers quickly grasp what Jack cannot. He does not like being forced to accept that there are other human beings and animals in a world that is real and not some imaginary images they see on the ancient television inside Room.
I don’t think it is any coincidence that Ma’s actual name is Joy because despite the tremendously dark circumstances, joy sits just below the surface.
The second half of the movie introduces more characters and a whole new set of psychological dimensions. You should experience it for yourself rather than have me describe it here in inadequate terms. This second half is stronger in its emotional pull as we see a tremendous role reversal and young Tremblay steps into the spotlight even further. Room is ultimately a painful, conflicting, and gut-wrenching tale which is tremendously uncomfortable yet altogether enjoyable as we are reminded in a beautiful way the resilience and fullness of life.
In Memorium: Alan Rickman (1946-2016)
I don’t really feel like blathering on about Alan Rickman’s acting achievements. I feel like all of you know how amazing he was, and he will live forever in his many, varied roles. Please take a few moments to look through the pictures below. Think about your favorite of his roles. Leave a comment to tell me how you remember him best.
You can tell by the banner image that my favorite of his roles is actually in Kevin Smith’s Dogma. He appropriately plays the Metatron, the voice of God. I love that deep, gravelly voice. That is why I posted this from Family Guy:
Rest in Peace Alan. You will be missed.
Name that Movie #1
Contact (1997)
Roger Ebert – First Review – 1997:
Roger Ebert – Great Movies Review – 2011:
I watched the 1997 film, Contact, again last night and I, like Ebert, was struck with its boldness as it seeks to weave together politics, faith, and science. As an HR Manager, I have advised employees that they would be better off not discussing those topics in the workplace because they are too controversial. I spent years speaking about faith as a pastor and I am unashamedly and evangelically Christian.
However, many people don’t know that before I was called into ministry, my desire was to be a scientist. I was vacillating between organic chemistry and theoretical physics particularly quantum mechanics. I have always had a deep love for science. I seek to observe our world much like I observe movies, to look beyond the visuals to mine deeper. I seek to find truth and beauty wherever it may be found and in whatever way it may be conveyed.
As a scientist, I must concede that there is a possibility that our universe and everything in it is not the production of an Intelligent Designer. But I have experienced something so magnificent and awe-inspiring that it continually reminds me of both my insignificance and my value. I cannot deny this and it will forever shape the way that I look at the world.
I think it is important to say that I don’t agree with Roger Ebert on everything. But I believe that he would agree with me on this. Whether you are an atheist, an agnostic, or a person of faith, I encourage you to watch this film. It is beautiful, heartbreaking, majestic, and rich. If you let it speak to you, I don’t think you will walk away unchanged. And what more can we ask of a film than that?
Jurassic Park (1993)
Back in 1993 (That’s 20 years ago!), this little movie called Jurassic Park came out in theaters. What Steven Spielberg did with a shark 20 years earlier, he did again here with dinosaurs. I can’t recall whether I saw this film in theaters or not. I would have been 10 and this movie was right up my alley, but we didn’t see a lot of movies in the theater. Regardless of where I saw it, I do remember watching the movie and loving the science and the visuals. It is probably one of the movies that I watched most frequently. I loved the movie and it has become a classic. Following the success of the the first movie, they decided to make 2 more and they even have a 4th planned for 2014. This summer, either to promote the new movie or just to make some more money, they released the original in 3D. I was very tempted to take my son who is now 9 to see this action-adventure popcorn flick on the big screen. Alas, that opportunity came and went. So, I settled for a Sunday afternoon viewing in house. So, I can;t speak to the quality of the post-processing 3D, but this movie was filmed before HD was even an acronym. I’m afraid if I did see it on the big screen I would have spent the entire time critiquing the technical side of the movie instead of just enjoying it with my boys, which is what I did.
So just in case you been hiding under a rock for the past 20 years and haven’t seen or heard about Jurassic Park, here is a brief synopsis. On Isla Nublar, a small island 120 miles off the coast of Costa Rica, John Hammond (Richard Attenborough) a billionaire decides to create a new type of theme park; there are no giant mice or cartoon characters here (except for a very informative Mr. DNA). Instead of illusion, the attractions at this theme park are all too real. If you’re thinking about a zoo, it’s like that but much more flashy and the featured attractions of this zoo aren’t your run-of-the-mill animals; this park is full of real dinosaurs. The park has had some issues, so John invites a group of people to come and experience the park and hopefully give their endorsement. They include, Dr. Alan Grant (Sam Neill), a paleontologist and Dr. Ellie Sattler (Laura Dern), a paleobotonist. They make their living digging up dinosaur bones and studying them, they don’t know that they are about to witness a scientific discovery that will put them out of a job. I mean, who wants to look at the bones of a creature that you can see alive? They are joined by an irritating lawyer of little consequence and Dr. Ian Malcolm (Jeff Goldblum), a chaos theory mathematician, and the final two members of the group are John’s grand kids Lex and Tim.
One of my favorite scenes is in the opening 40 minutes which runs dramatically slower in pace than the rest of the film. I was a bit afraid my boys would begin to nod off as some of the less entertaining plot points were lined up. The group of eager explorers arrive on the island, ushered in by John Williams amazing score. They take jeeps from the helipad to the welcome center and along the way they run into a group of dinosaurs, they are completely taken by surprised and in awe. Once they arrive at the visitor center, they take a tour explaining how all of this had been made possible. During which they get to observe a baby raptor being born. This series features some really great dialogue about the ethical underpinnings of cloning and the pride of man.
As the group takes their safari type tour to see the live dinosaurs, the excitement ramps up. Due to a combination of an impending tropical storm and sabotage by Newman (I mean the greedy computer programmer), the power to all of the electrical fences goes offline. The T-Rex breaks through the fence and attempts to eat the kids in the car. To summarize the movie, there’s a chase scene with a jeep and the T-Rex, the raptors escape from their enclosure, and finally they are able to get the power back on and meet up at the visitor center. However, before they can escape the island, there’s a scene involving two raptors and the two grand kids. This is probably the scariest scene in the movie, it certainly caused some gasps and eye-hiding from the boys. However, spoiler alert, they escape the raptors and everyone (well almost…) makes it to the helicopter and lives until the sequel.
My favorite character, even as a kid, was Dr. Ian Malcolm. Besides the humor he adds to the movie, he also brings up some great moral points. During a discussion about the park, Dr. Malcolm states, “Don’t you see the danger, John, inherent in what you’re doing here? Genetic power is the most awesome force the planet’s ever seen, but you wield it like a kid that’s found his dad’s gun.” After some more discussion he concludes by saying, “Yeah, yeah, but your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should.”
This brings to mind the story of the Tower of Babel in Genesis 11. The people wanted to build a tower to the heavens and they thought they could do it. But God didn’t approve of their purpose/intent in building the tower, so he confused their language. We have made an incredible amount of discoveries and technological advances in the last century. As our civilization continues to advance, we need to make sure we don’t let it get to our heads or abuse the power we have been granted.
In the words of Uncle Ben, “With great power comes great responsibility.” Just because we have the power to do something doesn’t mean that we should. Another main point that he brings up is the chaos theory. While very interesting to nerds like me, I’m not going to go into detail about it. But the gist of it is that even if we think we are in control, we really aren’t. John Hammond believed that the park was perfectly safe and under his control, but in the end Malcolm was right. Often times we want to be in control of what happens in our lives, but all to often we find out that we have no control. God is the only one who is truly in control and we must trust in Him.
So in conclusion, I think this is a great action movie. It has a little bit of everything in it: humor, suspense a chase scene, and best of all giant dinosaurs! The music, which was written by John Williams, is great throughout the movie. And despite being an action movie, Jurassic Park brings up some thought provoking ideas. Just because you have the power to do something doesn’t mean you should and who is really in control? Now go out and watch this movie!!!
Day 30 – 30 Day Movie Challenge
Your Favorite Movie of All Time – 30 Day Movie Challenge
Whether intentional or not, The Shawshank Redemption is a film about hope, and the redemption that can occur even in the most dark and degrading corners of our world. This engrossing film stands as one of the most entertaining, thought-provoking dramas of this century. It takes us to a disturbing setting, uses raw language, doesn’t present us with ideal role models, and there are numerous brutal, occasionally fatal, beatings. But we are not cast into this dark place to incite our own lust or rage. The film clearly shows us that these things are harmful or wrong. Because to tell a story of redemption; you have to sink to the depths before you can rise to the pinnacle. When the darkness is hellish, the light shines ever more brightly. Simply put, this film couldn’t have been made without these elements.
Our hero, Andy Dufresne (Tim Robbins), is wrongly accused of killing his wife and receives two life sentences. Steadily and quietly in prison, he wards off the bitterness against that injustice and the further hardships he suffers by doing good for others, even those that despise him. When the film’s narrator Ellis Boyd “Red” Redding (Morgan Freeman) first sees Andy arrive, he wagers that the tall-but-quiet ex-banker is a guy who won’t last long. Red loses the bet, but as he gets to know Andy, he begins to respect him and the two become friends and help each other survive the long and dark days of incarceration.
The prison warden (Bob Gunton) is a hypocritical “Christian” who uses the Lord, the Bible, and the people for his own scheming, murdering purposes. We are meant early on to see through this painted on veneer as shown by his “welcoming” the prisoners to Shawshank, “I believe in two things: discipline and the Bible. Here you’ll receive both. Put your trust in the Lord; your ass belongs to me.” This is not the cheap-shot characterization that many believers have come to expect from Hollywood. If you are turned off by the warden, it is because you are meant to be. Just remember who it was that had our sinless savior crucified; it was the conservative religious coalition of the day carrying out a sinister plot in order to maintain its own political power.
In fact, there are many similarities between the heroes of The Shawshank Redemption and the Gospel. The central characters are both wrongly accused. One receives two life sentences and the other is crucified. Neither are respected by their contemporaries, Andy is s a banker and Jesus is a Nazarene? While Andy is certainly flawed, the good work he does while in prison actually serves a ruthless political end that ends up holding him captive. Jesus was ridiculed and executed by the same people He came to free.
The characters are believable, the actors sink into their respective roles perfectly, and light up a brilliantly executed script. But it is the cinematography (crafted by the Coen Brothers’ go to guy, Roger Deakins) that provides the all important look of the film. Thick walls, imposing fences, and confined spaces remind us of the oppression. The guards relentless marching and the heavy bars slamming open and slamming shut reinforce it. Dull, chipped walls in every room surround the dulled, chipped lives of utterly hopeless men. But director Frank Darabont isn’t content to linger in the darkness. Hope is scattered throughout, from an Italian opera broadcast over loudspeakers to a senate appropriation for library books. From a cold beer after a days work to the thought of a “place of no memory.” From High school equivalency exams to a harmonica. From Alexander Dumas to Rita Hayworth.
*—–SPOILER ALERT—–*
Hope triumphs gloriously in the end. It only takes 19 years. But when Andy escapes the hard way, he makes it possible for his friend to go an easier way. Andy escapes the bonds of prison like Jesus escaped the bonds of death. Andy disappeared with an invitation for Red to join him much like Jesus told us that he was going to prepare a place for us. There are so many pictures of Christian hope in this movie that they couldn’t help but put the central message of the gospel in the title.
What is your favorite movie of all time? What do you think of Shawshank? Am I going overboard with the Christian allegory? Leave me a comment below. Also, with the 30 Day Challenge coming to an end, I am here at work for an overnight twelve hour shift. That gave me plenty of time to stamp out my last challenge and hopefully to fill in some of the gaps that were left when life or technology got in the way. I’ll let you know on Twitter or Facebook if I update any of my older posts. Follow me there to keep up with me as I continue my journey through the ever-changing IMDB Top 250.
Day 27 – 30 Day Movie Challenge
A Movie You Wish You’d Seen In Theaters – 30 Day Movie Challenge
Feeling as though I was born after my time, there are so many movies that I wish I could have seen in the theaters. Too bad I can’t get on the website to post tonight. I’m posting this from my iPod, but the style never gets right on here.
Off the top of my head, I think of 2001: A Space Odyssey, A Clockwork Orange, Raiders of the Lost Ark, and Star Wars. But I think I would go with Fight Club. I love David Fincher’s visual style. And the hard hitting visuals blend perfectly with the philosophy that the film leaves you pondering.