This new trailer for Disney’s Moana is beautiful. We’ll have to see more to know just how good it is going to be. What do you think so far?
Category Archives: Disney-like
Day 29 – 30 Day Movie Challenge
A Movie From Your Childhood – 30 Day Movie Challenge
I could pretend that I had great taste in film even as a toddler, but that’s no fun. I do remember watching movies like Jurassic Park as a kid, but one that I come back to over and over again is Disney’s Robin Hood. For some reason, this treat tends to get the cold shoulder from animation purists whenever it comes up in conversation. For the life of me, I just don’t understand the hostility to this cozy, endearing adventure/comedy.
Released while the studio was still recovering from Walt’s death, this was one of the first Disney productions that didn’t benefit from his personal touch. The studio was still jittery when it came to artistic direction now that their greatest supporter was gone. It’s unusual to Disney films because it stays very tight on its characters. This leaves the plot winding a bit aimlessly at times, so there’s not a big payoff in the end, but the care with which the characters are handled grows on the viewer as the film strolls along.
Looking back, as an adult and a film snob, I can see that the picture is notorious for its corner-cutting animation, it simply doesn’t have the sparkling hand-drawn detail of earlier Disney masterpieces, or the glitzy sheen of the latter ones. It’s certainly one of the more crudely-drawn productions of the company. But even when you stack up the complaints lobbed at this incarnation of the Robin Hood tale, they really don’t matter, because in the end we get a richly entertaining good time, and I’m glad to say that this film is just as captivating to my children as it was to me.
What movies do you remember fondly from your childhood? What do you think about Robin Hood? Let me know in a comment below or on Twitter or Facebook.
Monsters Inc. (2001)
I’m not very good at this whole “watch a movie a week and write a review on it” thing. I easily watch 3-5 movies a week, but the problem is, I would much rather watch another movie than write a review. Especially when it’s a movie like the one that is on the slate for today. But alas, I made a commitment and so I’m gonna keep it.
The most difficult part of writing a review for Monster’s Inc. Is that it is an animated film and we tend to treat these movies simply for their entertainment value for kids. But I think that animated films can have great value apart from mindless entertainment. And that is the area in which Pixar films in recent years have excelled above their peers in the animation business.
Everybody is doing computer animation, but the thing that elevates Pixar’s films and recently some of Dreamworks’ offerings (Flushed Away (really, it’s actually pretty good), Kung Fu Panda, How To Train Your Dragon, and Megamind) is the story. It’s not just about hyper-realistic imagery and the creation of a fully submersible world. Those are all pointless if you don’t have a story with characters in which the audience of both children and adults will invest their emotions.
Monster’s Inc. at its core is the inversion of a horror film. Normally, kids are wetting their beds at the idea that monsters live in their closets and are going to come out to scare them. Monsters Inc. simply admits this epidemic of home invasion as fact and then goes inside the closet to tell the story from the monsters point of view. It turns out that monsters don’t particularly enjoy scaring children, it is simply their job. Monstropolis (the Narnia on the other end of these impressionable children’s wardrobes) runs on the screams of children. But because human children are flooded with violent movies and television shows at increasingly younger ages, they are getting harder to scare and consequently Monstropolis has a scream shortage.
It seems to me that most animation studios would have been content to leave the story there then throw in a lot of cultural references to make the movie funnier. But Pixar understands the value of irony and as it turns out in this universe, these monsters know just as little about us as we know about them, and that makes monsters deathly afraid of human children.
Add to that two of the most likable characters in all of Pixar’s movies, second only to Woody and Buzz, and you’ve got a movie that went toe-to-toe with Shrek, and by all counts lost that battle. But I would invite you to rematch both films and decide for yourself which has aged better. I think that Monsters Inc. could do equally well today, but I’m not sure I could say that about Shrek.
Essentially Monsters Inc. is a great buddy comedy. On one side you have the purple spotted horned Bear-cat named Sully. He looks ferocious which makes him great at his job, but in reality, he is just a big softie. John Goodman did a good job voicing him as he is the most dynamic of the characters in the film. And playing the Laurel to his Hardy is the effervescent Billy Crystal placed in the body of a green volleyball with one giant eye and an even bigger mouth. They make an odd couple to be sure and lift what could have been a mediocre movie to Pixar gold.
Anymore, it is pointless to mention the superb animation that is present in these movies. But in its time, the computer animation rendering of every frame featuring Sully took 11 hours to complete because the movement of each of his 2,320,413 hairs. With a frame rate of 24 fps that is nearly a month of processor time to create a single second of footage.
This might not be the highest grossing or the best reviewed of any of the Pixar movies, but it is a solid and highly entertaining movie that I have confidence my kids will he showing their kids one day.