Category Archives: Article

2010s, Article, Awards, Engaging Culture, Philosophy, Theology

Redeeming the Oscars

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Another year and another Oscars ceremony in the books. I have a love-hate relationship with the Oscars. I love film for its power to communicate ideas and transport viewers to distant worlds and times. This year, the Academy rewarded a well-crafted, insightful, and entertaining film, Parasite, with Best Picture, Best International Film, Best Original Screenplay, and gave its Director Bong Joon Ho the Best Director award. As a subtitled, South Korean film, this was a huge step in normalizing and legitimizing world cinema because it is the first time ever that a non-English speaking film has taken home the highest award of the night.

However, the Academy Awards ceremony has become known, especially by Christians, as a place of rampant liberal politics. Because of this, most Christians stay away, not just from Oscar night, but from Hollywood in general. In my opinion, this is a mistake. To look at Hollywood as if it was a place that is beyond the reach of God’s grace is to put God in a box. What would it look like for Christians to be salt and light in Hollywood?

Art Imitates Life

I take the Oscars ceremony as an opportunity to look back on a very busy year. On the world’s stage, we saw protests and violence in Hong Kong, Algeria, India, Nicaragua, and others. Both the Amazon and Australia were on fire. Brexit stretched on, while China and Iran had conflicts with the U.S. over trade and nuclear weapons respectively. Speaking of the U.S. there was obviously the circus that was the House of Representative’s impeachment of President Trump.

Film is a fascinating storytelling medium with the ability to speak to the trends of the day in unexpected ways. Consider two 2019 releases. Captain Marvel is a veiled commentary on immigration policy and Greta Gerwig transformed Little Women into a feminist manifesto instead of a timeless story of faith and family.

The liberal politicization of Hollywood has turned many Christians off to film in general. This agenda is on full display at the Oscars. For instance, Brad Pitt used his acceptance speech for Best Supporting Actor in Once Upon a Time… in Hollywood to comment on the Senate’s acquittal of President Trump.

Ego and the Greatest Snub

But Joaquin Phoenix one-upped everyone in the room when he equated gender-equality and racism with animal rights as he encouraged everyone towards his vegan agenda and indicted everyone for their egocentric worldview which leads to inequality. While Mr. Phoenix and I would disagree about the rights of a cow when compared to the rights of indigenous peoples, I would completely agree with his assessment of egoism.

I’m happy that today’s films elevate the voices of the marginalized. God calls his people to fight for justice for the oppressed. But the biggest snub of this year’s Oscar ceremony was not the fact that there were no female directors or that The Irishman went 0 for 10. This one is even more glaring. As I listened to the acceptance speeches, I don’t think I heard a single mention of God. No word of thanks or praise. Of course, I may have missed something, but even in the official Oscars Acceptance Speech Database (Yes, that is a real thing), the number of mentions of God has been steadily dropping over the years.

The most recent mention of God that wasn’t a vain exclamation was back in 2018. Regina King said, “God is good all the time,” in her win for If Beale Street Could Talk. In the most recent actual expression of thanks to God, Common said, ” First, I would like to thank God that lives in us all” when he accepted the award for Best Song for “Glory” from Selma in 2014.

The Absence of Light

How did things get so dark? It’s a picture of Romans 1:21, “For although they knew God, they neither glorified him as God nor gave thanks to him, but their thinking became futile and their foolish hearts were darkened.” Do I say this with my nose held high in the air as I condemn those sinful Hollywood heathens? Of course not. We are no better. All people have sinned and bring shame on the glory of God’s image in them. In fact, much of the darkness prevalent in Hollywood is overwhelming because of the absence of the light that should emanate from the lives of believers.

Christians should be different. Does light have any fellowship with darkness? Does saltwater and freshwater come from the same spring? Of course not. But at the same time, we are not called to exit from culture and cloister ourselves away. Light should be put on a lampstand and salt should be used to preserve, transform, and flavor. Christians lose their identity in Christ and are freed to take up the cause of others. They are freed to lose their life for the cause of the gospel of Christ. This means engagement with culture.

Creators

Engagement can look many different ways for different Christians. Maybe you are called to create art that influences culture by showing God’s transformation to a watching world. Think of a movie like The Blind Side that doesn’t have any overt Gospel message but shows what a selfless, other-centric, God-glorifying life looks like. More creators need to step up to bat and more churches need to support their creative efforts.

Redeemers

Maybe you will engage with culture by finding the redeeming aspects of culture and calling attention to them. This is the affirmation that all truth is God’s truth and when the culture gets it right (even with the wrong motives or worldview) we need to be ready to cheer on the truth in those common areas of human flourishing. This comes through in a film like Spotlight that reveals corruption and evil that people inside and outside of the church should condemn. Believers need to respond to these films in positive ways to show that our faith is about more than believing some platitudes about Jesus.

Prophets

Finally, we need those who will stand in the gap and engage with culture by speaking the truth in love. Paul walked through the city of Athens and drew attention to their great religiosity, though it was misguided and twisted. He used the words of their own poets to show them a better way in Jesus Christ. I try to do this. For instance, in my recent article about 1917, I looked at the darkness of war and the way that all people reflect on their mortality in the face of danger. I also showed the light and freedom possible in a life spent in the cause of Christ. My hope is that someone may read or hear my words and would see that Jesus is infinitely better than anything else in our finite lives.

I hope you’ll think about how you can engage with the culture around you. If Christians are to be identified with Christ, we must do more of what he did. That means spending more time doing life with people the way Jesus did. Granted, this might mean being accused of the things that he was accused of, but I’m willing to endure that for some to see Jesus as I have seen him.

Maybe Hollywood is too far gone for my prayers and words to have any effect, but I worship a Savior who knew no limits to the love he would show to snatch men and women from hell and bring them back into right relationship with his Father. We have been given this same ministry of reconciliation, and if we pull out of the conversation and don’t shine our light, then we are the ones truly responsible for the darkness.

2010s, Article, Biopic, Documentary, Family, Longform, Musical, Television, Theology, True Story

Mister Rogers and Grace in The Neighborhood

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Just after he eloquently summed up God’s perfect law with the words, “You shall love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind, and your neighbor as yourself.” (Luke 10:27) This expert on the Jewish law challenged Jesus by asking, “Who is my neighbor?” (Luke 10:29) Jesus responded, as he often did, by telling a story.

The story he told was surprising to everyone who heard it. It was the tale of a man who had fallen on some particularly hard times and had been beaten, robbed, and left for dead on the side of the road. Who would be a neighbor to this poor helpless man? Perhaps a teacher of the law? No, he was far too busy and continued on his way. Maybe a Priest? No, he was worried that the man might make him unclean. But then along came a Samaritan.

Now, the Jews considered Samaritans to be half-breeds, products of the immoral intermarrying and religious blending that took place hundreds of years before during the Babylonian exile. For a Samaritan to even be mentioned in the same story as these well-respected religious professionals was shocking, but that he would be the hero was almost intolerable.

But that was Jesus’ point as he described the compassion which the Samaritan traveler had on the victim of this crime. He went out of his way to help him and bandage his wounds, he sat him on his animal and walked alongside until they came to a hospital, and even beyond that he took care of his bills and made a plan to return to ensure that he was well treated. At this point, the lawyer must have been seething at Jesus’ words, but he was trapped as Jesus asked, “Which of these three, do you think, proved to be a neighbor to the man who fell among the robbers?” He said, “The one who showed him mercy.” And Jesus said to him, “You go, and do likewise.” (Luke 10:36-37)

Won’t You Be My Neighbor

As the camera pans over the familiar model town, the yellow caution light flashes, and the piano notes sound, an inviting face opens the door to ask us, “Please, won’t you be my neighbor?” By performing this liturgy at the beginning of each of his 912 episodes, Mister Rogers was submitting to Jesus’ command to go and do likewise as he sought to be a neighbor to anyone who was hurting and confused. However, the invitation was also a confession that he needed a neighbor as well.

Fred Rogers did not see himself as a saint or a hero. He simply stood on his doorstep and offered the same unconditional love and grace to others that he knew he needed every day to survive. Mister Rogers was an ordained Presbyterian minister and he knew better than most that each breath that we take is evidence of God’s amazing grace.

Won’t You Be My Neighbor was easily the best documentary film of 2018 because Morgan Neville captured the essence of Fred Rogers’ mission to speak directly to the children of an entire generation and to help them cope with the fact that the world is a dark and scary place. He didn’t try to fool kids or entertain them. He leaned in to teach them, in a way that we are sorely lacking today, that things like death, divorce, and disaster happen and we can’t control them. But we can manage our feelings in healthy ways and talk about them.

https://www.youtube.com/watch?v=LDnDs1Rz4ZQ

I think we are experiencing this Rogers renaissance because we are lacking a voice that will speak to our children, and us as adults, to provide guidance through difficult and confusing times. And Fred Rogers would not want us to idolize him in this manner. Rather, he would challenge us to take up Jesus’ command to be neighbors to one another. After all, it’s hard to hate someone you just begged in song to be your neighbor.

A Beautiful Day in the Neighborhood

The new film, A Beautiful Day in the Neighborhood, directed by Marielle Heller, features Tom Hanks playing the iconic role of Mister Rogers. However, this is not another documentary. Instead, it places Hanks across from Matthew Rhys in the role of investigative reporter Lloyd Vogel. This character is a mixture of fiction and fact as the whole film is based on an Esquire article by journalist Tom Junod entitled, “Can You Say… Hero?” (beware of some adult language). However, it takes a good bit of liberty with the establishing storyline, creating a strained relationship between a father (Chris Cooper) and son, to build the stakes.

In the end, the film is really about this fictional Vogel family and Fred Rogers is a high profile side character who steps in and provides an open ear and an open heart. It is a very good story overall and I was moved several times through Hanks’ performance, but my major difficulty with A Beautiful Day in the Neighborhood is that it removes any mention of Jesus or really any religious teaching. This is somewhat understandable because it is told much like one of Mister Rogers’ episodes and he avoided spiritual talk on the air.

Unfortunately, if you remove Mister Rogers’ foundation of faith, it turns his desire to care for people and heal relationships into secular humanism at its best and it gives no foundation for the beautiful mission of his life. A lack of a foundation leads people to all kinds of wild and fanciful speculations about what skeletons he hid in his closet. Whether it be the oft mentioned Navy SEAL service or sleeves of tattoos hidden under those zippered cardigan sweaters.

What Would Mister Rogers Say Today?

In the midst of a presidential inquisition and constant bickering on Capitol Hill, I wonder what sage advice Fred Rogers would have. Providentially, Tom Junod shared an email that came from his lifelong correspondence in a recent article for the Atlantic explaining his involvement with the film and his relationship with Rogers. The subject of the email was what Rogers would say to the then-current impeachment hearings of Bill Clinton.

Last week I woke up thinking how I would like to go on the air and say something like “Whoever is without sin cast the first stone” or “The Lord’s property is always to have mercy” or some other outlandish thing, and then ask for a minute of silence to think about forgiveness for those who want it. In fact if our country could dwell on forgiveness for a while I think that would be the one real positive outcome of the pain which must be pervasive in the White House and beyond. I’ve already written letters to both the Clintons and the Gores saying that often “enormous growth comes out of enormous pain.” I trust that will be so for all of us. The attitude which makes me (sometimes physically) sick is the “holier than thou” one.

As always, Mister Rogers’ words are timeless because they don’t speak to the issues but to the underlying emotions and situation deep within the human heart. His answers are profound because they sound hauntingly like the words of Jesus who would remind us that to seek God’s kingdom means to love God first and to love our neighbor (even the one we don’t really like) from the overflow and to work for their good.

2010s, Article, Musical, Supernatural, Theology

Yesterday and Listening to the Voice of God

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In Yesterday, struggling singer-songwriter Jack (Himesh Patel) is hit by a bus during a freak blackout and awakes in a world similar to his in every way except that people have never heard of the Beatles. A few other things are missing too, but I’ll leave those surprises for the movie to reveal.

Jack is a talented singer but he is frustrated, thinking that he just doesn’t have the right stuff to rocket him out of obscurity. With this accident, it seems like the universe has given him the gift of dozens of beautifully crafted songs and all he has to do is play them.

However, doubt creeps in. What if this is all a mistake and the real authors show up and call him a fraud? How will these songs be heard in the 21st century? Jack is not from Liverpool, how can he sing about Liverpool landmarks like Strawberry Fields or Penny Lane when he’s never even seen them and they are dilapidated and destroyed by time.

He must wrestle with the fact that he is not Paul McCartney or John Lennon yet this opportunity is too good to pass up. He has to try it just to see if his level of success has something to do with the songs he’s writing or if the problem is in himself. He knows that many of the Beatles songs are pure masterpiece like the films titular song. If he sings these universally acclaimed poems and isn’t recognized then he will know that the problem lies in the singer, in himself, and not in the songs.

I think we as Christians wrestle with the same story. We have a melody of worship in our heart that the world has often forgotten. We struggle with being accepted by the world, and we wonder whether the message of this good song will be received by a modern populace or if we will be seen as frauds because of our hypocrisy. However, at the end of the day, we have this beautiful melody inside us and all that is left for us to do is sing it.

I’ll let you watch the film to see how things turn out for Jack, but I think that if we will open our mouths and allow the gospel to come out, it will be heard and adored. This has nothing to do with our abilities or talent, but because the message is infinitely powerful and beautiful. I think if we will sing the song of the gospel with will find a world waiting to hear it. We will find that we are not defective or frauds, but that our greatest worth is realized when we are vessels of the infinite.

1990s, Anniversary, Article, Best Movie Bracket, IMDB 250, Lists, Longform, Top 3, Video Essay

1994 Best Movie Bracket

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It was a simpler time 25 years ago. A time when everyone was glued to the 24-hour news coverage of the unfolding dramas of Tanya Harding and O.J. Simpson. I was busy playing on my Super Nintendo and figuring out this new thing called the World Wide Web with the help of Yahoo! As far as movies go, I’m actually surprised at some of the stuff I saw. If you asked me then what my favorites were I would have probably said North, Street Fighter, The Mask, Angels in the Outfield, and Maverick. And I won’t apologize for that, I was eleven! Besides, I still love Maverick, it’s so much fun.

I still got to see some amazing films because our family’s favorite past-time was going to the video store on Friday night and renting an armful of movies. Did anyone else have a two VCR set up and a stack of blank VHS tapes? Has the statute of limitations run out on that type of copyright infringement? I loved being a latchkey kid. I got off school and was alone at home until my parents got home after most people had already eaten dinner. My dad would put me in charge of recording the VHS tapes, and even if he didn’t I would just watch them anyway, which meant that I got to watch a lot of movies! Still, looking back through the common top lists for the year, I do still have a couple of notable blind spots including Little Women, The Last Seduction, Cronos, Shallow Grave, Immortal Beloved, Heavenly Creatures, The Crow, Naked, In the Mouth of Madness, and Satantango.

Onto the best of the year, let me start with some honorable mentions. In another year without so many heavy hitters, many of these could have been my number one. Ed Wood is the Best Tim Burton directed Johnny Depp film that it seems like no one has ever seen. Quiz Show got four Oscar nominations, it is easily the best film that Robert Redford has ever directed. With Hoop Dreams, Steve James created one of the best documentaries of all time. The Three Colors Trilogy is a masterpiece of French cinema by Kieslowski and I don’t think nearly enough people have seen it. Lion King was the pinnacle of the great Disney animated films, everything after went downhill. And unlike some, I really love Forrest Gump which won the Best Picture Oscar for the year even though it is clearly not the best film. But enough with those losers, let’s get to my Top 3.

# 3 – Leon: The Professional

Rossatron gives a good breakdown of why Leon: The Professional is full of action that we care about.

As is my tradition, I have to narrow down my favorites to a top three, and I’m not allowed to do a three-way tie even though it is very tempting. Coming in at number 3 is Leon: The Professional. There’s been a movement to downgrade this movie because of alleged misconduct by its Director, Luc Besson. There are others who see the plot of the film which involves a complicated relationship between hitman Jean Reno and a stellar 12-year-old Natalie Portman in her first film appearance as troublesome. Some have even said that it promotes pedophilia and they condemn it.

However, I remember watching this around 1997 when I was about 15 and I fell in love with that damaged little girl. It is a performance reminiscent of the young Jodie Foster in Taxi Driver. She conveys so much emotion in her face. Especially the scene at Leon’s door which is so powerful as their worlds collide for the first time. The thirst for revenge against the man that slaughtered her family is palpable and that man is played deliciously over the top by the incomparable Gary Oldman. It is far and away Besson’s best film and it will always hold a special place in my heart.

#1 – The Shawshank Redemption

WARNING! LANGUAGE! Logos Made Flesh explains why The Shawshank Redemption might just be the greatest Christian movie of all time.

The Shawshank Redemption has been seated atop the IMDB Top 250 list for the past 15 years. Despite not doing well at the box office in 1994, it was nominated for 7 Academy Awards and didn’t take home a single statue. However, has received new life over the years as it is one of the most widely seen moves of all time. If you’ve never seen it, just turn on TBS or A&E this week and you’ve got about a 65% chance that it either is on currently or will be soon.

I consider it to be one of the greatest movies of all time. It is a wonderful story crafted by one of the masters, Stephen King, and directed by a powerful visionary in Frank Darabont. I’m not going to say a negative word about it. It has an amazing cast featuring the soothing narration of Morgan Freeman and so many great character actors that you should know. It is clearly and unflinchingly a prison movie but we aren’t trapped inside. Instead, along with Andy and Red, we get to experience new life and redemption that comes when you die to self and start really living.

That means that we are going to be faced with another year with a tie. If you’ve been following along, you know that when I covered 2007, we had a stand-off between what I believe are the two best films of the 2000’s right there in the same year, No Country for Old Men and There Will Be Blood. Here atop the 1990’s we have Shawshank Redemption matched with another masterpiece from 1994.

#1 – Pulp Fiction

Wisecrack’s Garyx Wormuloid shares thoughts on Pulp Fiction now that Earth has been destroyed and aliens are rediscovering our culture through film artifacts.

I love that even the name of the movie is a subversion of what you are going to see. Pulp Fiction makes you think of trashy paperbacks that you read once and then toss, but Quentin Tarantino’s masterpiece is known for its rewatchability. It’s profoundly violent yet somehow feel-good. It’s full of iconic scenes and characters that you can’t wait to spend time with again, and the narrative structure is so different that it takes a few views just to really grasp at what point everything happens in relation to one another. At the same time this structure takes nothing away from the telling of the story and in fact I would not want to see it chronologically. The streams all coming together perfectly the way they do is part of the magic.

I’m an actor-centric movie reviewer. This just means that I really relate to a film by the people that I see on the screen. I always have the director and his vision in the back of my mind, but I will usually judge a film on the power of its performances first. I don’t know how young Quentin Tarantino video store clerk was able to assemble this fantastic cast with just one film under his belt, but Bruce Willis, Samuel L Jackson, Harvel Keitel, Tim Roth, Ving Rhames, John Travolta, Uma Thurman, and Christopher Walken. That’s something.

Pulp Fiction sent shockwaves through cinema when it was released in 1994. It was a wakeup call and it lit a spark under an independent film market that was ready to explode. It made $213.9 million worldwide making it one of the highest-grossing independent films to ever be made. It helped Tarantino to create his own genre of dialogue-heavy scenes, non-linear narratives, violence and dark humor. This genre is now lazily called Tarantino-esque as there have been dozens of films inspired by Pulp Fiction and many others that have just ripped it off hoping to make a buck on its runaway success.

What about you? What’s your top movie of 1994? Do you hate Luc Besson and everything he makes? Do you feel like my picks are too pedestrian and would rather elevate something truly original and independent? Let me know. Comment here or on social media. I want to hear from you.

2010s, Article, Coming Soon, Lists, News, Trailers

16 Most Anticipated Films of the Rest of 2018

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With the collapse of MoviePass over the past few weeks, it looks like I might need to be a little more picky in my choice of movies. I’m still going to hold onto it and I will try to use it as often as they will allow, but with service outages just about every night and no access to new releases, it will definitely be limited. Before the AMC Stubs A-List people come out of the woods to accost me, my closest AMC is about 80 miles away, so that is a no go. I’m waiting to see if Regal announces any plans, but in the meantime, I have signed up for Sinemia which allows me to see three movies a month in any format.

With that in mind, I took a look at all the upcoming films for the remaining five months of 2018 and tried my best to whittle it down to my top 15 most anticipated. There are probably three times this many that I will actually do my best to see. A lot of these only have a limited release announced and the word of mouth before and performance during that run will make the difference in whether they will ever see a national roll out. So this is me doing my part to make sure I get to see them in my neck of the woods. 

Eighth Grade – August 3rd

I figured I would cheat right out of the gate and make this list 16 instead of 15. Technically, this one hit a few theaters in July, but it hasn’t been near me until now. I haven’t seen it yet, but I am really looking forward to it. Comedian Bo Burnham makes his directing debut as we follow teenager Kayla (Elsie Fisher) as she maneuvers transitioning from middle school to high school. From the trailer it looks like something wonderful that I am going to love.

BlacKKKlansman – August 10

Spike Lee’s latest movie, produced by Jordan Peele, follows the true story of a real black police officer, Ron Stallworth, who managed to infiltrate the Ku Klux Klan. This is the first I’ve ever seen of John David Washington who stars, but it also stars Topher Grace as David Duke as well as other big names like Adam Driver and Alec Baldwin. This one can join the list of 2018 films with a racially charged message (Sorry to Bother You, Blindspotting, and another coming up on this list).

Searching – August 31

I’ve heard good things about John Cho’s performance in this. It seems like he has the difficult task of holding it all together since it uses the same gimmick that we have seen a couple of times now (Unfriended), the whole movie occurs on a computer screen. 

The Predator – September 14

Director Shane Black (Hawkins from the first Predator movie), has taken the reins of the franchise for its latest chapter. Sure to be an entertaining viewing experience, the movie stars Boyd Holbrook, Olivia Munn, Sterling K. Brown, Keegan-Michael Key, and Jacob Tremblay.

The House with a Clock in its Walls – September 21

Jack Black is hit or miss. This could be bad like Goosebumps, but the kid actor (Owen Vaccaro) looks good and it seems like a cool concept. I’m more interested in this than the next Fantastic Beasts movie. That’s saying something considering the fact that I’m currently wearing a “Become an Obliviator!” t-shirt. 

First Man – October 12

Ryan Gosling and director Damien Chazelle join forces again after La La Land for this look at Neil Armstrong, the first man to walk on the moon. With Gosling as Armstrong, the movie delves into the dramatic events leading up to the historic launch.

Bad Times at the El Royale – October 12

Drew Goddard’s (The Cabin in the Woods) latest movie follows the lives of seven troubled strangers as they stay at a rundown hotel in search of redemption. Jeff Bridges, Chris Hemsworth, Jon Hamm, and Dakota Johnson lead this star-studded cast. This could easily be either my favorite of the season or a jumbled mess. There is a thin line between the two.

The Hate U Give – October 19

Based on an acclaimed young adult novel of the same name, we follow Starr (Amandla Stenberg) as she tries to figure out the right path after witnessing her childhood friend die in a fatal shooting by a police officer. It sounds like the teenage version of the recent firestarter, Blindspotting. It looks powerful. 

Can You Ever Forgive Me? – October 19

This is a rare serious role for Melissa McCarthy. I’m always up for watching an actor stretch their creative legs and show me something I haven’t seen before. Apparently, this comes from the true story of author Lee Israel who began forging letters from literary legends when her writing career was in the doldrums. If it’s really good, we could see nominations come award season. 

Bohemian Rhapsody – November 2

Rami Malek (Mr. Robot) plays Queen front-man Freddie Mercury in this look at the band before its legendary Live Aid concert. Queen is usually my answer when asked for my favorite band, and Mercury is a very interesting figure that should make for a good watch. If all goes according to plan, Malek is looking at some major award season consideration for this one.

The Sisters Brothers – November

The Sisters Brothers are John C. Reilly and Joaquin Phoenix. That’s enough to get me interested, but it looks like a dark comedy. This could easily be the year the John C. Reilly really breaks out. I’ve been waiting for it since Walk Hard.

Ralph Breaks the Internet – November 21

Six years after the original, Ralph (John C. Reilly) and Vanellope (Sarah Silverman) head off on a new adventure. This time they discover what’s out in the internet after finding a pathway through a wi-fi router. I’m hoping this is a sequel more like Incredibles 2 than Cars 2 or worse The Emoji Movie. It looks funny from the trailer and the internet creates a lot of fodder for humor, but my worry is that with as quickly as things move on the internet, this could feel stale by the time it hits DVD. 

Robin Hood – November 21

Taron Edgerton as Robin of Locksley back from the crusades with Jamie Foxx as his trainer/sidekick? Sign me up! We might be in for the best Robin Hood movie since Men in Tights.

Mortal Engines – December 14

Based on the Philip Reeve book, and written for the screen by Lord of the Rings director Peter Jackson, this film is set in a world where cities are forced to move around in a constant chase to avoid being overthrown. Essentially, this is a real life game of Agar.io. It looks amazing, but if it is too complicated, it could end up like Valerian and the City of a Thousand Planets. It also doesn’t really have many big names to anchor it except Jackson and Hugo Weaving. 

Alita: Battle Angel – December 21

I got worried when this film moved from a July date all the way back to December. Hopefully, this was so it could get away from juggernaut tentpole films and find a better viewership. I’m not familiar with the original manga also known as Gunnm, by Yukito Kushiro, but James Cameron has apparently been attempting to get a film adaptation made for several years. Now he has finally produced it with Robert Rodriguez (Sin City) directing. It looks like we can expect some amazing visuals. Let’s just hope this movie about a fighting cyborg girl has a bit more heart and substance than the Ghost in the Shell remake. 

Welcome to Marwen – December 21

Based on the intriguing 2010 documentary, Marwencol, about how a man copes with a brain injury through creating a 1/6th scale World War II-era town in his backyard, Robert Zemeckis takes that story and glosses it up with CGI. It stars Steve Carell in the lead role. I expect this to be top of some best of lists at the end of the year. But Zemeckis’ barbie doll CGI could turn some away. Only time will tell. 

Which of these is your most anticipated? What did I miss? Venom? Into the Spiderverse? Let me know what you’re looking forward to in the comments section below!

1990s, Article, Best Movie Bracket, Computer, Crime, Detective, Lists, Top 3

1995 Best Movie Bracket

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I have a theory that 12 years old is the greatest age. You are in the homestretch of your childhood and the world is at your doorstep. You haven’t quite entered the dreaded teenager phase where you start caring way too much about what other people think instead of just being yourself. Being 12 is great. 

As a part of that theory, I also think that the movies you see when you are 12 will stick with you and potentially even shape your future. Look back for yourself. What movies did you see when you were 12? I was 12 in 1995 and I remember having some of the best times of my life in a movie theater. It was a different time then and I recall getting dropped off at the theater at lunchtime with $20 and getting picked back up at 5 o’clock or so having binged on popcorn and soda and soaked in the flickering light of the cinema for two full films. 

I remember sitting in the theater as the lights dimmed for Toy Story, Jumanji, GoldenEye, Hackers, Batman Forever, Mortal Kombat, and A Goofy Movie. I remember sneaking into the theater for Se7en, Bad Boys, and Die Hard with a Vengeance. But my greatest memory in the theater was actually on the opening weekend of 1995’s Clueless.

My Greatest Theater Memory

I think it was my brother that took me to the theater when he was going to see Species or something like that. I got my favorite seat in those days which was literally front and center. I wanted my entire range of vision to be absorbed by the experience of the film. The house was packed and I had a group of what I can only describe as colorfully dressed punk rockers and skaters sitting there on the front row with me. The theater was a Regal Cinemas (as it still is to this day) and if you don’t know, Regal has a great intro video before all movies that make you feel like you are on a roller coaster zooming through popcorn showers and past waterfalls of Coca-Cola.

As the roller coaster came on the screen, I raised my hands to signify that I was ready for the ride with the confidence that only a 12 year old can muster. As I sat waiting for the coaster to pull out of the station, I looked around and it seemed to my 12 year old eyes that everyone was joining with me in this fanciful charade and we collectively swayed and gasped and screamed as if the coaster was 100% real. It was amazing. I shared a “gimme some skin” kind of handshake with the dude sitting next to me and we launched into Amy Heckerling’s wonderful teenage adventure. Even though I was just 12, I feel like that is the day I became a man, my cinematic bar-mitzvah. 

Best Movie of 1995

As I press on to determine the best film of each year to fill out my Best Movie Bracket, it’s very hard to separate my nostalgic feelings towards some of these films from my critical thinking. I have such great memories of watching my VHS copies of Powder, Braveheart, and Mortal Kombat, but while they may be a lot of fun, they are definitely not the best of the year. That honor belongs to… 

Win: Toy Story

Did you realize that there have been over 250 computer animated films released since Toy Story hit theaters back in 1995? What a way to start. If I look at Pixar’s canon of films, it is hard for me to count this gem out of the running for their greatest. It isn’t because the animation looks super realistic. I’m very glad they decided to go with toys because everything in this film feels plastic. However, the emotions that are conveyed certainly aren’t. 

Toy Story presents us with a buddy cop comedy featuring two leads vying for the attention of their boss. It also feels like a real-life situation for a kid who might feel as though they are being upstaged by a little brother or sister. The emotions of jealousy and anger and fear are well displayed on their plasticine faces, and it touches way down into the hearts of the viewers whether they are 8 or 80.  

Place: Se7en

David Fincher has made 9 feature films, ten if you count Alien 3 (Which I don’t). His experience with that film was so bad that he went back to directing music videos for 3 years and wasn’t sure if he would ever direct a movie again. When he did decide to come back, he created what is probably the most gritty and disturbing crime drama that you will ever see. Everyone asks what’s in the box, but there is so much going on outside of it.

Morgan Freeman is awesome as usual, this is the film that rocketed Brad Pitt into the stratosphere, and Kevin Spacey is a natural at playing the creepy sociopath. In fact, he gets to do it twice in the same year. The second was a better performance (if only because of screen time) but the movie itself fell just short of this one.

Show: The Usual Suspects

The director (Bryan Singer) and the lead actor (Kevin Spacey) may have shown their true colors as filthy scumbags, but that can’t keep me from loving the heck out of this movie. It has one of those twist endings that rivals The Sixth Sense, Soylent Green, and Fight Club, but this film has somehow flown under the radar to the point that you can actually find people who have not sullied their opinion of the film with spoilers. I’m certainly not going to spoil anything here, but Spacey is great as mild mannered Verbal Kint who serves as our narrator as we explore the crime ring led by the iconic Keyser Soze. 

What is your most memorable or transformative movie moment? What 1995 film is your favorite? What movies did 12 year-old you watch and love? Let me know in the comments!

Article, Film studies, Longform, Syndicated

Crooked Marquee – Generation Wealth: Movies About Conspicuous Consumption

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The folks over at Crooked Marquee have given us a great analysis of a variety of movies about extreme wealth and privilege and how it poisons. I’ve included a sample from their post as they discuss the documentary Queen of Versailles by Lauren Greenfield. 

As the chasm grows between those who can’t afford to visit the dentist and those who spend a year’s worth of Ivy League tuition on a handbag, it is pertinent to re-examine films about the wealth and greed…

Nearly 10 years ago, Greenfield examined the Siegel family, the multimillionaire owners of the Westgate resorts, in her documentary Queen of Versailles. Greenfield unfolds their almost carnivalesque pursuit of the most ostentatious lifestyle possible. Their myopic, moneyed view of the world is absurd, such as when Jackie Siegel complains that her 10-person family is “bursting out of the seams” in their current mega-mansion. To assuage these devastating spacial issues, Jackie aims to construct one of the largest and most expensive single-family “houses” in the United States. At 90,000 square feet, it is more like a real-life Richie Rich palace, complete with 30 bathrooms, 10 kitchens, a bowling alley, ice-skating rink, and even a baseball field.

But the Great Recession of 2008 comes catapulting into the Siegel’s dreams like a giant wrecking ball, turning their life into what David Siegel sardonically dubs a “riches to rags story.” Struggling to cope with their reduced income, the Siegels are forced to sell their lofty castle for a mere $100 million. Some of their downfall is played for laughs, like when Jackie rents a car and asks who her driver will be, but for the most part Greenfield admonishes and pities her subjects. When they must let a few of their multiple nannies and housekeepers go, their home becomes a grubby, horrifying pigsty where pets are left to die and dog shit piles on the floor. Perhaps having a four-bedroom house would be a lot more manageable for the Siegels.

One of the most wretched moments in Queen of Versailles is when Jackie, in an attempt to save money, purchases Christmas presents at Wal-Mart. She grabs as many toys as she can without even looking, putting zero thought or heart into the gifts she is giving her children. When she returns home, one of the nannies puts a newly minted bike in the garage where it sits among at least 20 untouched others of the exact same kind. Toward the end of the documentary, Greenfield asks Mr. Siegel, who is sitting on a colossal and outlandish gold throne, what his hopes for the future are. “A plane. A yacht,” he stoutly replies. He does not wish for anything having to do with his family or any kind of human experience — he just has an insipid desire for more things. But it is never enough. One of Jackie Siegel’s former neighbors attests that “the American Dream is rising way up above what you started with.” But how much is too far? There is a stark line between living a life improved and one of bloated, fanatical avarice. Queen of Versailles shakes its head in horrified and bemused disbelief at the Siegels’ profuse spending habits and strikes a deft balance between mocking and sympathizing with them…

These films hammer home similar messages about how true happiness is interpersonal and not monetary. Yet filmmakers continue to return to this theme again and again, suggesting that society’s desire for wealth is an innate part of human nature that we will never shake off. And as Laura Greenfield says in Generation Wealth, it seems to be even worse in this Kardashian, #richkidsofinstagram age. “Greed is good” Gordon Gecko once snarled in Wall Street, but these films prove that greed is also hideous, sad, thrilling, and utterly intoxicating.

Generation Wealth: Movies About Conspicuous Consumption

Article, Director, Longform, Syndicated, Theology

Looking Closer – The Theology of the Coen Brothers

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Jeffery Overstreet and Matt Zoller Seitz are two of my favorite authors / movie critics. I value their opinions and their beliefs. So I was very excited to see that they sat down to discuss my favorite living directors (Joel and Ethan Coen) and talked about their view of God. You can read the full discussion over at Overstreet’s blog “Looking Closer.” 

Religion, while it binds communities and brings meaning through ritual, is ultimately not enough. I’m not willing to brand the Coens as “covert Christians.” And even if I did, the word “Christian” is about as meaningful anymore as the word “conservative” or “Democrat”, or the term “the American way.” It means a million things to a million people. But they are definitely drawn to a vision of the cosmos that resonates with my understanding of Christ’s teachings. That is to say that “righteousness,” the ways of religion, and the law-focused method of an “Old Testament” worldview, are ultimately insufficient.

We cannot earn our way to heaven by being good. We cannot save ourselves. The Coens know that “all have sinned,” and they know that “the wages of sin is death.” Everybody is likely to die miserably in their movies, whether as a result of their own evil or someone else’s.

But there is something out there, some kind of offer of grace, and when we glimpse that, goodness happens in us. We begin to love not for selfish reasons, but as a response, as a reflection, as if we are instruments being tuned up by something greater than ourselves.

No, I think that the clearest summation of their worldview comes from Mattie in their True Grit remake: “You must pay for everything in this world, one way and another. There is nothing free except the grace of God.”

If you enjoyed that snippet, I hope you’ll read the full discussion. And if that isn’t enough there is a whole book written on the topic of the Coens’ theology. The Dude Abides: The Gospel According to the Coen Brothers by Cathleen Falsani

2010s, Article, Computer, Review, Syndicated

Looking Closer – Are Bob, Helen, Dash, Violet, and Jack-Jack still Incredible?

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Jeffrey Overstreet hits the nail on the head in his assessment of the latest from one of my all-time favorite action directors, Brad Bird. Incredibles 2 has made its box office splash and it was an enjoyable film but there was something that was nagging at me during the final act. When I read his review, he unveiled that sense of uneasiness. 

The Screenslaver’s convictions about what happens when citizens give up their agency, failing to use their democratic powers against evil, and sit around waiting for “heroes” to save the day, remain relevant to the story and worth discussing after the movie. It’s not a con, meant to distract us from the villain’s real concern. It’s just that the villain’s big secret is predictable and anticlimactic, and that speech — with its persuasively valid concerns — gets swamped by third-act action and mayhem. At the end, I’m struggling to reconstruct what the movie’s really all about.

Are Bob, Helen, Dash, Violet, and Jack-Jack still Incredible?

2010s, Article, Film studies, Longform, Statistics, Syndicated

Crooked Marquee – Halftime Report: 2018 in Movies (So Far)

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I thought that I liked statistics, but the folks over at Crooked Marquee have put me to shame. They have taken a dive into a breakdown of the roughly 615 movies released in the first half of 2018. They divided the movies into three groups: wide releases (70), limited releases (443), and documentaries (102). 

They’re not looking for the best film, but are looking at who is making these films and where are they coming from both culturally and intellectually. One of the best stats that I saw was about where ideas for mainstream feature films comes from. It’s worth a click!

Halftime Report: 2018 in Movies (So Far)