A rare mutation has occurred within the vampire community - The Reaper. A vampire so consumed with an insatiable bloodlust that they prey on vampires as well as humans, transforming victims who are unlucky enough to survive into Reapers themselves. Blade is asked by the Vampire Nation for his help in preventing a nightmare plague that would wipe out both humans and vampires.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs -- and it's absolutely impossible to contain.
After a car crash, a criminal psychologist (Halle Berry) comes to, only to find that she's a patient in the same mental institution that currently employs her. It seems she's been accused of murdering her husband -- but she has no memory of committing the crime. As she tries to regain her memory and convince her co-workers of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Shaun of the Dead is a humorous homage to Zombie movies from director Edgar Wright; an outrageous romantic comedy with zombies.
Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer abducts the morally wayward. Once captured, they must face impossible choices in a horrific game of survival. The victims must fight to win their lives back, or die trying...
Constantine tells the story of John Constantine, a man who has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
After a tragic accident, six friends reunite for a caving expedition. Their adventure soon goes horribly wrong when a collapse traps them deep underground and they find themselves pursued by bloodthirsty creatures. As their friendships deteriorate, they find themselves in a desperate struggle to survive the creatures and each other.
New England in the 1630s: William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness. When their newborn son vanishes and crops fail, the family turns on one another. Beyond their worst fears, a supernatural evil lurks in the nearby wood.
I have mixed feelings about The Witch, directed by newcomer Robert Eggers. It is an extremely well made 17th century period piece, with dialogue pulled directly from period documents, there is a sense of realism to the film. I don’t know where they found these child actors, but they absolutely nailed the dialogue. It seems as if they had been speaking old English their entire lives. The cinematography is quite good as well. The atmosphere was so natural and creepy.
Despite the technical proficiency and the rich atmosphere of the film, there were some problems that plagued the film for me. First, the mother is in hysterics throughout the film and berates every member of the family, including her husband. At one point, I wanted it to be her that made the deal with the devil? It didn’t seem natural for a wife in the Puritan setting to treat her husband like she does. Secondly, I think the witch was revealed to early in the film (even for a movie called The Witch). It could have built so much suspicion and tension as they begin to turn on one another. Finally, the last ten minutes was far too on the nose. I would have preferred a more ambiguous ending. instead, we got cheesy special effects and an interaction that was completely unnecessary. I have heard lots of good reviews but I’m just not seeing how it is that special.
A lonely waitress with a tragic past, Agnes rooms in a run-down motel, living in fear of her abusive, recently paroled ex-husband. But when Agnes begins a tentative romance with Peter, an eccentric, nervous drifter, she starts to feel hopeful again - until the first bugs arrive...
