Los Angeles SWAT cop Jack Traven is up against bomb expert Howard Payne, who's after major ransom money. First it's a rigged elevator in a very tall building. Then it's a rigged bus--if it slows, it will blow, bad enough any day, but a nightmare in LA traffic. And that's still not the end.
Lloyd and Harry are two men whose stupidity is really indescribable. When Mary, a beautiful woman, loses an important suitcase with money before she leaves for Aspen, the two friends (who have found the suitcase) decide to return it to her. After some "adventures" they finally get to Aspen where, using the lost money they live it up and fight for Mary's heart.
The Live action adaptation of a Disney Classic. When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents divorce in Brooklyn in the 1980's.
George Clooney’s fact-based drama about the famous radio journalist Edward R Murrow's stand against Senator McCarthy's anti-communist witch-hunts in the early 1950s.
Good Night, and Good Luck feels almost like a documentary of real events from the 1950s. How stunning it must have been to watch TV journalist Edward Murrow and his confrontation with Senator Joseph McCarthy. It is a political film, but it doesn’t feel preachy. It is a spectacular movie about television and the role of media in the communication of the news. It should stand side by side with other classics like All the President’s Men, and Network.
Murrow, played chillingly by David Strathairn, was there at the dawn of television journalism and he cast a mold that all serious news reporters have tried to fill ever since. This film was nominated for Best Picture in 2006, and received five other nominations but criminally went home with nothing. George Clooney was Oscar nominated for his co-writing and direction, his portrayal of the CBS studio is made even more realistic by the film being entirely in black and white.
I am a skeptic by nature and I agree with the film’s premise that we must learn to question things. Television can be a tool in this cultural skepticism when real journalism is taking place, but everything from advertising to our own shrinking attention spans has turned television into just another entertainment device. As Murrow says at the end of the film,
There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful. The instrument can teach, it can illuminate. Yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise, it is merely lights and wires in a box.
The same could be said of the silver screen and the films that are produced by Hollywood. I’m glad that movies like Good Night and Good Luck still exist to do more than entertain but educate and enlighten.
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
