Tag Archives: Tom Holland

Most Anticipated Releases – July 2019

Happy Birthday, America! Summer is in full swing and there is a whole slew of great looking films coming to theaters. With so many things going on during the summer I want to make sure you have a guide for the best movies headed your way. Granted, not all of these will match every person’s taste. Hopefully if one or two aren’t your style the others will fit you well.

Spider-Man: Far From Home – July 2

If you haven’t seen Endgame then don’t watch this. For that matter, don’t read this article. Just go buy a ticket a watch it. Help it beat Avatar and The Force Awakens.

Well, Thanos and his armies are finished and the remaining Avengers are moving on with their lives after the traumatic events of Endgame. It will be interesting to see where Marvel plans to go from here. They have our attention and all of our money so now they can really shoot for the fences and give us all the superhero movies we never even knew we wanted.

I haven’t found anyone who doesn’t like Tom Holland’s Spider-Man. He brought the wit and frenetic energy to the web-slinger that we’ve been missing for quite a while. This really feels like a new beginning for the entire MCU, because from the trailer we now know that it does come after the events of Endgame. However, Kevin Feige back in April before Endgame was released said that this would be the final movie of phase three instead of beginning phase four. Part of me thinks that was just a dodge to keep from giving away details from Endgame including the fact that Spider-Man and all of his snapped buddies come back to kick butt.

Regardless of whether it is an end or a beginning, I’m excited to see what antics this friendly neighborhood Spider-Man gets into when he and his school friends leave the five boroughs and head to Europe for a summer vacation. We know that Mysterio (Jake Gyllenhaal) will be making an entrance and at least according to Nick Fury he’s a good guy from an alternate dimension. I hope that’s true because he’s never been a good guy in this dimension before. Spider-Man: Far From Home swings into theaters on July 2nd.

Midsommar – July 3

We’ve always been taught to be afraid of the dark. What happens when the really scary things happen in the daylight?

Right on the heels of a fun superhero movie comes the creepiest looking movie of the year. Ari Aster made Hereditary last year and he was immediately recognized as a fresh new voice in the horror/thriller genre. Midsommar is his much-anticipated follow-up film and the trailers make it look like a suspenseful slow-burning horror film that leaves all the lights on instead of being all dark and creepy with shadows and jumpscares.

It looks like a combination of The Wicker Man (the original one from 1970s, not that horrible remake with Nicholas Cage.) with its strange pagan rituals and The Stepford Wives (the original one from the 1970s, not that horrible remake with Nicole Kidman.) with the idyllic surroundings and cheerful almost too happy people. It just makes you know that there is something darker lingering under the surface. If you haven’t seen either of those or Hereditary, I would recommend seeing them if this looks interesting to you. Midsommar will be in select theaters in time for the July 4th holiday.

The Art of Self Defense – July 12

Could this be the Lex Luthor origin story? After learning karate he unlocks his hidden passion to take down the ubermensch.

A dark comedy set in the world of karate. The film centers on Casey (Jesse Eisenberg), who is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei (Alessandro Nivola), in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity, violence and hypermasculinity and a woman (Imogen Poots) fighting for her place in it. Casey undertakes a journey, both frightening and darkly funny, that will place him squarely in the sights of his enigmatic new mentor.

Let’s face it, Jesse Eisenberg is a wimp. At least that is the persona that he has chosen with his film career. Well, this film looks like it is playing right into that sniveling weakling persona and it could be the most Jesse Eisenbergian character that Jesse Eisenberg has ever played. Feeling inadequate, he is going to try and learn how to be a man and things are going to go wrong. If you couldn’t tell, this is a dark comedy and probably has a lot to say about the kind of stereotypical machismo that we all understand. The Art of Self-Defense will fight its way into theaters on July 12th.

The Lion King – July 19

Does it count as live action if all the characters are CGI?

Everyone knows the story of the lion prince who would be king who is betrayed by his evil uncle and leaves the kingdom in the wake of his father’s traumatic death. While he is away he makes friends and tries to forget his past. But his past finds him and he must choose whether he believes in himself enough to take his rightful place as king. Sounds Shakespearean right? That’s because it’s Hamlet with Lions.

As needless as they are, most of the Disney live-action remakes have been good. None have surpassed their originals in my opinion and I think Lion King will be fighting an uphill battle to even get close. It is widely considered to be the pinnacle of Disney Animated Musicals. It doesn’t seem like this one can really miss at the box office. It is a sure success. Parents who loved the original taking their kids to see the movie that they were shown when they were babies. Hopefully, it will update and spin the story in a new way, but even if it doesn’t I think it will make heaps of money and probably get mostly favorable reviews. We’ll find out on July 19th when The Lion King marches into theaters.

Once Upon a Time in Hollywood – July 26

Quentin Tarantino’s 9th film according to the trailer, but 10th if you call Kill Bill two movies. Or maybe he’s not counting Death Proof. Anyway, I count ten.

Tarantino has called this his most personal film. Tarantino moved to a community called Torrance just southwest of L.A. with his mother in 1966 when he was 3 years old. Some of his earliest memories may have included discussion around the dinner table about Hollywood and hippie culture. When the movie was announced, and it was revealed that Sharon Tate would have a role, it was assumed that this would be a movie about the Manson family murders, but Tarantino has denied that saying that while many of the characters overlap, the movie is actually about the loss of innocence in the late 60s.

I’m excited to see what all the fuss is about, besides a cast that includes Brad Pitt, Leonardo DiCaprio, Margot Robbie, Emile Hirsch, Kurt Russell, Timothy Olyphant, Dakota Fanning, Bruce Dern, and Al Pacino. Apparently, it got a six-minute long standing ovation at Cannes. That seems excessive. Have you ever clapped for an extended period of time? It hurts your hands. Tarantino is probably one of the biggest geeks about that culture which included kung-fu movies and spaghetti westerns. I’m sure that much of that respect and admiration comes through. If there is one thing that you can count on Hollywood to love, it’s itself. We’ll see what secrets Tarantino holds in Once Upon a Time in Hollywood on July 26.

Do you have any thoughts on the movies I mentioned? What are you hoping to watch in July? Leave a comment below or find me on social media. I’m always ready to talk about movies.

Captain America: Civil War (2016)

When Marvel Studios began ambitiously building towards the first Avengers movie, many openly wondered: “How can they even hope to do this?” Many times over the years, most notably in Sam Raimi’s bloated Spider-Man 3, too many characters clogged up the screen, diluting that film and others like it of any real focus. This was a legitimate concern for Marvel and for The Avengers, a movie that was going to star not one, but seven superheroes. Now we jump ahead to 2016 and seven superheroes suddenly doesn’t seem like such a big number. Now Marvel has arrived with Captain America: Civil War, the latest in their progressively expanding franchise, with a lineup that includes 12 superheroes and three villains. Have we reached maximum capacity superhero? Was this finally, once and for all, just too much?

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Judging from the $1.1 billion that this film has grossed worldwide, I would say that is a big NOPE. Captain America: Civil War doesn’t even feel like a crowded restaurant on a Friday night. Suddenly, I can imagine the whole mutant universe from the X-Men films joining with the Fantastic Four and the Guardians of the Galaxy. I’m getting excited just thinking about it. I will try not to spoil anything major however, if you haven’t seen this film stop reading and find a theater and go see it. It won’t be there much longer. Soon it will be moving to Blu-Ray and will hold a permanent spot on my shelf. Also, since this is a sequel to other Marvel Cinematic Universe (MCU) films you should be familiar with them as well.

Civil War is loosely based on a 2006-2007 Marvel comics storyline, the film serves as a sequel to both Captain America: The Winter Soldier and Avengers: Age of Ultron. The film opens with Captain America and a small group of Avengers — Falcon, Black Widow and Scarlet Witch — teaming to stop Crossbones from stealing a biological weapon. Crossbones is Frank Grillo who survived the ending of Winter Soldier, but now has a severely scarred face and jackhammer fists. Despite stopping Crossbones, the operation ends poorly, resulting in a number of civilian casualties.

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The Captain and team are called into the office of the Secretary of State, Gen. Thaddeus “Thunderbolt” Ross. You’ll remember him from 2008’s The Incredible Hulk. Following the events of Age of Ultron, the United Nations drew up the Sokovia Accords, a treaty that would essentially put the governing nations in charge of The Avengers. Tony, after being confronted by a mother who blamed him for the death of her son in Sokovia, is feeling guilty and sides with Ross arguing that the Avengers need to be put into check.

Naturally in a movie subtitled Civil War, not everyone agrees. There are some polite arguments and disagreements until a terrorist attack at a United Nations conference is blamed on Winter Soldier. Polite arguments quickly heat up as Cap defends his BFF and is determined to keep him concealed as they attempt to prove his innocence. With the Sokovia Accords now signed, Ross wants Captain America and his team arrested. Tony Stark asks for 36 hours to bring them in without incident. Let the Civil War begin.

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In a movie that has an almost literal army of superheroes — Captain America, Iron Man, Winter Soldier, Falcon, Hawkeye, Black Widow, Scarlet Witch, Vision, Black Panther, Spider-Man, War Machine, Ant-Man, it’s almost remarkable that a movie this big can still feel intimate. True to its name, Civil War remains a movie about Steve Rogers and Bucky Barnes, two friends from Brooklyn and their enduring relationship over 60 years. However, this movie is definitely not a bromantic comedy.

Captain America: Civil War includes some of the finest action in a Marvel movie, including a glorious showstopper extended battle sequence between Team Cap and Team Iron Man at a Berlin airport. It’s a magnificent and exhilarating scene that never once feels overstuffed or confused, despite the sheer enormity of the action. What could serve as the detriment to some hero-stuffed movies, actually works to the advantage of Civil War. Part of what is so delightful is how easily the characters, the majority of which we’ve come to know over the course of 13 Marvel Studios movies, interact and play off each other. Scarlet Witch using her powers to allow Captain America to super jump into a high-rise building. Hawkeye firing a miniaturized Ant-Man on an arrow inside Iron Man’s armor. Spider-Man using his webbing to wrap up…OK that one is too good to spoil here.

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After this sequence, which would be an extremely hard act to follow, directors Joe and Anthony Russo wisely dial back the scope of the film. Instead of trying to go even bigger and having our heroes fight against a giant, spiny, CGI glob, the focus shifts to our three main protagonists: Tony, Steve and Bucky. While more than one character manipulates the events of this film for their own nefarious purposes, it all comes down to these characters, ultimately Captain America vs. Iron Man, and their own beliefs, personalities, neuroses and paranoias coming out to play. Tony expresses resentment over how his father, Howard Stark, liked Steve Rogers more than he liked his own son. Steve repeats a line a pre-Super Serum Steve told a group of bullies who were beating him up in an alley (“I could do this all day”).

This is not some hastily assembled superhero brawl to sell more movie tickets; These two have been bickering and brawling over the course of two Avengers movies — one of their very first conversations includes Cap telling Stark, “Put on the suit, let’s go a few rounds.” — and that all comes to a head over the course of the film, whose finale feels earned rather than mandated by the mechanics of the plot. If the idea of watching even more superheroes punch each other after Batman vs. Superman feels like a chore, let me assure you this film could not be more dissimilar. While slightly overlong, this movie is bright, creative, insightful, affecting and, above all else, fun.

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Here’s how enjoyable Captain America: Civil War is: Much has been made about Spider-Man returning to the Marvel Cinematic Universe after a few disastrous movies over at Sony Pictures. I was acutely aware and excited that Spider-Man would be making his debut in this movie alongside Captain America, Iron Man and the rest of the Avengers. Yet midway through the movie, I was so invested in the film, that when Spider-Man shows, it was a legitimate surprise. Civil War is so entertaining that I actually forgot Spider-Man was coming. It’s like enjoying a delicious meal and then the chef reminds you that was just the first course.

By the time Avengers: Infinity War – Part 1 charges into theaters in 2018, who knows how massive the film’s roster of superheroes and supervillains will have expanded to, and whether that will be too much. Just a few years ago I would have argued that this film would be “too much.” However, for now, it turns out that “too much” may be just enough.