Tag Archives: best movie

2010 Best Movie Bracket

There were a tremendous number of innovative and well crafted movies in 2010. This made it very hard for me to decide on my top movie for this year. A lot of the the critics that I really respect pick a ton of independent films that only 20% of film-goers have even really had the opportunity to see. I tend to watch more populist films or independent films that get a fair amount of press. As I have already expressed, I am only picking from movies that I have seen, so I had to pass over films like Never Let Me Go, or A Prophet.

Even without those films, and not counting the three that I finally chose, we still had Inception, Black SwanExit Through The Gift Shop, DogtoothTrue Grit, Scott Pilgrim vs. The World, Meek’s Cutoff, and Winter’s Bone. Yes, you heard that correctly, I am not including Inception in my top three. It is certainly a good film and I would consider it part of my top 10 of the year, but it had some big problems that I couldn’t get past. Christopher Nolan wants us to see this as his greatest achievement, and while it is gorgeous and very intricately crafted I wish he didn’t feel the need to explain everything so explicitly and the fact that we don’t get much character development.

As far as the box office for the year, it looks like this year is lining up to be very similar to 2010. Five of the top ten highest grossing films of the year were animated, six if you include Alice in Wonderland, and many of them were very good, but I think that as we march backwards through time we will see the chasm between a film’s financial success and visionary prowess shrink. So let’s see the three films that I put on the top of the heap.

3rd – The King’s Speech

Tom Hooper’s historical feature The King’s Speech was the big winner at the Oscars celebrating the films of 2010. It won 4 Oscars including Best Picture, Best Director, and Best Actor for Colin Firth who gave a fantastic central performance as a man with a crippling handicap who just happened to be Britain’s King George VI. The central relationship between Firth and Geoffrey Rush who plays his unorthodox speech therapist is filled with a wry and self-effacing sense of humor.

It’s a pleasure to watch Firth bring a heavy tension and frustration to his role as a man who cannot find his voice who has been thrust into the role of the voice of all of England. Firth begins the film by stepping up to a microphone as if he is stepping into a hangman’s noose. After a series of failed attempts with vocal coaches, his wife Elizabeth (Helena Bonham Carter) pairs him with the unconventional Rush who insists on calling the budding monarch “Bertie” and treating him as an equal. Eventually, Firth unbends under Rush’s calm, unforgiving style and unwavering good humor. Firth’s agony and this rich relationship makes this one a good candidate for the best of the year.

2nd – Toy Story 3

Toy Story 3 was the top grossing film of the year coming in almost $100 million above Alice in Wonderland. I often think about the reason why these animated films do so well at the box office. I think a huge part of it is because kids can’t go to the movies by themselves. So with every group of happy children there is at least one adult along for the ride. It is like a buy one get one deal in reverse where the theaters sell one ticket and get one more at full price for good measure. However, I think that with Toy Story 3, there may have been times when the kids were being dragged in by the parents who were hoping to catch a glimpse of the magic they saw years before.

In this third and what we thought would be final Toy Story movie, we see a bunch of toys desperately trying to force an 18-year-old to play with them the way he did a decade ago. Coming to the realization that he has moved on, they mourn and debate about their place as Andy’s toys. The Toy Story movies have always been about the joy of play, but never before has it seemed like such a drag to be a toy. The fate of most toys is probably a horror story if we think about it. Essentially, they are immortal beings whose only pleasure comes from entertaining fickle children who will quickly grow up to forget them, leaving them to be broken and discarded.

There were few grimmer movie moments in 2010 than the point where the toys face their deaths, and few more uplifting sequences than the film’s ending. It’s strange to speak of a kids’ film as challenging, moving, and heartfelt, but Pixar’s movies continue to be some of the most sophisticated and entertaining films that we see all year, bar none. They did it again this year with Finding Dory though maybe not to the extent of Toy Story 3.

1st – The Social Network

Writer Aaron Sorkin (West Wing, A Few Good Men) and director David Fincher (Se7en, Fight Club, Zodiac) make a movie about the contentious beginnings of Facebook, scored by Trent Reznor and Atticus Ross from metal band Nine Inch Nails. While that certainly sounds interesting and potentially exciting, it also sounds like it could be a bit of a mess. I remember thinking when I heard about the plans for this film that it had everything it needed to be great it just had to find a way to put all those things into one box.

That is what makes this movie is so audaciously impressive. Sorkin is famous for his extremely verbal dialogue. How could that exist alongside the visual stylings of a guy like Fincher? And what business do these guys have working on a Facebook biopic since their specialties seemed to be government corruption and cover-ups, murder, scandal, and social unrest? They made it work to amazing effect. Using the deposition recordings of two separate lawsuits against Facebook head Mark Zuckerberg  as an ingenious framing device,The Social Network traces the site’s origin in all its agonizing complexity.

Speaking of Zuckerberg, if you have seen this movie, the picture that you get in your head probably looks a good bit more like actor Jesse Eisenberg than the actual founder. Eisenberg was able to capture the innovation and youthful energy of Zuckerberg while also detailing his all too human flaws. We completely forget that this is a movie about recent events in the unfolding of the technological world and we are enthralled in this compelling story of a genius who is often petty and puerile but is also driven pathologically by the same thing that drives the 500 billion users of Facebook… the need to belong.

What do you think? Did I get it right? I’m actually going to put an asterisk on this one because I would like to potentially come back and add Toy Story 3 if I don’t use my four ties before the end.

2012 – Best Movie Bracket

It is so hard to distinguish between the best movies of the year and the ones that I like to watch repeatedly. Sometimes they are one and the same. I absolutely loved The Perks of Being a Wallflower, but I have a feeling that my enjoyment of the movie is more about my personal connection than the actual worth of the film.

There are also several very good films that I consider extremely worthy of being considered the best of the year, such as; LincolnLife of PiThe Master, and Silver Linings Playbook. They are honorable mentions, but unfortunately I had to cut it down to three.

Continue reading 2012 – Best Movie Bracket

Determining the Best Film of All Time

I have a desire to figure out what my favorite film of all time is. To do this, I am going to take a look at each year (Working backwards from 2015) and determine the best film of that year. My apologies to movies before around 1950 and those that will be released afterwards, but I need to have a top 64 and this is the only way that I can think to narrow them down without rating every movie made and just picking my top rated.

I’m sure there will be some years that I struggle to pick an overwhelming favorite, so I will be open to the possibility of carrying two films from a single year no more than 4 times throughout this process. I say 4 so they can have a runoff at the end to determine who will make it into the top 64. I’m going to attempt to do a year every other day or so, so this could take a while.

But once I have the top from each year, I will put them in a bracket. I think I will use IMDb ratings or Metacritic scores to determine seeding. Then I will have a tournament to determine the best. We will have vs. matchups which will be fun because I will get to compare and contrast some likely very different films and have to determine a winner. It should be fun.

I’m going to work my way backwards from newer to older. Obviously, there are gaps in my watching habits and films that I have not yet seen. This will of course only be the top 64 films that I have seen. I will be looking ahead to try and watch some films that others have chosen as their best of a year that i have missed, but I’m sure I’m going to leave some out. If you’d like, I’d encourage you to play along with me. I’m going to keep my list here on a page and then I will convert the list into a bracket.

Right off the bat, I’m having conflicting thoughts about the whole process, because I feel like I am going to be leaving out some incredible films in my goal to pick the best of each year. Let me also say that I am seeking to find the overall best film of all time. There are a lot of different types of films from documentaries to musicals, Drama to blockbuster, independent to big budget, and I really like all types of film.

My only limitations are the fact that I only have 2 eyes and 24 hours in a day. So my list will reflect some big Box Office smashes, to which my indie film friends may turn their noses up, and some Oscar contenders which probably slid under many people’s radar. I am a normal guy and generally don’t attend a lot of indie or private screenings so most of what I watch has to have at least a moderate release or availability on streaming services or Blu Ray.

What do you think about this goal? Anyone want to play along with me? What should I call this?