We’re beginning to get into years that I haven’t seen as many movies. I was a minor in 2000 so I couldn’t go see R rated movies without my parents and I lived in a pretty conservative home. However, I’ve seen many films since that time and tried to fill in the gaps. This list has always been a subjective one, but I like to be fair in my judgments so I will try to take the advice of other critics and moviegoers into consideration as we move forward in this process.
I’m also going to try and move quickly through these, because I think the real fun is going to be when we have the head -to-head match-ups of the bracket. With that in mind, I’m just going to list my top 3 and then any honorable mentions will be in the read more section. Here we go.
I’m glad this is the Best Movie Bracket and not the most re-watchable or most entertaining movie bracket. Requiem for a Dream will stay with you and make you feel like you might never be happy again. It is like a film Dementor. We follow four people involved with drugs as their lives spin more and more out of control; the devoted mother (Ellen Burstyn), her junkie son (Jared Leto),his girlfriend Marion (Jennifer Connelly), and their friend (Damon Wayans). Everything is spinning out of control, because when it comes to drugs, once you are hooked, you are hooked.
Darren Aronofsky (Black Swan, The Fountain, and Pi) brings the camera so close to the characters that you can almost feel their sweat dripping on you. As they stumble confused through their addictions and the consequences of them, Aronofsky makes us feel every emotion until we feel like throwing up in unison with these poor souls. The last half hour of the movie is a crescendo of these stories and it is the most effective part. He cuts between all four stories as they go deep down the rabbit hole each in their own way. Ellen Burstyn was deservedly nominated for an Oscar for her performance as Sara, the lonely mother who puts up with everything just to get a visit from her son.
Set in 1973, it chronicles the funny and often poignant coming of age of 15-year-old William, an unabashed music fan who is inspired by the seminal bands of the time. When his love of music lands him an assignment from Rolling Stone magazine to interview the up-and-coming band Stillwater — fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William embarks on an eye-opening journey with the band’s tour, despite the objections of his protective mother.
Cameron Crowe (Writer of Fast Times at Ridgemont High, Director of Say Anything and Jerry McGuire) directs this nostalgic story as if it was his own childhood. I am personally not a big fan of 70s music, but it is used very well in this film, most of my favorite scenes are made all the more memorable by the music, which includes Simon & Garfunkel, Elton John, Joni Mitchell, Black Sabbath, and The Beach Boys. Most of the actors and actresses in this film give the performance of their lives, Frances McDormand being especially comical as William’s mother, and many of the best moments are all hers. William himself has an endearing quality about him to the audience, and I’m surprised I haven’t seen Patrick Fugit in any other films since this one.
Ridley Scott (Alien and Blade Runner) created this shields and sandals epic. It is considered by many to be the best movie of 2000. It was nominated for 12 Oscars and won Best Picture, Actor, Costume, Sound, and Effects. The acting in the movie more than lives up to expectations.
Russell Crowe is brilliant in his role as Maximus, the “general who became a slave, who became a gladiator, who defied an emperor.” Crowe’s intense style is perfect his character’s relentless determination and confidence. Joaquin Phoenix is equally wonderful in his role as the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine.