Tag Archives: Oscars

2010s, Article, Awards, Engaging Culture, Philosophy, Theology

Redeeming the Oscars

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Another year and another Oscars ceremony in the books. I have a love-hate relationship with the Oscars. I love film for its power to communicate ideas and transport viewers to distant worlds and times. This year, the Academy rewarded a well-crafted, insightful, and entertaining film, Parasite, with Best Picture, Best International Film, Best Original Screenplay, and gave its Director Bong Joon Ho the Best Director award. As a subtitled, South Korean film, this was a huge step in normalizing and legitimizing world cinema because it is the first time ever that a non-English speaking film has taken home the highest award of the night.

However, the Academy Awards ceremony has become known, especially by Christians, as a place of rampant liberal politics. Because of this, most Christians stay away, not just from Oscar night, but from Hollywood in general. In my opinion, this is a mistake. To look at Hollywood as if it was a place that is beyond the reach of God’s grace is to put God in a box. What would it look like for Christians to be salt and light in Hollywood?

Art Imitates Life

I take the Oscars ceremony as an opportunity to look back on a very busy year. On the world’s stage, we saw protests and violence in Hong Kong, Algeria, India, Nicaragua, and others. Both the Amazon and Australia were on fire. Brexit stretched on, while China and Iran had conflicts with the U.S. over trade and nuclear weapons respectively. Speaking of the U.S. there was obviously the circus that was the House of Representative’s impeachment of President Trump.

Film is a fascinating storytelling medium with the ability to speak to the trends of the day in unexpected ways. Consider two 2019 releases. Captain Marvel is a veiled commentary on immigration policy and Greta Gerwig transformed Little Women into a feminist manifesto instead of a timeless story of faith and family.

The liberal politicization of Hollywood has turned many Christians off to film in general. This agenda is on full display at the Oscars. For instance, Brad Pitt used his acceptance speech for Best Supporting Actor in Once Upon a Time… in Hollywood to comment on the Senate’s acquittal of President Trump.

Ego and the Greatest Snub

But Joaquin Phoenix one-upped everyone in the room when he equated gender-equality and racism with animal rights as he encouraged everyone towards his vegan agenda and indicted everyone for their egocentric worldview which leads to inequality. While Mr. Phoenix and I would disagree about the rights of a cow when compared to the rights of indigenous peoples, I would completely agree with his assessment of egoism.

I’m happy that today’s films elevate the voices of the marginalized. God calls his people to fight for justice for the oppressed. But the biggest snub of this year’s Oscar ceremony was not the fact that there were no female directors or that The Irishman went 0 for 10. This one is even more glaring. As I listened to the acceptance speeches, I don’t think I heard a single mention of God. No word of thanks or praise. Of course, I may have missed something, but even in the official Oscars Acceptance Speech Database (Yes, that is a real thing), the number of mentions of God has been steadily dropping over the years.

The most recent mention of God that wasn’t a vain exclamation was back in 2018. Regina King said, “God is good all the time,” in her win for If Beale Street Could Talk. In the most recent actual expression of thanks to God, Common said, ” First, I would like to thank God that lives in us all” when he accepted the award for Best Song for “Glory” from Selma in 2014.

The Absence of Light

How did things get so dark? It’s a picture of Romans 1:21, “For although they knew God, they neither glorified him as God nor gave thanks to him, but their thinking became futile and their foolish hearts were darkened.” Do I say this with my nose held high in the air as I condemn those sinful Hollywood heathens? Of course not. We are no better. All people have sinned and bring shame on the glory of God’s image in them. In fact, much of the darkness prevalent in Hollywood is overwhelming because of the absence of the light that should emanate from the lives of believers.

Christians should be different. Does light have any fellowship with darkness? Does saltwater and freshwater come from the same spring? Of course not. But at the same time, we are not called to exit from culture and cloister ourselves away. Light should be put on a lampstand and salt should be used to preserve, transform, and flavor. Christians lose their identity in Christ and are freed to take up the cause of others. They are freed to lose their life for the cause of the gospel of Christ. This means engagement with culture.

Creators

Engagement can look many different ways for different Christians. Maybe you are called to create art that influences culture by showing God’s transformation to a watching world. Think of a movie like The Blind Side that doesn’t have any overt Gospel message but shows what a selfless, other-centric, God-glorifying life looks like. More creators need to step up to bat and more churches need to support their creative efforts.

Redeemers

Maybe you will engage with culture by finding the redeeming aspects of culture and calling attention to them. This is the affirmation that all truth is God’s truth and when the culture gets it right (even with the wrong motives or worldview) we need to be ready to cheer on the truth in those common areas of human flourishing. This comes through in a film like Spotlight that reveals corruption and evil that people inside and outside of the church should condemn. Believers need to respond to these films in positive ways to show that our faith is about more than believing some platitudes about Jesus.

Prophets

Finally, we need those who will stand in the gap and engage with culture by speaking the truth in love. Paul walked through the city of Athens and drew attention to their great religiosity, though it was misguided and twisted. He used the words of their own poets to show them a better way in Jesus Christ. I try to do this. For instance, in my recent article about 1917, I looked at the darkness of war and the way that all people reflect on their mortality in the face of danger. I also showed the light and freedom possible in a life spent in the cause of Christ. My hope is that someone may read or hear my words and would see that Jesus is infinitely better than anything else in our finite lives.

I hope you’ll think about how you can engage with the culture around you. If Christians are to be identified with Christ, we must do more of what he did. That means spending more time doing life with people the way Jesus did. Granted, this might mean being accused of the things that he was accused of, but I’m willing to endure that for some to see Jesus as I have seen him.

Maybe Hollywood is too far gone for my prayers and words to have any effect, but I worship a Savior who knew no limits to the love he would show to snatch men and women from hell and bring them back into right relationship with his Father. We have been given this same ministry of reconciliation, and if we pull out of the conversation and don’t shine our light, then we are the ones truly responsible for the darkness.

2010s, Action, Article, Best Movie Bracket, Biopic, Comedy, Drama, Heist, Lists, Musical, Prison, Reviews, Romance, Sports, True Story

Best of 2017: Insiders 6-10

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After getting a bit sidetracked with Oscar predictions, let’s get back to the Best of 2017. You can see my 11-15 and 16-20 as well, but as we enter the coveted top 10, we find some truly remarkable films that resonated with me personally. I am proud of the diversity of films from drama to action to biopic. Let’s go!

10. Logan Lucky

Steven Soderbergh comes out of retirement to make his best since the original Ocean’s Eleven remake. He shows off his flair for visual storytelling and gives us a hillbilly fairy tale wrapped up in a heist movie. The cast of characters is outrageous, the premise is outlandish, and the film is outstanding.

The film centers around the Logan brothers played by Adam Driver and Channing Tatum and their plan to rob Charlotte Motor Speedway in efforts to break the 100 year old Logan family curse. Other cast members include Riley Keough, Daniel Craig, Seth MacFarlane, Sebastian Stan, Hillary Swank, Katie Holmes, Dwight Yoakam, and so many more deliciously funny characters.

I know many people who might not be as stereotypically country as these characters are but who suffer from a curse nonetheless. This curse of living paycheck to paycheck and being overlooked and derided is turned on its head as they mastermind a heist that would make Danny Ocean jealous. It is a hilariously wild ride, with a strong focus on family and a message about changing your station in life that might surprise you.

9. Phantom Thread

In opposition to the previous entry, Phantom Thread is set in the alluring world of 1950s British couture. Paul Thomas Anderson helms what is supposed to be Daniel Day-Lewis’ final performance. The previous collaboration of these two produced one of my favorite movies of all time, There Will Be Blood. I hope this isn’t the last we see from Daniel Day-Lewis because he is one of the greatest actors of our time and he has much more to give. However, if he did choose to make this film his last it would be a fitting close to an amazing career.

Hey plays Reynolds Woodcock who is a fictional mashup of several real designers from this time-frame. He is an exacting personality, he is brilliant but petulant and spoiled. The best thing about this film was the surprising humor. It arises from places you would not expect and the whole story goes in a direction that subverts the viewers expectations. It is a twisted picture of love, relationships, and power.

8. I, Tonya

Much like Phantom Thread, in I, Tonya we have a unique character study with dark humor that springs from odd places. People my age and older may think they know this story. We watched much of it play out on television. It happened right at the beginning of this new trend of 24/7 news coverage. So for weeks, you could not escape the saga of Nancy Kerrigan and Tonya Harding.

The story is so strange because of the varied and conflicting versions of the story that come from all sides. Instead of trying to present the truth, it seemed to leave us in an ambiguous place where we are rooting for the good in Tonya while still seeing he faults and part to play in the whole fiasco. Violence was the language that these people spoke and while that does not excuse any actions, it does provide a picture of the twisted mindset that could commit this crime.

Part of me wonders how much coverage this story would have received without the media coverage that it received. Did our thirst of “news” as entertainment feed into this? Because just as soon as a bigger story came along we were off on our next witch hunt. Today, this thirst has grown exponentially to the point that this story would have been nothing more than a blip on our Twitter feeds that would disappear within a few moments as soon as the next viral video appeared.

Margot Robbie and Sebastian Stan were very good, and the visuals could almost fool me to think that Margot Robbie trained to actually complete a triple Axel just for this film. The way that they filmed the skating sequences was captivating as well with the camera moving fluidly around the skater as the perform on the ice. However, the real star and one of the best overall performances of the year was from Allison Janney who played the cartoonishly evil mother of Tonya. She was wickedly delightful.

7. Baby Driver

The more I think about this movie the higher I want to put it on my list. Looking back in a couple of years after I own this Blu-Ray and watch it 5-6 dozen times it will probably find its way well into the top five. I love that it came in with a modest budget and blew it out of the water showing that you can make original and artful cinema and still make loads of money.

When I mention Edgar Wright, you might recognize the name from Shaun of the Dead, or Hot Fuzz. Here Edgar wright uses more of his distinct visual style and uses it to craft a musically choreographed heist film. Do yourself a favor and watch the first 6 minutes of the film. If it strikes your fancy then you will love the whole film. If it doesn’t then you may be doing something wrong.

My one issue with the film is that the whole thing isn’t presented as a musical. There are certainly musical elements and complete scenes that are linked directly to the music we hear, but I would have loved to see a full blown action centered La La Land type film.

6. Lady Bird

I have to admit that I jumped pretty hard on the Lady Bird bandwagon, and it’s hard not to. It is delightful. Its simplicity is part of its charm. However, I think that the simplicity might keep it from taking home any of the 5 Oscars it is nominated for on Sunday. But that is okay. It doesn’t need to be controversial or flashy to draw attention.

I feel like Lady Bird was so well loved because the characters albeit quirky are so accessible. Have you ever wanted to spread your wings and escape from your town or your school or your family? Everyone has! So much of this comes from the performances of Soairse Ronan and Laurie Metcalf. Ronan manages to capture that odd teenage limbo between the confidence in their own abilities and the realization that they are clueless as they prepare to leave.

Did anyone else feel like Metcalf appeared out of nowhere like someone had her locked in a time capsule since Roseanne. She was so good. She was warm and motherly and cold and calculated all in the same scenes. I have to give a small shout out to Tracy Letts as well as the dad. With three teenagers or nearly teenagers of my own I always look out for great father figures and he is now up there with the likes of Stanley Tucci from Easy A.

Did you hate any of these movies? Am I out of touch because I chose an Oscar bait movie like Phantom Thread or do I need to give up my Movie cred because I liked a trailer trash movie like Logan Lucky? I want to see your top 10 lists, leave me a comment here or shoot me a message on social media!

2010s, Awards, Great Movies, Television

Oscar Outlook: Best Picture

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The Oscars are almost here and I’m excited to talk about the biggest award of the night. We sit through all the other awards to see which film is going to take home Best Picture. I remember my father having a poster of all the Best Picture Academy Award winners from 1927 – 1991. I studied that list of films, many of which I had never even heard of, much less seen. But it gave me a sense of this world of films that I was stepping into at just 10 years old.

I remember watching Billy Crystal hosting that next year’s Oscars. I remember asking about some of these films that I was too young to watch and begging my parents to let me see them. My father was a collector of VHS films during those days and once I could get my hands on it, one afternoon as a latch-key kid, I remember watching the Best Picture winner of 1992, Clint Eastwood’s Unforgiven. I think 10 year old me probably would have ranked Aladdin above Unforgiven (35 year-old me might just do the same thing), but I was hooked and wanted more.

Since those days, I remember watching all kinds of films from Hitchcock and Kubrick to westerns and war films. I had developed a taste and would never go back. Perhaps this year, there will be another 10 year old boy who might watch to hear “Remember Me” from Coco, but will stay up late to hear the proclamation of the Best Picture of the year and might ask his parents if he can see Dunkirk or Lady Bird. The Oscars are a love letter to the cinema that we adore so deeply and cherish so fondly.

Best Picture

And the nominees are…

  • The Shape of Water
  • Three Billboards Outside Ebbing, Missouri
  • Darkest Hour
  • Call Me By Your Name
  • Dunkirk
  • Get Out
  • Lady Bird
  • Phantom Thread
  • The Post

Who Will Win

When nominations were first announced the clear favorite seemed to be The Shape of Water. However, it seems that the tides have turned towards my pick which is Three Billboards Outside Ebbing, Missouri. I’m happy with this change because I did not enjoy The Shape of Water as much as many of my movie loving friends. Three Billboards, on the other hand, has grown on me and found itself squarely in my top five movies of 2017. It could very easily be the big winner of the night with Best Picture, Actress, and Supporting Actor. What a shame that Martin McDonagh was not even nominated for direction. This original screenplay is also nominated but will most likely lose to Get Out.

Outside Chance

Of course, it is very possible that The Shape of Water could hold onto its original popular sentiment and win. The film is gorgeous, but I think Guillermo Del Toro’s Pan’s Labyrinth was so much better. I would be shocked if Get Out squeaked away with the victory, but it is not out of the realm of possibility. I really enjoyed Get Out, it was one of the best theater going experiences of the year. It is currently ranked just below Three Billboards in my top 10 of 2017.

Who Should Win

This is probably cheating, but if I had one wish, it would be for Warren Beatty to come out with Faye Dunaway for their second chance to announce the Best Picture award after last year’s fiasco, and I want him to rip up the ballot and declare that The Florida Project is the best movie of the year. It is available for streaming right now on iTunes, and many other sites. It has so much heart, imagination, and despair all wrapped up in a seedy hotel nestled just off I-4 in sunny Orlando, Florida just outside the Happiest Place on Earth.  Watch the trailer below and try not to fall in love with Brooklyn Prince and forget everything you ever though you knew about Willem Dafoe. It was criminal that his performance was their only nomination. This was the only glaring snub that I saw this year.

What do you think? Who will take home all those little golden statuettes tomorrow? Do you care? Will you even be watching? Do you remember some of the first movies that made you love film? Share with me below or send me a message on social media.

2010s, Actor/Actress, Awards, Television

Oscar Outlook: Male Performance

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What’s happening on Sunday night? That’s right. It’s time for the 90th annual Academy Awards more commonly called the Oscars. The one television program that I make arrangements to watch every year. It is a night to celebrate the movies and to a lesser extent, politics, and other social issues. This is the very reason that I have to watch this without my wife.

Let’s keep looking at the nominees in the major categories, because nobody is talking about Best Adapted Screenplay at the water cooler on Monday, that is unless Logan pulls off a major upset to beat Call Me By Your Name. Instead, all eyes are on the big awards like the two male performance categories that we are going to look at in this post.

Best Actor

And the nominees are…

  • Timothee Chalamet in Call Me by Your Name
  • Daniel Day-Lewis in Phantom Thread
  • Daniel Kaluuya in Get Out
  • Gary Oldman in Darkest Hour
  • Denzel Washington in Roman J. Israel, Esq.
Who Will Win

This is another category with a clear favorite. Gary Oldman will most likely take home his first Oscar on Sunday night after already winning the SAG, BAFTA, and Golden Globe. I loved Darkest Hour. I’m a fan of history (when presented to me in 2-3 hour segments in a dramatic way). When I first saw the makeup that transformed Gary Oldman into Winston Churchill, I was amazed and knew that we were going to see them nominated and probably winning for Best Hair and Makeup.

After watching the film though, I forgot it was Oldman under that makeup. I was completely enthralled with the story and sold on his passion and eccentricities. Oldman is known for being immensely flexible in his range and he has sunk deeply into characters before. Think of Dracula, True Romance, Sid and Nancy, and many more, but he has never been this electric and transparent in such an accessible and moving film.

Outside Chance

There are some rumors that the new kid on the block Timothee Chalamet could pull an upset. I think this is highly unlikely. While Call Me By Your Name does tick a lot of the Oscar’s boxes for being relevant politically and socially, when those anonymous votes get tallied, I don’t think the voters  ) find a majority to vote for the most pretentious and self-indulgent movie of the year. Fun fake fact: Peach sales have increased by 15% since the movie’s release.

Who Should Win

The Academy is probably trending towards the correct choice at this point. Part of me would love to see Daniel Day-Lewis take home his fourth Oscar in six nominations. That would give him the best nomination/win batting averages of those with more than five nominations. Compare that to Meryl Streep with her 21 nominations and only three wins. No offense to either Daniel Kaluuya or Denzel Washington who I thought were great in their roles but they don’t have a chance of winning.

Best Supporting Actor

And the nominees are…

  • Willem Dafoe in The Florida Project
  • Woody Harrelson in Three Billboards Outside Ebbing, Missouri
  • Richard Jenkins in The Shape of Water
  • Christopher Plummer in All the Money in the World
  • Sam Rockwell in Three Billboards Outside Ebbing, Missouri

Full disclosure: This is the only category in which I still have a blind spot. I missed All the Money in the World so I can’t comment on Christopher Plummer’s quick exchange for Kevin Spacey. I’m going to try and catch it before Sunday. I’m sure he is wonderful, but part of me thinks this is one of those political statement nominations.

Who Will Win

Sam Rockwell is the odds on favorite to win this and I couldn’t be happier for him. I’ve been keeping an eye on him ever since I saw him play Guy in Galaxy Quest back in 1999. Then when he played Zaphod Beezelbrox in Hitchhiker’s Guide to the Galaxy I loved it. But his breakout role was for Duncan Jones criminally underrated sci-fi thriller Moon. Perhaps after he gets the win people will know him by his name instead of “you know, that one guy.”

Outside Chance

As much as I like Sam Rockwell and would love to see him win, in my heart of hearts I want to see Willem Dafoe pull out the victory for his role in the film that affected me more deeply than any other this year. Sean Baker’s The Florida Project was humanistic and rich. Dafoe plays an On-Site Manager for a small slum hotel called the Magic Castle in the shadow of Orlando’s Disney World.

The film was created with many non-actors, and actual residents of the hotel. I was shocked when this wasn’t even nominated for Best Picture because it is worth that accolade and more. There has been some groundswell of support for him in recent days, but I ultimately think that it was just too small of a film to make the impact that the Oscars are looking for.

Who Should Win

Rockwell and Harrelson both provide quality supporting roles to Frances McDormand’s powerhouse performance, but I’m going to go with the little guy and and say that Willem Dafoe should win this category for his supportive and compassionate father figure.

This is all just my speculation and it is all about what amounts to a fancy human horse race. The Academy invariably gets things wrong, they vote based upon popular tides and political leanings. They vote to make statements, and often that means that the true best of the year go by overlooked and under appreciated except by those of us who champion them. Let your voice be heard! Sound off in the comments below or find me on any of the major social media platforms and let’s talk about movies (or other stuff… but mostly movies.)

2010s, Actor/Actress, Awards, Television

Oscar Outlook: Female Performance

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The Oscars are on Sunday night. I want you to be informed about all the nominees and the stories surrounding their movies and nominations. That way you can be well informed at your Oscar party as you stuff your face full of hors-d’oeuvres.

There is an entire debate about whether or not the Actor and Actress categories should be combined or left separate. I don’t want to get involved in the politics of it, but I do like having separate categories because it means that we can recognize more performers for their craft. In this post, I’m going to look at both the race for Best Actor who happens to be a female and best Supporting Actor who happens to be a female.

Best Actress

And the nominees are…

  • Frances McDormand for Three Billboards Outside Ebbing, Missouri
  • Saoirse Ronan for Lady Bird
  • Sally Hawkins for The Shape of Water
  • Margot Robbie for I, Tonya
  • Meryl Streep for The Post

Who Will Win

Frances McDormand is the hands down favorite to win this. Honestly, anyone else would be a shock. Three Billboards has grown on me the further I have gotten away from watching it. The film itself had a bit of controversy early on because of its somewhat flippant attitude towards racial violence. However, it lingers and invades in a good way and much of it is due to McDormand’s performance as a tortured mother who lost her daughter in a tragic way and is seeking justice in unconventional means.

This is her 5th nomination, and if all goes according to plan, it would be her 2nd win since her victory for her role in 1996’s Fargo. She has already taken home the Screen Actor’s Guild award, BAFTA, and Golden Globe for this performance, it is hard to think that the Academy will push against this wave of support.

Outside Chance

I guess technically McDormand split the Golden Globe with Saoirse (pronounced “Seer-sha”) Ronan. McDormand won for a dramatic performance and they called Lady Bird a comedy/musical. It’s possible that Saoirse could sneak in to win this, but anyone else is pretty much a statistical impossibility. But it is an honor to just be nominated, right?

Who Should Win

I’m not going to fight this one either, McDormand gave the female performance of the year in my eyes. She commanded the screen and left us broken with her. However, if we take that amazing performance away, I think we would be having a heated race between Saoirse Ronan for her coming of age Lady Bird performance and Margot Robbie as Tonya Harding in I, Tonya. All three of these films are in my top 10 of the year and all are deserving of much credit and praise.

Best Supporting Actress

And the nominees are…

  • Mary J. Blige for Mudbound
  • Allison Janney for I, Tonya
  • Lesley Manville for Phantom Thread
  • Laurie Metcalf for Lady Bird
  • Octavia Spencer for The Shape of Water

Who Will Win

If there were odds on this race, Allison Janney would be so far out front that I could lose money if I bet on her. Regardless, she deserves it! If you haven’t seen I, Tonya because you hate ice skating or whatever or the true crime drama kind of thing, then just watch it for the 5-6 scenes that we get with Allison Janney playing the acidic mother of Tonya Harding. She does more to elevate Margot Robbie’s performance as Tonya than Margot could have ever done on her own. That is why they call it a “Supporting” actor.

Outside Chance

If it comes out this week that Allison Janney is a cannibal and was somehow responsible for the death of Mr. Rogers, she would still win. Not just because voting is already completed but because she is that good.

Who Should Win

Are you listening? Allison Janney should win!

But if we are discounting her, then this would be between Laurie Metcalf as the Mother Bird to Saoirse Ronan’s Lady Bird and a subtle but tenacious performance by Lesley Manville as the sister of the unique and exacting character that was Daniel Day Lewis’ lead character in Phantom Thread. I obviously knew Laurie Metcalf from Roseanne ages ago, but Lesley Manville, I had to look up to see what else she had been in that I had missed. She was my favorite part of that film.

What do you think? Will the stars align for both of these favorites so they leave the stage grasping gold or will there be a shocking upset that we will all be talking about on Monday? I want to hear your opinions. It’s no fun just talking to myself. Let’s start a conversation here or on any of the major social media platforms.

2010s, Awards, Director, Television

Oscar Outlook: Best Director

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The 90th Academy Awards are this Sunday night. I’ve already made my picks on a couple of the contest sites including the Official Oscar Challenge and Gold Derby where you can play the odds on all kinds of entertainment contests. If you’re feeling old fashioned, you could just print out a ballot and pass it around your office this week. Whether you are going to a fancy Oscar party or just watching in your pajamas, it’s always fun to play along.

With that in mind, I thought in these few days leading up to the biggest night in Hollywood, I would take a few minutes to look deeper at the top categories. Best picture, the four top actor nominations, and of course…

Best Director

Among most of my non-movie friends the Best Director category holds just as much mystery as the Best Production Design might. “Normal” people don;t go around talking about movie in terms of their director. Oftentimes they go unnoticed in the background, and that is how most of them would like to keep it, the exceptions being those few directors that almost demand that their name be read before their movie’s title, like Lee Daniel’s The Butler.

I however, directors do so much to create the films that we see everyday, it is good that they have a few moments in the sun to take credit for the pictures that they have painstakingly collaborated and toiled for years to create.

Even if you have no idea who these people are, you should at least be happy that this isn’t a panel of old white guys. That’s what we usually see, but with last years Oscars so white controversy we have a great deal more diversity this year. I think it certainly helps those efforts that many of the best pictures of the year came from diverse sources and were made by a varied group of individuals. This is a good thing because we need to see films highlighted that reflect our country’s population.

Without further ado, the nominees are…

  • Christopher Nolan for Dunkirk
  • Jordan Peele for Get Out
  • Greta Gerwig for Lady Bird
  • Paul Thomas Anderson for Phantom Thread
  • Guillermo Del Toro for The Shape of Water

Will Win

There is not a doubt in my mind that Guillermo Del Toro will take home the gold on Sunday night. We’ve seen a trend of Hispanic Directors over the last few years with Alejandro G. Innaritu and Alfonso Cuaron. Del Toro should have been Nominated (and probably won) for Pan’s Labyrinth. That movie was better than this one, but the Oscars have a way of righting past wrongs through new awards. See John Wayne’s only Oscar for one of his last films, a good role in True Grit but far from his best.

Outside Chance

If the Academy voters are keen to just hand out diversity nomination but not awards, they could give the trophy to Christopher Nolan for Dunkirk. I think that would be the wrong move, Dunkirk is not Nolan’s best film by far, but he’s been snubbed previously and they could try to make up for that.

Should Win

I’m not one for pandering, but I would love to see either Greta Gerwig or Jordan Peele take home the win. They are only the 5th nominee that is female or African American respectively. Gerwig would be second only to Katherine Bigelow who won a few years ago for The Hurt Locker.

However, my should win has to go to Jordan Peele for his outsanding Directorial debut in the completely original and seamlessly crafted Get Out. He weaved comedy, drama, horror, and political satire into one massively entertaining film and seemingly didn’t even break a sweat. I’m looking forward to what we will see from him next. Part of me wishes the Oscars had a category for best new director so he could at least get full credit there., but unfortunately, he would still be up against Greta Gerwig and the juggernaut that was Lady Bird.

What’s Your Pick?

Who do you think will win? What was your favorite of the year? Do you think that it’s a good thing that we are seeing more diversity represented in these awards? Let your voice be heard in the comments below.

2010s, Art-house, Article, Biopic, Coming Soon, Drama, Lists, Musical, Political, True Story, War

Fall 2017 Movie Preview: Drama Part 1

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This is going to be a great season. The awards are going to be very crowded. We’ve already seen several powerful films that could be in awards consideration. I’m specifically thinking of Detroit, Dunkirk, Baby Driver, and even Logan and Wonder Woman. However, they are going to have to compete with a slew of biopics and powerful narrative dramas and character studies. These movies are like candy for me so excuse me if I tend to go on and on, but part of the joy of cinema is its ability to move us, and that is exactly what these aim to do.

Please let me know which of these you would see if you could only choose one or two. This is only half of the Dramatic movies coming out this season. I’ll be following up to this post with the dramatic movies from November and December soon. Also, make sure you take a look at the others to watch section because there are far too many to talk about all of them at length.

September

Rebel in the Rye – 9/15

The life of celebrated but reclusive author, J.D. Salinger, who gained worldwide fame with the publication of his novel, The Catcher in the Rye.

How many of you have actually read Catcher in the Rye? I think it is one of those books that people buy to look smart but never actually read. If you want to watch an interesting retelling of the Holden Caulfield story, you can watch Perks of Being a Wallflower. Honestly, It is a great work of literature and it will be interesting to see the story behind what inspired the author. It will be starring Nicholas Hoult as J.D. Salinger and will feature Kevin Spacey as a teacher and source of inspiration. Also, I hope you like biopics because this is the first of about a dozen by my count.

Battle of the Sexes – 9/22

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

I love both of these actors. I heard that after La La Land, now Emma Stone is the hottest thing since sliced bread and is making oodles of money. That’s good for her. She has a fantastic comedic sense and is able to sink her teeth into more meaty dramatic roles so this biopic should be great for her. Steve Carell has been one of my favorite comedic actors since his turn as Brick in Anchorman: The Legend of Ron Burgundy. It will be fantastic to watch these two play off of each other in a story of liberation, misogyny, and tennis.

Loving Vincent – 9/22

A feature film about the life and mysterious death of Vincent Van Gogh.

Just watching the trailer for this I am surprised that so much time and care has gone into the preparation of the film. If you haven’t heard anything about it, watch the trailer and be floored by the visuals as you realize that every single frame in this film about the life and death of Vincent Van Gogh was hand painted in oils meant to mimic his style. It looks stunning and innovative. I love to see films that do something that no one else has ever done and this will certainly do just that. Not only have I never heard the story of Van Gogh’s tortured creative process but I have certainly never seen a movie that is put together in this way. It should be very rewarding to watch.

Lucky – 9/29

The spiritual journey of a ninety-year-old atheist.

I really hope that Harry Dean Stanton gets an Oscar nomination for this. The film looks quirky and funny and contemplative and it is all centered around the tremendous skill of an actor that generally stays out of the limelight. You might probably best know Harry Dean Stanton as the janitor in The Green Mile that the guards use to practice for the execution. That is one of hundreds of roles he has had in his storied career. This also serves as the Directorial debut for that guy that everyone thinks is the Zodiac killer in Zodiac (John Carroll Lynch). I can imagine that I will probably be quoting lines from this for months after watching.

October

Three Billboards Outside Ebbing, Missouri – 10/13

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

I’ve been ready for this one since I saw the trailer in front of something back in June or July. It is a combination of a number of things that I love. Frances McDormond is an amazing actress that doesn’t get nearly the number of roles she deserves. Much of that is probably because she only takes roles that are good. Sam Rockwell takes everything he is in up a couple of notches. And Martin McDonagh (In Bruges) is one of my favorite screenwriter/directors in the business today.

Marshall – 10/13

About a young Thurgood Marshall, the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.

I’m a bit embarrassed that I know next to nothing about Thurgood Marshall except for the fact that he served on the Supreme court from 1967-1991 (I even had to look those dates up). Chadwick Boseman has been Mr. Biopic as of late. Before landing his role as Black Panther in the Marvel Cinematic Universe (including his own stand-alone movie coming in 2018) he starred in 42 as Jackie Robinson and most recently in Get on Up as James Brown. So, he is no stranger to taking on another’s mannerisms and portraying their lives. This is clearly a story of Thurgood Marshall’s young life before he became part of the US Supreme court. Is this a film that interests you?

Same Kind of Different as Me – 10/20

International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggling marriage to his wife, a woman whose dreams will lead all three of them on the journey of their lives.

It looks like Hollywood might finally be figuring out that Christians want to see movies with Christian themes of love and mercy and generosity and equality portrayed in a artful manner by talented actors. I for one will be one of the first people lined up to see this film and I will be encouraging our Church to buy out showings to encourage more film like it to be made. With a cast of actors as eclectic and talented as this group there is no reason it shouldn’t be good. I just hope it’s not too schmaltzy or preachy. If they can walk that fine line and maintain realism while telling the story then it should be good.

Suburbicon – 10/27

Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns…the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge (Matt Damon) must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon.

I was torn whether to put this one in the Horror or Comedy category or here. It definitely will not be your average thriller. But I can’t just discount it as a comedy like Hot Fuzz. Instead, it seems to be blending Drama, Comedy, and Thriller tropes together to create something. It should be very interesting because The Coen Brothers usually direct the stories that they write, but this one they have handed off to their good friend, George Clooney, who has great abilities as a Director, but we haven’t seen his best work as of late.

Others to Watch:

Stronger coming on September 22nd. Stronger is the inspiring real life story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become a symbol of hope following the infamous 2013 Boston Marathon bombing. This is getting some praise from actual Boston natives about it realism and authenticity. Jake Gyllenhaal is super talented so it should be great to see him get lost in this role.

Breathe coming on October 13th. The inspiring true love story of Robin and Diana Cavendish, an adventurous couple who refuse to give up in the face of a devastating disease. Their heartwarming celebration of human possibility marks the directorial debut of Andy Serkis. Yes, Gollum is directing a film with Claire Foy and Andrew Garfield. That’s intriguing if nothing else.

Only the Brave coming on October 20th. A drama based on the elite crew of firemen from Prescott, Arizona who battled a wildfire in Yarnell, AZ in June 2013 that claimed the lives of 19 of their members. Firemen are good people and they risk their lives to protect people. This might not be the greatest movie, but it should be a powerful reminder of their service with a great cast featuring: Jennifer Connelly, Taylor Kitsch, Josh Brolin, Miles Teller, Jeff Bridges, and Andie MacDowell.

Wonderstruck coming on October 20th. The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection. Directed by Todd Haynes (Carol, I’m Not There) and based on the Novel by Brian Selznick (Hugo).

The Mountain Between Us coming on October 20th. Stranded after a tragic plane crash, two strangers (Idris Elba and Kate Winslet) must forge a connection to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they embark on a perilous journey across the wilderness. This sounds stressful and I won’t be taking my wife to see it or I will never get her on a plane.

Professor Marston and the Wonder Women coming on October 27th. The true story of William Moulton Marston, the polyamorous relationship between his wife and mistress, the creation of his beloved comic book character “Wonder Woman”, and the controversy the comic generated in its earlier years. Playing off the success of Patty Jenkins’ Wonder Woman earlier this year, we get a biopic about the guy who created the Amazonian princess. Could be interesting.

Wow. That’s already quite a list and we still have two more months of the year to look at. Which are you most enthused about? Are there any that you aren’t sure about or that you think might not live up to their expectations? Let me know in the comments below or on Social media. Also, don’t forget to check out the other installments of this Fall Movie Guide: Action/Adventure, Horror/Thriller, and Comedy/Family.

Biopic, News

Details on Jennifer Lawrence’s New Oscar Vehicle

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Deadline reported that Jennifer Lawrence and Adam McKay have their names attached to a new project, which delves into the history of Elizabeth Holmes, the founder of the startup company Theranos. With a product that was supposed to revolutionize the field of blood testing, Holmes rode the wave to a $9 billion evaluation, and a personal wealth of half that amount.

Jennifer Lawrence is a pretty good at finding Oscar-worthy projects. With three nominations and one win at the Academy Awards, she might have found her fourth nomination, and possible second win. Even better, she’s teaming up with Adam McKay for this riches-to-rags story.

adam_mckay

 

After winning an Oscar for Best Adapted Screenplay for The Big Short this past year, Adam McKay must have the golden bug himself. With his directorial hand guiding the Elizabeth Holmes story in production, he could at the very least land another nomination for Best Director with this picture. Though it wouldn’t be a surprise if he decided to do some punch-up work on the script, gaining him another Best Adapted Screenplay nomination.

The team-up between McKay and Jennifer Lawrence seems to sound like a match made in Oscar heaven, and I can’t wait to hear where further developments take the project. As of now, I don’t have any further details on when the project is aiming for production or release, but as soon as I hear something of interest, you’ll be the first to know.

2010s, Lists

My Process for Picking the Best

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Part of what makes film criticism so alluring is how subjective it is. I mean just do a Google search for “best movies of 2015” and you will be presented with about 1,360,000,000 results. That is because everyone has their own opinions and criteria for what they consider a good film. I am going to add my opinions to the mix. I really hope that you will add your voice as well, because I am not saying that I am right, just that this is my opinion. I will defend my opinions, but I am also very open to other points of view.

When I think about the best films of 2015, I look at 4 things:

What do people say?

I consider IMDb to be the place to go for user ratings of movies. Most of the users that actually post ratings and reviews are more than just casual filmgoers. That is one of the main reasons that I am trying to go through their top 250. They have taken the films with the top user ratings that have over 50,000 votes, according to that, the best films of 2015 are:

Rank Movie Rating # of Votes
1 Inside Out 8.3  248,121
2 The Revenant 8.3  101,289
3 Mad Max: Fury Road 8.2  426,188
4 The Martian 8.1  284,060
5 Straight Out of Compton 8.1  70,297
6 Kingsmen: The Secret Service 7.8 343,193
7 Sicario 7.8  114,324
8 Me and Earl and the Dying Girl 7.8  53,095
9 Ex-Machina 7.7  221,077
10 Avengers: Age of Ultron 7.6  375,656

Continue reading My Process for Picking the Best →

2010s, Lists

2016 Oscar Nominations

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When you are talking about the Oscars (or the Academy Awards as they are more officially called), there are really 6 awards that stand out as the most important of the night. Nobody is talking around the water cooler at work about who got nominated for Best Documentary Short or Best Sound Mixing. That is not to say that those aren’t important films, roles and awards, they just aren’t as sexy as the top 6. Those 6 are:

  • Best Picture
  • Best Actor
  • Best Actress
  • Best Supporting Actor
  • Best Supporting Actress
  • Best Director

But we can’t throw any of them aside, because they are all critical, even you Hair and Makeup. But I wonder if they have ever thought about treating the ceremony like a heavyweight fight. You have your undercard with all of the technical, foreign, documentary, and short films, then the atmosphere changes as we move into the final few highly coveted awards. I would argue that there should be a handful more that elicit just as much respect and attention.

  • Best Original Screenplay (And Adapted Screenplay to a lesser extent)
  • Best Cinematography
  • Best Original Score
  • Best Animated Feature*
  • Best Documentary Feature*
  • Best Foreign Feature*

*I believe that all three of these categories should be done away with and rolled into the Best Picture race. The Best picture should be the best of all categories. Documentary filmmakers shouldn’t aspire to make the best documentary, but rather, the best film possible.

With all of that said, here are the 2016 Nominations for all of the various categories. You can also print a ballot here and play along in the Oscars Challenge with me and your other Facebook friends, you do like me on Facebook right… You could win $1000 and a trip to the 2017 Oscars! I will be breaking down my picks of these top categories in later posts. Find out if your picks were correct on Sunday, February 28th at 7pm EST on ABC.

Continue reading 2016 Oscar Nominations →