Category Archives: 2010s

2010s, Article, Film studies, Longform, Statistics, Syndicated

Crooked Marquee – Halftime Report: 2018 in Movies (So Far)

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I thought that I liked statistics, but the folks over at Crooked Marquee have put me to shame. They have taken a dive into a breakdown of the roughly 615 movies released in the first half of 2018. They divided the movies into three groups: wide releases (70), limited releases (443), and documentaries (102). 

They’re not looking for the best film, but are looking at who is making these films and where are they coming from both culturally and intellectually. One of the best stats that I saw was about where ideas for mainstream feature films comes from. It’s worth a click!

Halftime Report: 2018 in Movies (So Far)

2010s, Drama, Syndicated

Christ and Pop Culture – First Reformed and the Theology of the Cross

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David McNutt over at Christ and Pop Culture shares a satisfying exposition of my favorite movie of the year so far, First Reformed. It is contemplative and spiritual. Don’t expect entertainment. This is like eating your cinematic vegetables. 

A Cinematic Theology of the Cross: Despair and Hope in Paul Schrader’s First Reformed

2010s, Action, Adventure, Alien/Monster, Article, Comedy, Computer, Drama, Family, Longform, Reviews, Space, Superhero, War

Avengers: Infinity War and Trading Lives

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!!Obligatory Spoiler Warning!!

As if you thought I could have an in depth discussion of Infinity War without revealing plot information. Obviously, if you haven’t seen this film you either don’t want to or haven’t found the time. In either case, you need to sort out your priorities. Just kidding, don’t get so bent out of shape!

While we wait for the uninitiated to click elsewhere (Perhaps to this list of my other highly anticipated Summer movies) let me set the stage on the magnitude of this epic film. The now expansive Marvel Cinematic Universe had an auspicious beginning with a 2nd rate hero that hardly anyone knew and a team with a lot of faith. Kevin Feige (now the President of Marvel Studios) said in a 2017 interview with Vanity Fair, “Marvel didn’t have money on the line. They would have lost the film rights to some of the characters, but it was sort of a great experiment. People forget Iron Man was an independent movie.”

An Ambitious Undertaking

It was an ambitious beginning for this brand new production company with zero credits under their belt. They brought on the teams and the talent they needed to make the two superhero movies that they envisioned, Iron Man and The Incredible Hulk. At that point there was no plan for a 22 movie story arc and an expanded cinematic and television universe. They didn’t even have a follow-up in the works for 2009.

Someone asked at the 2007 Comic-Con, when the fans got their first look at Iron Man, if Avengers was possible and I think they got a chuckle and said that they were focused on making the best Iron Man movie and if they succeeded in that goal then it could open doors for them to make other films. They were blown away by the response of the fans and immediately began actively working towards this unification of all things Marvel and 4 years later we saw the Avengers take stage.

So now, 10 years later as we have seen 3 Iron Man movies, 3 Thor movies, 3 Captain America movies, 2 Avengers movies, 2 Guardians of the Galaxy movies (who could have predicted that), and stand alone films for the likes of The Incredible Hulk, Ant-Man, Black Panther, Doctor Strange, and a deal with Sony that gave us Spider-Man in this universe as well. This is an historic film-making achievement. Never in my wildest dreams as a kid did I imagine that my 35 year old self would get to geek out at the movies at least twice a year thanks to these good people.

What Happens in Infinity War?

With all of this time and dedication over 10 years, the Russo brothers were able to step immediately into the story with over 25 established characters, histories, and motivations. I honestly can’t imagine watching this film without the knowledge that I currently possess. I’m sure that there is someone out there for whom this is their Marvel initiation. If so, I’d love to hear from you to see how confused you were and if you were still able to enjoy the movie.

Alright, last warning! Shove off if you haven’t seen it. It’s time for the adults to talk now. 

In a nutshell, Thanos is collecting the 6 Infinity Stones from across the cosmos with the ultimate goal of snapping his fingers and wiping out half of all sentient life everywhere. All of our heroes (except Ant-Man and Hawkeye) team up to attempt to stop to his plan. This means that our intergalactic band of miscreants meets the God of Thunder, Tony Stark’s mind is opened to a world of mystical arts that he had never experienced, and the scrawny patriot from Brooklyn gets to fight alongside a talking tree. It is truly a thing to behold.

I think the best way to break down everything that we saw would be character by character, seeing how things unfold through their eyes and with their motivations. That way you can see that there are very few plot holes and that everything flows in an incredibly natural way. I’m not going to do that here. But I recently posted this kind of walk through from Thanos’ perspective.

Instead, I want to look at the big themes of the film and some key lines of dialogue and draw them out into some biblical lessons and parallels.

We Don’t Trade Lives

Throughout the film we get several examples of characters who make sacrifices for the accomplishment of their goal. When Vision learns that Thanos is coming for the Mind Stone embedded in his forehead, he explains to Cap and the others the idea that Scarlet Witch may be able to use her powers to destroy it.

In true Android/Vulcan fashion he believes that it would be the most logical action to prevent Thanos from capturing all 6 Infinity Stones. They immediately dismiss that plan because it would mean that Vision would most likely have to sacrifice himself, since his life force is so intrinsically tied to the stone. The Captain tells Vision, “We don’t trade lives,” to which Vision counters by referring to Cap’s own story of sacrifice to protect millions.

We see Captain’s own words come back to him in the final fight in Wakanda. Captain America tells Vision to run away to safety as he battles Cull Obsidian. Ignoring his advice, Vision instead saves him. When Cap says, “I told you to get out of here,” Vision replies “We don’t trade lives, Captain.” This stood out to me because the idea of trading lives, or at least offering to make that sacrifice is the stuff that real heroes are made of.

As Christians, we know that the only true way to salvation is through the trading of lives. That is what Jesus did for us on the cross. When we see a superhero who is willing to lay down his life to save countless others we see them as an example of Christ.

Thanos the Anti-Christ

The idea of sacrifice is not limited to the heroes. Even Thanos, when seeking to gain possession of the Soul Stone, learns that the price of the stone is the soul of a loved one. With this choice, Thanos becomes an Anti-Christ. He is willing to save the world, but only through the sacrifice of others, while Jesus is willing to lay down his own life.

Thanos tells young Gamora after his snap that it cost him everything to accomplish his sick plan of “saving the world”. However, Thanos’ sacrifice led him to seek ultimate power by assuming the form of a God while Christ, who is God, emptied himself and took the form of a servant.

The reason that Logan probably resonated with me so much is because his sacrifice seems so Christlike. In Todd Miles’s book on heresy, Superheroes Can’t Save You, he says:

“Superheroes represent mankind’s best efforts to create saviors, demigods made in our own image, beings who are able to rescue us from the horrors the face us all as humans. The thing is, our best attempts to create such heroes fall desperately short for what we actually need… Superman would not be able to rescue us from our greatest problems, and he certainly would not be able to rescue us from the wrath of God. He is not super enough, not human enough, not compassionate enough, and not divine in any way. He just does not measure up to the one who is more than enough of all those things, Jesus. Superman is not Jesus, and he never will be.”

Death is Real

Some people have complained about the ending because they feel like they know that the snap is going to be undone in the next movie. However, any postulating about the next film shouldn’t take away from the real consequences and trauma that we see in this film. Obviously, my mind was reeling with possibilities as the credits rolled, but that doesn’t take way from the fact that I was wrecked just minutes earlier.

I’ve heard of people sobbing and upset for days if they have a particularly strong connection to a particular character. Especially with some of the most shocking deaths being from two of the newest heroes. Usually, when you walk into a “superhero” movie, you often expect to come away feeling unscathed. We like our heroes to be bulletproof, but with this and other recent movies like Logan we see the fragile humanity of our heroes.

I’m of the belief that mourning and weeping is actually a very healthy place to be. Ecclesiastes 7:2 says, “It is better to go to a house of mourning than to go to a house of feasting, since that is the end of all mankind, and the living should take it to heart.” Although Infinity War is very funny, that only makes you fall harder when it comes time to mourn.

Flippancy over death is one of my biggest pet peeves with action films and video games. When an office building full of people crumbles during an alien attack and instead of somber reflection we are presented with a joke, it cheapens death. On the other hand, Infinity War portrays death as a real problem. In this sense, the film can be helpful in raising discussions about our very real mortality and the need for a Savior (a Hero, if you will) who can defeat death once and for all.

The End is Coming

The Russo brothers were brave to end Infinity War the way they did. It doesn’t end with all of the story lines neatly tied up in a satisfactory conclusion. Instead, it leaves us wanting more, wondering what happens next. Things are not right with the world and we know from a sense of innate justice and years of conditioning that the wrongs must be righted.

Any kind of real Marvel fan will know that there will be a next installment. We already have dates on the calendar for Ant-Man and the Wasp, Captain Marvel and even the conclusion to Infinity War in what we now know as just Avengers 4. It looks like it will be the Return of the Jedi to this The Empire Strikes Back. This puts fans in an interesting place. We are forced to accept the shattered landscape of this superhero world all while holding onto the hope that there is a day coming when all wrongs will be made right.

Christians know this feeling all to well. We live in the wilderness awaiting the culmination of the promise of the gospel. All around us, it can seem like evil is winning and Satan is laughing. But there is great hope even in the midst of the darkness because the Bible says that just as Christ ascended into heaven, he will come again in glory and all of creation will breathe a sigh of relief as our longings are satisfied. It’s vastly different in terms of magnitude, but this tension can be felt in stories like Infinity War which leaves the audience looking for consolation in a future hope.

What about you? Did you pull any nuggets of wisdom from Avengers: Infinity War? What do you think about my ideas? How did you like the movie? Do you want me to stop asking questions? Then leave me a comment below or hit me up on social media. As always, I’ll see you at the movies.

 

 

2010s, Longform

Avengers: Infinity War Through Thanos’ Eyes

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Spoilers, Obviously!

I found myself trying to tell someone what Avengers: Infinity War was all about but with so many great characters that we have grown to know and love I can’t just sum it up in a couple of tight sentences. So I’m going to go scene by scene with the characters as we meet them in the film and take you through the character’s actions and motivations.

Let’s start with the big bad. I feel like this is really Thanos’ movie. He is given humanity and realistic motivations. He’s not just some impersonal CGI creation bent on world domination. We come to feel for him and even empathize with him at times. We’ve seen him a couple of times in the previous movies but really haven’t had an opportunity to learn much about him besides the fact that he makes lots of people nervous and that he is Gamora’s dad and killed Drax’s wife and daughter.

Thanos’ Journey

I don’t know why people get so upset about my plan. I am trying to make sure that there are enough resources to go around. All of these mouths to feed are taking a toll on our universe. It can’t be allowed to continue unchecked. My plan will eliminate poverty, hunger, war, and so much more. I’m not looking for supreme power or domination, I just want to rest and let the universe thank me for their newfound peace and prosperity.

It is an unfortunate consequence that half of all life must be eliminated for my plan to work, but you know what they say about making omelettes and breaking eggs. When I get all of the Infinity Stones, I will be able to take care of this problem instantly. They won’t feel a thing, it will be as if they never even existed.

Asgard

I’ve sent several other people to try and collect these stones for me and they continue to fail me. I’m finally just taking matters into my own hands. First, I went over to Zandar and got the Power Stone from the puny Nova Corps. Then I planned to go to Asgard but when I showed up, the planet had just exploded and I got the drop on them. I had heard about this God of Thunder and I was surprised how easily he was subdued.

His slimy brother Loki failed me before and I wasn’t about to trust him again. He had some kind of failed science experiment sucker punch me. He wasn’t much of a Hulk if you ask me. That creepy orange-eyed guy used some kind of magic to make the green guy disappear, so I killed him. Finally, that liar Loki fessed up that he had the Space Stone. I took it from him to add to my collection and then after he tried to sweet talk and stab me, I killed him and left his brother for dead while I told my children to fetch the two stones from Earth while I went to Knowhere to get another stone.

Knowhere

After easily getting the Reality Stone from this freaky guy they call the Collector, I decided to use it to set a trap for my daughter, Gamora. She knows where the Soul Stone is located, it is the one that I still haven’t found, so I need her to tell me. I knew that as soon as she heard that I was collecting the stones she would come looking for me. I might not have been the dad of the year, but I taught her to be an amazingly strong and powerful warrior and even though she hates me and wants to kill me, I’m proud of her and want her with me.

My trap works perfectly and Gamora shows up. They think they are getting the drop on me and I let her think that she killed me. As if it would be that easy. She also brought along her boyfriend who calls himself Starman or something like that, he’s very confident and it seems like she genuinely cares for him. After I pulled back the curtain to let them know that I had fooled them, she revealed that she trusted him to kill her if it got to this point. I wanted to see what the boyfriend would do, and after a little prodding, he finally pulled the trigger. I used my cool new stone to make bubbles come out of the blaster. I love bubbles. Starman seems like a good guy. I hope he doesn’t vanish once I snap my fingers.

I take Gamora back to my ship and remind her how I chose her out of all the people on her planet to be my child. How I turned her burned out husk of a planet into a paradise. I asked her to join me in my plan but she is holding onto a big grudge about her childhood. She’s refused to tell me where the Soul Stone is located, so I took her in to visit her sister who was foolish enough to sneak onto my ship. I thought that Gamora hated me, but Nebula almost killed me so I have her trapped here. Nebula’s video recorders already confirmed my suspicion that Gamora has the information that I need.

Formir

I’m done with Nebula and should have killed her for betraying me with that traitor Ronan. But I’m hoping that I can use Gamora’s sympathy for my advantage. I only have to turn the screws on Nebula for a few moments before Gamora caves and tells me that she found out that the Soul Stone is hidden on Formir. It’s not going to take my children long to retrieve the stones from those weaklings on Earth, so I take Gamora with me to Formir so she can show me where the stone is located.

When we get to the mountain where Gamora says the stone is located, we meet a mysteriously cloaked man who has a red head. He’s not a ginger, his skin and whole head is bright red. I’m not sure if that happened when he got rejected by the stone or what, but he tells us that he’s cursed to guard the Soul Stone but can never wear it himself. To get the stone I have to sacrifice something I really love…

This is hard. There is only one beautiful little girl that comes to my mind. I wanted to train her to rule by my side and to eventually take my place, but I can’t let some pesky emotions get in the way of my goal. She fought me and will probably never forgive me, but with a tear in my eye I throw her off the cliff and as she careens towards the rocks below, I blink and find myself lying in a pool at the base of the mountain. I open my hand and the Soul Stone is in my grasp.

Titan

I told my Children that I would meet them back on Titan to get the other two stones from Earth. When I arrived, the place was deserted and I met a wizard from Earth who apparently crashed Ebony Maw’s spaceship there. Pretty soon, I realize that this is a trap and there are half a dozen people fighting me all at once trying to get my glove off. Everything is a blur, but a remember that the wizard was with the boyfriend, the genius in the suit of armor, the obnoxious kid in the red and blue outfit, a creepy looking girl with antennae, and some shirtless guy who screamed a lot.

At one point they actually got me pinned down after I pulled a moon out of orbit and sent it crashing onto the planet. I expected that to kill all of these annoyances but they worked well as a team and the creepy girl was able to jump on top of me and tried to put me to sleep. I remember taking that moment to remember Gamora and her sweet face. Maybe I should have taken a few minutes to breathe and mourn before I came here. She was so innocent when I met her all those years ago. I taught her everything I knew and all of these emotions came crashing down as they were forcing me to rest.

I couldn’t see anything, but I could hear the boyfriend asking about Gamora. I could hear that he cared for her and was just as upset as I am. If he hadn’t gotten so angry, they would have probably gotten the gauntlet. I don’t know what might have happened then, but the creepy girl broke her sleeper hold on me for a second and I was able to break free again. And somehow, Nebula was there! How the hell did she get off my ship? I wish it could have been her instead of Gamora.

After their sneak attack failed, they all took turns fighting me but I was able to fight them off and I stabbed the man in the metal suit with a sword that he was fighting me with. As he was dying in front of me, the wizard offered me a deal. He gave me the Time Stone and made me promise not to kill him. I figured he would die pretty soon anyway so I took the stone and used the Space Stone to go to Earth to find out what is taking so long with the other stone.

Earth

I arrive on earth to find that Proxima and Corvus have come up against a battle in Wakanda. I’ve heard about this place and their amazing technology. I had even wondered if the Soul Stone might be located there, but their fighters have actually managed to not only kill my Children but have been able to fend off my Outriders as well.

All of the warriors begin attacking me right out of the gate. There were several versions of the metal armor of Tony Stark’s that I fought on Titan, a man in a cat costume, a woman with bright white hair, a mutant raccoon and a living tree. I never knew Earth was such a colorful place, and I have to hand it to those humans, they are stronger than I thought, one of the fighters got in a couple punches and even held me off for a moment before I knocked him out cold.

My goal was to get to the android who has the Mind Stone embedded in his forehead. When I got to him, his girlfriend was attacking the stone and fighting me off all at once. Her ferocity reminds me of Gamora. As she destroys the stone and he is decimated along with it, she collapses to the ground in tears. I confess to her that today has been a difficult one but that time heals all wounds. Using the Time Stone, I rewind until the Mind Stone is back in one piece. Shocked, his girlfriend stares on in horror as I pluck the stone from his forehead and cast his faded out husk into the dust.

Victory

Finally, they are all mine. Power, Space, Reality, Soul, Time, and Mind. But before I can do anything, that irritating God of Thunder is back. Somehow he survived and he’s got a very large ax headed my way.

AAARGH!!

Thor has shoved this ax right into my body and now he is seething about the death of his brother and is pushing the ax deeper still. But I realize that I still have control of my hand. I say, “You should have aimed for the head,” before I snap my fingers.

For a moment, I see my daughter in a lonesome place where the sun is setting. She asks if I did it and I confirm that it is finished. She asks what it cost, and I explain as I choke back a tear that it cost everything. Thor asks what I did and I open up a portal and go home.

I have accomplished what I set out to do. As the sun sets, I sit on my front steps. The gauntlet looks terrible like the power it took to carry out my command has permanently damaged it. I take a deep breath and rest knowing that my plan is being carried out and that soon the cries of a thankful universe will be lifted up. You are welcome, my Children. You are welcome.

Did I miss anything? How did this movie make you feel about Thanos? I think it was a great accomplishment on the part of the Artists, Josh Brolin, and the writers to bring this Eternal to life and make him someone that we can shed a tear for. Which character’s journey would you like to hear next? I’m hoping to do at least 12 of the main characters. Maybe I’ll release one every month to keep the story fresh in my mind until we get the next chapter in the saga in 2019.

2010s, Coming Soon, Lists, Trailers

Ten Indie Movies to Watch this Summer

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You’ve probably already seen my regular Summer Movie Preview. That’s the one with Star Wars and Superhero movies. This is not that list. My favorite movies are usually indie films with a lower budget, a great story to tell, or a unique perspective or spin on things. This is a list of 10 of those movies that are coming soon. I actually have eleven on the list, but don’t worry, I won’t charge you extra.

The dates I have listed are their “limited release” dates. Unfortunately, they may not all reach you on those dates. If you are blessed to be in a primary or secondary market, you have a pretty good shot of seeing these indies. But these look like they will be worth keeping your ear to the ground and maybe even talking to your local theater manager about programming.

Tully – May 4

The third collaboration between writer Diablo Cody and Director Jason Reitman, after Juno and Young Adult. This film tackles motherhood and post-partum depression. Mackenzie Davis shows up like a adult version of Mary Poppins and Charlize Theron somehow makes herself look average. That should win an Oscar for best makeup.

First Reformed – May 18

Paul Schrader (The guy who wrote Taxi Driver) is directing this film and it has me very excited. I love Ethan Hawke’s acting abilities in the first place, but cast him as a disaffected minister struggling with anger and depression and you have me hook line and sinker. I have loved movies like Calvary and Doubt, but they have focused more on the Catholic side of the world of Christian ministry.

How to Talk to Girls at Parties – May 18

I’ve been a big fan of Elle Fanning since I saw her angelic face in Super 8. Now this year she is in this film about a group of aliens who descend on 1970’s London and get caught up in punk rock culture. It looks like a fun version of Under the Skin. She is also starring as the Frankenstein author Mary Shelley in a biopic. How to Talk to Girls at Parties has all the makings of an awesome indie cult favorite. It’s directed by John Cameron Mitchell (Hedwig and the Angry Inch) and was written by Neil Gaiman. This should be a lot of fun.

Upgrade – June 1

Warning: language and graphic violence in the trailer. No, that’s not Tom Hardy in the lead role, it’s Logan Marshall-Green. I will be surprised if this isn’t a huge hit this summer. Essentially, this guy becomes a cyborg John Wick going on a rampage taking out the guys that killed his wife. The action looks crazy, the banter between the AI chip and the guy is solid, and the social media presence is already pretty high. This won’t win any Oscars, but it will make way more money than it cost to produce and even without a big name attached it will put butts in seats at the theater, count on it.

Won’t You Be My Neighbor – June 8

I want to be his neighbor! We live in a world full of people that hate each other. Blacks vs. Whites, Democrats vs. Republicans, Rich vs. Poor. It is time for the amazing philosophy of Fred Rogers to make a comeback. It is a pure and powerful look at Mr. Rogers as a force for good in the world. He welcomed us to his neighborhood the year my father graduated from high school in 1968 and finally said a tear-filled goodbye the year I graduated from high school in 2001. I hope that this vision of kindness and love takes hold and inspires others to this simple mission of showing unconditional love to everyone.

Under the Silver Lake – June 22

From the mind of David Robert Mitchell (It Follows) comes a crazy looking neo-noir crime thriller. With Andrew Garfield in the lead this looks like it could be an early Oscar contender. The trailer reminds me of Chinatown, Mulholland Drive, and L.A. Confidential all at once and there is nothing bad about that.

Leave No Trace – June 29

It’s really exciting to see Debra Granik get back behind the camera for a feature film. You may not recognize her name, but she is the director of one of the best films of 2010, Winter’s Bone. Making her directorial debut in that film, she wowed critics, earned 4 Oscar nominations and launched the career of a young girl named Jennifer Lawrence. Now, 8 years later, she is back and she has Ben Foster (who I have loved in everything he’s done since 2016’s Hell or High Water) and another relative newcomer (Thomasin McKenzie) who could take off just like J. Law did.

Sorry To Bother You – July 6

I’ve had my eyes on Lakeith Stanfield since 2013’s Short Term 12. You’ll probably recognize him from Get Out or TV’s Atlanta. This film was written and directed by first time movie maker and music front man named Boots Riley. It has the potential to be this year’s Get Out, a film that makes a social commentary in a subversively entertaining way. The trailer is very busy, so I hope they don’t go too far down the rabbit hole, but what a great premise.

Eighth Grade – July 13

Stand-up comedian Bo Burnham makes his directing debut helming a film about the life of a quirky 8th grade girl named Kayla played by Elsie Fisher who previously voiced Agnes in the Despicable Me franchise. I have an eighth grader, it is awkward, but these awkward situations and feelings aren’t unique to this time of our life. They are universal. I feel out of place and goofy every day of my life, the challenge is learning to embrace it, knowing that the things that make us different are the things that make us great.

Blindspotting – July 20

I just watched Fruitvale Station and I’m dying for more of this type of storytelling. Daveed Diggs plays a man who is almost completed with his parole. He’s just a few days away and his plans get interrupted by a life changing event. It looks like it might have a good touch of humor but also just some rich storytelling about race relations and the criminal justice system.

The Miseducation of Cameron Post – August 3

No trailer for this one yet, but it won the Grand Jury prize at Sundance. Essentially, Cameron Post (Chloe Grace Moretz) is in a physical relationship with her best friend. She’s caught having sex in the car at their homecoming dance, and her guardians freak out. The first twist is that her best friend is a girl and Cameron is gay. Her guardians send her off to a Christian conversion therapy camp/school. Ironically, she meets other queer teens and they form a sort of support group to get through the brainwashing.

The subject matter might be a bit risque for Christians but I’m not afraid of hearing those stereotypes. It helps me to be able to go against them and I can’t really blame people for making fun of some religious people.

So, what do you think? Are you going to add any of these to your watchlist? Which ones look the best to you? Tell me in the comments below or reach out to me on social media. See you at the movies!

 

 

2010s, Coming Soon, Lists, Trailers

Ten Movies to Watch this Summer Besides Infinity War

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Summer came early this year with Marvel unleashing their biggest film ever. This one was 10 years and 18 films in the making. Infinity War was great, but was that the best thing that we’re gonna see this summer? I’ll bet you anything, we won’t see any blockbuster come close to doing what Infinity War did at the box office, but that doesn’t mean that we won’t see some great movies released between now and August.

I could waste a lot of time giving you a list of every movie coming out between now and then, but you could just head over to IMDb if you wanted that. Instead, I want to let you know about 10 movies that have me excited this summer other than Infinity War. That doesn’t count because it was on the top of my list and it met and exceeded my expectations.

Deadpool 2 – May 18

Come on… Do I have to explain this one? It’s Ryan Reynolds back in the role that he was designed by our good Lord to play. I hope it can live up to the hype despite some production woes. It will be weird seeing Josh Brolin play another villain so soon after he tore my heart out as Thanos.

Solo: A Star Wars Movie – May 25

I’m not nearly as excited about this one. It looks pretty entertaining and from the brief bits of dialogue in the trailer it seems like Alden Ehrenreich is doing a passable job imitating Harrison Ford. I know all the fanboys will turn out in droves, but I think that the average moviegoer isn’t going to rush out to watch this scruffy looking nerf-herder.

Hereditary – June 8

Excuse me while I go change my pants. This trailer gives me nightmares. I’m not sure what the movie is going to do. I don’t know much about the first time director Ari Aster, except that he looks like he’s 14 and just learned that he can grow hair on his face. This doesn’t look like your normal style of horror movie, I’m hoping it follows in the footsteps of The Witch and The Babadook and does something different.

Oceans 8 – June 8

All female heist film by Steven Soderbergh. I don’t think it needed to be tied to the Ocean’s franchise, but I guess that makes it more bankable. I hope it’s good. The cast looks great. But it could end up being like the Ghostbusters remake if they aren’t careful.

Incredibles 2 – June 15

Finally! A sequel to my favorite Pixar movie. Forget Toy Story 4 and all that garbage. This thing has been cooking for 14 years and finally Brad Bird is delivering what looks like an impressive follow-up. I’ve already heard complaints that no one has aged, that he’s not bringing us to the present or at least giving us teenage Jack-Jack but at this point, I trust Pixar as a whole and Brad Bird specifically and I will be at the front of the line for this one.

Sicario: Day of the Soldado – June 29

Continuing the year of Josh Brolin, we get the follow-up to 2015’s Breakout hit Sicario. The first was directed by Denis Villeneuve who has now launched into the stratosphere with movies like Blade Runner 2049 and Arrival under his belt. At first I was worried, but then I saw that Taylor Sheridan is back in the writer’s chair and he was hesitant to even call it a sequel. Hopes are tentatively high that this can be added to the flawless list on Sheridan’s resume.

Uncle Drew – June 29

I will be completely transparent. This movie is not made for me. I’m whiter than Nick Kroll (oh wait…), but even with that handicap, I still think this looks funny. Tiffany Haddish and the pure joy of watching some basketball superstars donning white hair and beards. This is going to make more money than Tyler Perry dressing in drag, and you can take that to the hoop.

Ant-Man and the Wasp – July 6

We pick up with Ant-Man after the events of Captain America: Civil War and apparently he is on some type of house arrest. Hank Pym outfits a partner for him and we get lots of stuff getting smaller than normal and other things getting comically large. This should be a nice exhale after Marvel has been punching us in the gut with Black Panther and Infinity War, and who knows maybe we’ll get another piece of the Avengers 4 puzzle.

Mission Impossible: Fallout – July 27

Unpopular opinion: The Mission: Impossible franchise is more entertaining than James Bond or Jason Bourne. I can’t wait to watch Tom Cruise break his ankle in that scene from the trailer where he jumps from one building to another and shorts it. They take it to the next level and the touches of humor from Simon Pegg are great. Christopher McQuarrie has directed Tom Cruise excellently in Mission: Impossible – Rogue Nation as well as the original Jack Reacher film. I have no reason to doubt that this will not be a kick-ass ride.

The Darkest Minds – August 3

It’s not the New Mutants X-Men movie that I’ve been hoping for, but close enough. In essence, these teenagers are held captive by the government because they begin to develop powers. Some of them break out to form a resistance group to fight their oppressors. It is based on a YA novel by the same name written by Alexandra Bracken and directed by Jennifer Yuh Nelson who previously directed The two Kung Fu Panda sequels.

What about you? Are you surprised by any of these? Do you have one that you are just dying to see? Did I leave something off? Let me know if the comments below or hit me up on social media.

 

2010s, Biopic, Drama, Musical, Review, True Story

I Can Only Imagine (2018)

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If you haven’t seen the news, there was a bit of a surprise in the weekend box office numbers. Black Panther continues to rule and the new Tomb Raider film is getting mediocre reviews, but a film based upon the hit Christian song, I Can Only Imagine, hit theaters as well and it picked up 3rd place at the box office. It was in only about 1600 theaters compared to the others which were in twice as many. Its budget was a measly $7 million, and in its opening weekend it raked in $17 million and has made some big waves and will be expanding to more theaters this weekend.

I have to say that based on the trailers that I was a few months back it wasn’t really on my radar either. However after getting the chance to see it tonight, I had to let folks know that it is the real deal and I hope that other Christian directors and writers and actors take some notes because there is much to learn here.

While I am a Christian, I’m often embarrassed by the poor quality of the films that bear the name of my faith. They usually suffer from wooden performances, awkwardly written and over-spiritualized scripts. This was different.

A note of bias, I do adore Mercy Me’s music however, like the tagline of the film says, even though I knew the song I was completely unaware of the story behind it. The film combines equal parts touching redemption story with musical biopic. Sadly, I thought that the musical portion was the weakest link.

Unless you grew up like I did, you would have no idea who some of the important musical figures were like Michael W. Smith and Amy Grant. This was not well explained and was unnecessary for the most part. Trace Adkins was humorously refreshing as the band’s manager, and newcomer J. Michael Finley does a good job juggling between funny, emotional, and exhilarated. Here’s hoping this doesn’t remain the only listing on his IMDb page.

The high note of the film was the abusive father played brilliantly by Dennis Quaid. I don’t think I’ve seen him this good since the early 2000’s with Far From Heaven and Frequency. The anger and bitterness of many years was all visible on his face and even through the powerful redemption story line the scars still remain. This is a deeply human story and it is emotionally affecting with the waves coming in rapid succession and hitting hard.

This isn’t a perfect movie by any means, there a a half a dozen characters that could have been better fleshed out, the romance felt tacked on and unnecessary (although I was happy to see Madeline Carroll. I’ve missed her since 2010’s Flipped).

You can feel good about taking the whole family to see this, it deals with some hard issues like abuse, divorce, and forgiveness, but it’s not overly preachy. It will act as wonderful counter programming to the LGBT drama Love, Simon. While I have no hate for my LGBT friends, it is very nice to see my lifestyle and beliefs portrayed in a good film finally.

2010s, Awards, Best Movie Bracket, Lists

Best of 2017: Top 5

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This is it. I’ve already looked at the rest of my top 20. you can read them elsewhere on the site. (6-10, 11-15, 16-20). But now, it is time for the cream of the crop. These are the movies that made a lasting impact on me. They changed the game somehow or made it impossible for me to shake them. This will also serve as my Best Movie Bracket entry for 2017. Once I publish this post, I’m going to stop looking back to 2017 and start looking at some of the 2018 movies that I have already missed and that are coming on the horizon.

This year has been one of the more diverse and varied in my recent memory. In this list we have indie films next to billion dollar blockbusters. We have psychological horror next to morally ambiguous drama, next to totally ambiguous metaphorical experimental cinema. Three of these five films have a female as the lead protagonist and we have a black screenwriter/director as well.  The point should never be diversity for the sake of diversity, but these are amazing films and they deserve the credit that they are getting. Let’s dive into my top 5 of the year!

5. mother!

The award for the most audacious, controversial, and avant-garde film this year goes to Darren Aronofsky’s awkwardly titled mother! I hope that you, like me, have been shrieking the name like Norman Bates from Psycho every time it comes up in conversation. This is a film that many did not appreciate but that I could not forget. I left the theater thinking about it and as my whole family can attest, I did not stop talking about it and pondering it for days and weeks afterwards.

Jennifer Lawrence plays the titular character and is featured in close-up, over the shoulder, or from her point of view for nearly the entire film. This promotes a claustrophobic feeling within this house which she is painstakingly attempting to restore to its former glory. She does all of this for her husband, played by Javier Bardem, who is known only as Him or the poet. The entire film is a metaphor or allegory for a multitude of different things that have been debated since its release. They are probably all somewhat right in their own way.

We’ve got an allegory of the biblical creation story mixed with a little bit of awaited messiah worship. These biblical themes are overlaid with a struggling creative type who ruins his relationships with his writers block and subsequent struggle with newfound fame and mixed in for good measure is a metaphor for climate change and environmentalism. Essentially, it is a big jumbled mess, but it is marvelous and hideous to behold all at the same time.

4. Get Out

Jordan Peele, half of the comedy duo, Key and Peele, writes and directs his first film. This is not the comedy that you might expect, if it is a comedy at all. We are presented with the story of a young black man invited to a weekend at the family home of his white girlfriend.

This could be the source of an interesting romantic comedy, but there is something wrong with this setting that we just can’t put our finger on. Is it the overt anti-racist statements that her father makes? “I would have voted for Obama for a third term if I could.” Why are the two servants the only black people around and why are they acting weird? Is this all just in his head? Is he being racist to think that there must be something else going on under the surface?

This will go down in a long line of movies that use racism as a theme, like American History X, The Help, Django Unchained, Crash, and Guess Who’s Coming to Dinner. However, this film is unique because it turns the horror genre on its head. There is no boogeyman, no monster in the closet, there is no supernatural force of evil. The nefarious evil of Get Out is displayed in the white people who cannot be trusted. It is so impactful because this fear is something that is all too real for many young black men all over this country. We might hope that we would have moved on from racism in our country, but it is alive and well and it’s just as ugly, evil, and scary as any movie monster.

3. Three Billboards Outside Ebbing, Missouri

It may sound like I love horror movies based on the marketing of my two previous choices. The fact is that I love movies that do things differently that other films that I’ve already seen. I like original concepts and execution that is done with high quality.

In Three Billboards Outside Ebbing, Missouri we get a more conventional narrative story but the psychology of its characters pushes it into the outstanding category. It is a dark comedy to be sure. Coming from Martin McDonagh, who brought us In Bruges, I would expect nothing less, but as with that film there is also earth shattering heartbreak and pain. This is the duality of the world that we live in. There are notes of joy, beauty, grace and absurdity punctuated by hate, violence, hypocrisy, and apathy.

Frances McDormand is a force of nature. She carries such emotion through her performance that we can’t help but root for her even though she is crude, mean-spirited, and hateful. The growth of all of the characters is what keeps us rooted as viewers to this story. We know that her meanness is coming from a place of deep pain and sorrow and we want to see justice. We also see the ignorance and racism of the deputy played by Sam Rockwell. Our desire to see the good in people leads us to hope for his change and redemption. This film delivers on all sides.

2. Logan

I hope you can see from this choice that I am not like most critics. I try to take a look at all different types of film regardless of their standing within a particular community. I cross the gap so a film like Logan can go toe to toe with an indie film that only saw a limited release. I try to look at each film for what it is and for its merits and efforts to do what it set out to do.

I was looking forward to Logan since the initial teaser trailer and the revelation that a big budget R-rated Wolverine film would now be sharing my name. As the campaign continued I only got more excited to see that we were going to be exploring the Old Man Logan story line from the comics. We were going to see Hugh Jackman in his final performance as the adamantium-clawed anti-hero and he was going to be grizzled and broken.

The film joins Logan years into the future where no new mutants have been born and most of the old mutants are mysteriously absent. We get some beautiful touches of the paternal relationship between Logan and Charles Xavier played expertly by Patrick Stewart in his final role of the franchise as well.

The thing that impressed me the most about Logan was that there were huge sections of the film that I forgot this was supposed to be a superhero movie. It took its time in storytelling and character building and we are left with beautifully stark western about the consequences of a life of violence and how there can be hope for change but not without sacrifices. It is rich and deep and immensely entertaining for a fan of the X-Men but even if you’ve never picked up a comic book or seen another superhero film this is a story that will resonate and hit deeply.

1. The Florida Project

If you follow any of my social media feeds, it should come as no surprise that this is on the top of the heap for my year end list. I’ve been in love with this film since I first saw it. I love the style that Director, Sean Baker, brings to the table. It is rich and grounded and humanistic. All of his stories have been semi-documentarian. Starlet and Tangerine both focus on sex workers and their real-life struggles in a fictionalized setting. However, this is his most accessible film and it drips with charm.

The film was actually shot on site at a budget motel in Orlando outside Disney World called the Magic Castle. During filming, the motel was still operational, so many of the people featured in the film as extras were actually real residents of the motel. Willem Dafoe brings an air of gravitas to the role of Bobby, the on-site motel manager. He’s playing against type for him and is warm and paternal with many of the residents and their kids, however he still buzzes around this castle keeping it magical.

 There really isn’t much of a story in a narrative sense. We just get to spend a portion of the summer with a couple of families that live in this budget motel. Our main characters are young mom Halley and her precocious young daughter Mooney. The trick of the film is that the movie is told from the perspective of the kids. We are seeing this world with all of the potential wonder and hope while we keep our knowledge and it makes a profound difference. What kind of trouble will Mooney get into, is that going to affect Halley’s ability to raise her?

Can meaning be found in the shadow of the false god of consumerism? Is there happiness when the happiest place on earth is out of your reach. The film struggles with deep religious and philosophical and religious themes without ever mentioning any of them or having an expository scene. It is also a marvel to behold with gorgeous cinematography from Alexis Zabe who’s only other credit that I recognized was the music video for Pharrell Williams’ hit song “Happy.” His use of color and framing was so vivid and rich and reminded me of Wes Anderson in a good way without becoming distracting. This will be added to my Blu-Ray collection as soon as I can add it and I would encourage you to do the same.

So that’s it for 2017. Next up, I’m hopefully going to be looking at the recent Alex Garland follow-up to Ex Machina, staring Natalie Portman, Annihilation. Stay tuned for that. In the meantime, please let me know your top handful for the year. You can always comment here at LifeattheMovies.com, but you can also visit me on various forms of social media and let me know your thoughts/opinions and leave snide comments.

2010s, Action, Article, Best Movie Bracket, Biopic, Comedy, Drama, Heist, Lists, Musical, Prison, Reviews, Romance, Sports, True Story

Best of 2017: Insiders 6-10

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After getting a bit sidetracked with Oscar predictions, let’s get back to the Best of 2017. You can see my 11-15 and 16-20 as well, but as we enter the coveted top 10, we find some truly remarkable films that resonated with me personally. I am proud of the diversity of films from drama to action to biopic. Let’s go!

10. Logan Lucky

Steven Soderbergh comes out of retirement to make his best since the original Ocean’s Eleven remake. He shows off his flair for visual storytelling and gives us a hillbilly fairy tale wrapped up in a heist movie. The cast of characters is outrageous, the premise is outlandish, and the film is outstanding.

The film centers around the Logan brothers played by Adam Driver and Channing Tatum and their plan to rob Charlotte Motor Speedway in efforts to break the 100 year old Logan family curse. Other cast members include Riley Keough, Daniel Craig, Seth MacFarlane, Sebastian Stan, Hillary Swank, Katie Holmes, Dwight Yoakam, and so many more deliciously funny characters.

I know many people who might not be as stereotypically country as these characters are but who suffer from a curse nonetheless. This curse of living paycheck to paycheck and being overlooked and derided is turned on its head as they mastermind a heist that would make Danny Ocean jealous. It is a hilariously wild ride, with a strong focus on family and a message about changing your station in life that might surprise you.

9. Phantom Thread

In opposition to the previous entry, Phantom Thread is set in the alluring world of 1950s British couture. Paul Thomas Anderson helms what is supposed to be Daniel Day-Lewis’ final performance. The previous collaboration of these two produced one of my favorite movies of all time, There Will Be Blood. I hope this isn’t the last we see from Daniel Day-Lewis because he is one of the greatest actors of our time and he has much more to give. However, if he did choose to make this film his last it would be a fitting close to an amazing career.

Hey plays Reynolds Woodcock who is a fictional mashup of several real designers from this time-frame. He is an exacting personality, he is brilliant but petulant and spoiled. The best thing about this film was the surprising humor. It arises from places you would not expect and the whole story goes in a direction that subverts the viewers expectations. It is a twisted picture of love, relationships, and power.

8. I, Tonya

Much like Phantom Thread, in I, Tonya we have a unique character study with dark humor that springs from odd places. People my age and older may think they know this story. We watched much of it play out on television. It happened right at the beginning of this new trend of 24/7 news coverage. So for weeks, you could not escape the saga of Nancy Kerrigan and Tonya Harding.

The story is so strange because of the varied and conflicting versions of the story that come from all sides. Instead of trying to present the truth, it seemed to leave us in an ambiguous place where we are rooting for the good in Tonya while still seeing he faults and part to play in the whole fiasco. Violence was the language that these people spoke and while that does not excuse any actions, it does provide a picture of the twisted mindset that could commit this crime.

Part of me wonders how much coverage this story would have received without the media coverage that it received. Did our thirst of “news” as entertainment feed into this? Because just as soon as a bigger story came along we were off on our next witch hunt. Today, this thirst has grown exponentially to the point that this story would have been nothing more than a blip on our Twitter feeds that would disappear within a few moments as soon as the next viral video appeared.

Margot Robbie and Sebastian Stan were very good, and the visuals could almost fool me to think that Margot Robbie trained to actually complete a triple Axel just for this film. The way that they filmed the skating sequences was captivating as well with the camera moving fluidly around the skater as the perform on the ice. However, the real star and one of the best overall performances of the year was from Allison Janney who played the cartoonishly evil mother of Tonya. She was wickedly delightful.

7. Baby Driver

The more I think about this movie the higher I want to put it on my list. Looking back in a couple of years after I own this Blu-Ray and watch it 5-6 dozen times it will probably find its way well into the top five. I love that it came in with a modest budget and blew it out of the water showing that you can make original and artful cinema and still make loads of money.

When I mention Edgar Wright, you might recognize the name from Shaun of the Dead, or Hot Fuzz. Here Edgar wright uses more of his distinct visual style and uses it to craft a musically choreographed heist film. Do yourself a favor and watch the first 6 minutes of the film. If it strikes your fancy then you will love the whole film. If it doesn’t then you may be doing something wrong.

My one issue with the film is that the whole thing isn’t presented as a musical. There are certainly musical elements and complete scenes that are linked directly to the music we hear, but I would have loved to see a full blown action centered La La Land type film.

6. Lady Bird

I have to admit that I jumped pretty hard on the Lady Bird bandwagon, and it’s hard not to. It is delightful. Its simplicity is part of its charm. However, I think that the simplicity might keep it from taking home any of the 5 Oscars it is nominated for on Sunday. But that is okay. It doesn’t need to be controversial or flashy to draw attention.

I feel like Lady Bird was so well loved because the characters albeit quirky are so accessible. Have you ever wanted to spread your wings and escape from your town or your school or your family? Everyone has! So much of this comes from the performances of Soairse Ronan and Laurie Metcalf. Ronan manages to capture that odd teenage limbo between the confidence in their own abilities and the realization that they are clueless as they prepare to leave.

Did anyone else feel like Metcalf appeared out of nowhere like someone had her locked in a time capsule since Roseanne. She was so good. She was warm and motherly and cold and calculated all in the same scenes. I have to give a small shout out to Tracy Letts as well as the dad. With three teenagers or nearly teenagers of my own I always look out for great father figures and he is now up there with the likes of Stanley Tucci from Easy A.

Did you hate any of these movies? Am I out of touch because I chose an Oscar bait movie like Phantom Thread or do I need to give up my Movie cred because I liked a trailer trash movie like Logan Lucky? I want to see your top 10 lists, leave me a comment here or shoot me a message on social media!

2010s, Awards, Great Movies, Television

Oscar Outlook: Best Picture

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The Oscars are almost here and I’m excited to talk about the biggest award of the night. We sit through all the other awards to see which film is going to take home Best Picture. I remember my father having a poster of all the Best Picture Academy Award winners from 1927 – 1991. I studied that list of films, many of which I had never even heard of, much less seen. But it gave me a sense of this world of films that I was stepping into at just 10 years old.

I remember watching Billy Crystal hosting that next year’s Oscars. I remember asking about some of these films that I was too young to watch and begging my parents to let me see them. My father was a collector of VHS films during those days and once I could get my hands on it, one afternoon as a latch-key kid, I remember watching the Best Picture winner of 1992, Clint Eastwood’s Unforgiven. I think 10 year old me probably would have ranked Aladdin above Unforgiven (35 year-old me might just do the same thing), but I was hooked and wanted more.

Since those days, I remember watching all kinds of films from Hitchcock and Kubrick to westerns and war films. I had developed a taste and would never go back. Perhaps this year, there will be another 10 year old boy who might watch to hear “Remember Me” from Coco, but will stay up late to hear the proclamation of the Best Picture of the year and might ask his parents if he can see Dunkirk or Lady Bird. The Oscars are a love letter to the cinema that we adore so deeply and cherish so fondly.

Best Picture

And the nominees are…

  • The Shape of Water
  • Three Billboards Outside Ebbing, Missouri
  • Darkest Hour
  • Call Me By Your Name
  • Dunkirk
  • Get Out
  • Lady Bird
  • Phantom Thread
  • The Post

Who Will Win

When nominations were first announced the clear favorite seemed to be The Shape of Water. However, it seems that the tides have turned towards my pick which is Three Billboards Outside Ebbing, Missouri. I’m happy with this change because I did not enjoy The Shape of Water as much as many of my movie loving friends. Three Billboards, on the other hand, has grown on me and found itself squarely in my top five movies of 2017. It could very easily be the big winner of the night with Best Picture, Actress, and Supporting Actor. What a shame that Martin McDonagh was not even nominated for direction. This original screenplay is also nominated but will most likely lose to Get Out.

Outside Chance

Of course, it is very possible that The Shape of Water could hold onto its original popular sentiment and win. The film is gorgeous, but I think Guillermo Del Toro’s Pan’s Labyrinth was so much better. I would be shocked if Get Out squeaked away with the victory, but it is not out of the realm of possibility. I really enjoyed Get Out, it was one of the best theater going experiences of the year. It is currently ranked just below Three Billboards in my top 10 of 2017.

Who Should Win

This is probably cheating, but if I had one wish, it would be for Warren Beatty to come out with Faye Dunaway for their second chance to announce the Best Picture award after last year’s fiasco, and I want him to rip up the ballot and declare that The Florida Project is the best movie of the year. It is available for streaming right now on iTunes, and many other sites. It has so much heart, imagination, and despair all wrapped up in a seedy hotel nestled just off I-4 in sunny Orlando, Florida just outside the Happiest Place on Earth.  Watch the trailer below and try not to fall in love with Brooklyn Prince and forget everything you ever though you knew about Willem Dafoe. It was criminal that his performance was their only nomination. This was the only glaring snub that I saw this year.

What do you think? Who will take home all those little golden statuettes tomorrow? Do you care? Will you even be watching? Do you remember some of the first movies that made you love film? Share with me below or send me a message on social media.