Tag Archives: 2018

2018 Best Movie Bracket

From my best count, there were about 266 major films released in 2018. That includes all the tentpole blockbusters and the independent festival darlings. It also includes the most prominent foreign films which received a US release and major original releases from streaming platforms. Of those 266, I have seen 111. I’ve still got about 50 for 2018 on my watchlist, but I will probably never see the vast majority of those unless I get a government grant that allows me to stop working and do nothing but watch movies all day every day.

I track and rate all of the movies I watch at Letterboxd.com. Since I usually do this list as a top 3, it is convenient that I have exactly 3 movies from 2018 that I would classify as five-star films. That number may increase because I have a rule that no film can be rated as 5 stars based upon a single viewing. The highest I can go on one viewing is 4 1/2 stars.

Honorable Mentions

It was a very good year for film. I could just list off 20 films that were easily in the running for my top film of the year, but in addition to my top three, I want to highlight a few special films that were unique or extraordinary in some way.

A Quiet Place surprised me because I didn’t expect such an immersive story from Jim from the Office. Upgrade was the best Science-Fiction action film with its locked camera Logan Marshall-Green’s face/body acting split. Mission-Impossible: Fallout was easily the most entertaining film I saw all year, I could watch it a dozen times and still be ready for another go around. 

Leave No Trace is Debra Granik’s long-awaited follow-up to Winter’s Bone (2019) and it was heartbreaking and uplifting and hopeful and brutally honest. BlackkKlansman is Spike Lee’s best since Malcolm X. It caught you laughing about systemic racism and how dumb those Klan members could be then flipped the script and left me with my mouth hanging open and tears in my eyes. Shoplifters left me wanting to be kidnapped and loved so purely whether it is technically a family or not. Finally, I’m so sad to leave First Reformed out of my top three, Paul Schrader had my rapt attention with an arresting meditation on faith’s place in the modern world.

Top Three

3. Blindspotting

The year was filled with amazing films focused on the theme of race relations. We’ve already mentioned BlackkKlansman, but there was also If Beale Street Could Talk, The Hate U Give, and Sorry to Bother You. However, the best, in my opinion, was the one that was criminally overlooked, Blindspotting.

The story is pretty simple. Collin, played masterfully by Daveed Diggs (whom you might know as Lafayette and Thomas Jefferson in Hamilton), must make it through his final three days of probation for a chance at a new beginning. Despite his childhood best friend Miles (a solid introduction from newcomer and co-writer Raphael Casal) not being the best influence, Collin is loyal. That countdown clock comes under pressure when Collin witnesses a police shooting and the two men’s friendship is tested as they wrestle with their identity in their rapidly-gentrifying Oakland neighborhood.

I don’t understand why Lionsgate released this unbelievably prescient masterpiece in mid-July rather than holding it a little later for Awards season. It was electrifying while also remaining accessible. However, Blindspotting was released in the same summer as Childish Gambino’s firebrand This is America and it is a perfect companion piece. 

2. Won’t You Be My Neighbor

I wouldn’t usually even think of putting a documentary on my best films of the year, but I was so incredibly floored by Morgan Neville’s documentary Won’t You Be My Neighbor. I grew up watching Mister Rogers every afternoon as a little kid and I even remember watching often into my teenage years. At some point, I probably kind of outgrew it and thought that he was uncool. But now looking back as an adult I see that Fred Rogers was the coolest guy in the neighborhood.

If there were one film in 2018 that I would force every person to watch it would be this. The faith, hope, and love that Fred Rogers exhibited in every show is a salve that I believe our culture needs now more than ever. Fred Rogers wasn’t seeking to entertain kids with his show and he wasn’t trying to rush them through growing up like so many try to. Instead, the yellow caution light flashes outside the building even before the familiar song begins as if to signal that it is time to slow down and learn what it means to be a human and how to live as a human with other humans. 

It didn’t fall into the trap of fawning over Mister Rogers. That’s good, because he would push back on being idolized in any way. Instead, he would call us to action, encouraging us to be better neighbors to all in hopes that this love and kindness might spread. Morgan Neville struck gold with this film and I only hope that it stays on constant rotation and that Fred Rogers is allowed to touch the hearts and minds of another generation and that my generation might be reminded of his gentle example.

1. Spider-Man Into The Spider-verse

I was not on the early bandwagon for Spider-Man Into the Spiderverse. I felt like it was too soon to do anything with Spider-Man much less introduce eight new ones. It wasn’t until I saw the sneak preview after Venom that I was even interested. I thought the animation looked great and I was intrigued by the concept and thought that it would be a good movie to take my kids to. However, about 15 minutes into the film, I knew I was watching something special. 

Let’s count the Spider-Men. First, we have Chris Pine’s stellar Peter Parker prime. He’s better than our Peter Parker and Spider-Man in every way except for the turn of events of this film. Second, we have Miles Morales, also from the home dimension of this film. Miles is played by Shameik Moore with bright-eyed energy. Then things get crazy with a whole slew of Spider-people.

Third, the road-weary veteran Peter B. Parker (Jake Johnson), complete with sweatpants, who is a sadder more tired version of the uber Spider-man. Fourth, Spider-Gwen, which I can easily see getting her own stand alone. Hailee Steinfeld brought some youthful confidence to the powerful girl’s role that will be seen over and over at Comic-con. Fifth, Spider-Man Noir, voiced in an amazing casting choice by Nicholas Cage. It’s seriously the best thing he’s done in years except destroying that pool table while singing the hokey pokey in Mom and Dad.

Sixth, Peni Parker, who shares a psychic connection to a radioactive spider that lives in her deceased father’s robot. I’m not making this up and she’s not even the weirdest. That award easily goes to seventh, Peter Porker (a.k.a Spider-Ham) a Looney Tunes type animated pig who actually started out as a spider but was bitten by a radioactive pig. In case you think I’m making this up, this is a comic you can actually read. Finally, eighth, featured just briefly in the post-credit scene is Oscar Isaac playing Miguel O’Hara as Spider-Man 2099. 

Somehow, all of this works and is magically told with no confusion and incredible balance and confidence. I haven’t even mentioned the supporting cast in Lily Tomlin, Katherine O’Hara, Mahershala Ali, and Liev Schriber among others. It is a truly star-studded cast and with all the right stuff.

So what do you think? Agree or disagree? Did I miss one of your favorites? Let me know in the comments below or on social media.

Ten Movies to Watch this Summer Besides Infinity War

Summer came early this year with Marvel unleashing their biggest film ever. This one was 10 years and 18 films in the making. Infinity War was great, but was that the best thing that we’re gonna see this summer? I’ll bet you anything, we won’t see any blockbuster come close to doing what Infinity War did at the box office, but that doesn’t mean that we won’t see some great movies released between now and August.

I could waste a lot of time giving you a list of every movie coming out between now and then, but you could just head over to IMDb if you wanted that. Instead, I want to let you know about 10 movies that have me excited this summer other than Infinity War. That doesn’t count because it was on the top of my list and it met and exceeded my expectations.

Deadpool 2 – May 18

Come on… Do I have to explain this one? It’s Ryan Reynolds back in the role that he was designed by our good Lord to play. I hope it can live up to the hype despite some production woes. It will be weird seeing Josh Brolin play another villain so soon after he tore my heart out as Thanos.

Solo: A Star Wars Movie – May 25

I’m not nearly as excited about this one. It looks pretty entertaining and from the brief bits of dialogue in the trailer it seems like Alden Ehrenreich is doing a passable job imitating Harrison Ford. I know all the fanboys will turn out in droves, but I think that the average moviegoer isn’t going to rush out to watch this scruffy looking nerf-herder.

Hereditary – June 8

Excuse me while I go change my pants. This trailer gives me nightmares. I’m not sure what the movie is going to do. I don’t know much about the first time director Ari Aster, except that he looks like he’s 14 and just learned that he can grow hair on his face. This doesn’t look like your normal style of horror movie, I’m hoping it follows in the footsteps of The Witch and The Babadook and does something different.

Oceans 8 – June 8

All female heist film by Steven Soderbergh. I don’t think it needed to be tied to the Ocean’s franchise, but I guess that makes it more bankable. I hope it’s good. The cast looks great. But it could end up being like the Ghostbusters remake if they aren’t careful.

Incredibles 2 – June 15

Finally! A sequel to my favorite Pixar movie. Forget Toy Story 4 and all that garbage. This thing has been cooking for 14 years and finally Brad Bird is delivering what looks like an impressive follow-up. I’ve already heard complaints that no one has aged, that he’s not bringing us to the present or at least giving us teenage Jack-Jack but at this point, I trust Pixar as a whole and Brad Bird specifically and I will be at the front of the line for this one.

Sicario: Day of the Soldado – June 29

Continuing the year of Josh Brolin, we get the follow-up to 2015’s Breakout hit Sicario. The first was directed by Denis Villeneuve who has now launched into the stratosphere with movies like Blade Runner 2049 and Arrival under his belt. At first I was worried, but then I saw that Taylor Sheridan is back in the writer’s chair and he was hesitant to even call it a sequel. Hopes are tentatively high that this can be added to the flawless list on Sheridan’s resume.

Uncle Drew – June 29

I will be completely transparent. This movie is not made for me. I’m whiter than Nick Kroll (oh wait…), but even with that handicap, I still think this looks funny. Tiffany Haddish and the pure joy of watching some basketball superstars donning white hair and beards. This is going to make more money than Tyler Perry dressing in drag, and you can take that to the hoop.

Ant-Man and the Wasp – July 6

We pick up with Ant-Man after the events of Captain America: Civil War and apparently he is on some type of house arrest. Hank Pym outfits a partner for him and we get lots of stuff getting smaller than normal and other things getting comically large. This should be a nice exhale after Marvel has been punching us in the gut with Black Panther and Infinity War, and who knows maybe we’ll get another piece of the Avengers 4 puzzle.

Mission Impossible: Fallout – July 27

Unpopular opinion: The Mission: Impossible franchise is more entertaining than James Bond or Jason Bourne. I can’t wait to watch Tom Cruise break his ankle in that scene from the trailer where he jumps from one building to another and shorts it. They take it to the next level and the touches of humor from Simon Pegg are great. Christopher McQuarrie has directed Tom Cruise excellently in Mission: Impossible – Rogue Nation as well as the original Jack Reacher film. I have no reason to doubt that this will not be a kick-ass ride.

The Darkest Minds – August 3

It’s not the New Mutants X-Men movie that I’ve been hoping for, but close enough. In essence, these teenagers are held captive by the government because they begin to develop powers. Some of them break out to form a resistance group to fight their oppressors. It is based on a YA novel by the same name written by Alexandra Bracken and directed by Jennifer Yuh Nelson who previously directed The two Kung Fu Panda sequels.

What about you? Are you surprised by any of these? Do you have one that you are just dying to see? Did I leave something off? Let me know if the comments below or hit me up on social media.