Tag Archives: No Country for Old Men

Looking Closer – The Theology of the Coen Brothers

Jeffery Overstreet and Matt Zoller Seitz are two of my favorite authors / movie critics. I value their opinions and their beliefs. So I was very excited to see that they sat down to discuss my favorite living directors (Joel and Ethan Coen) and talked about their view of God. You can read the full discussion over at Overstreet’s blog “Looking Closer.” 

Religion, while it binds communities and brings meaning through ritual, is ultimately not enough. I’m not willing to brand the Coens as “covert Christians.” And even if I did, the word “Christian” is about as meaningful anymore as the word “conservative” or “Democrat”, or the term “the American way.” It means a million things to a million people. But they are definitely drawn to a vision of the cosmos that resonates with my understanding of Christ’s teachings. That is to say that “righteousness,” the ways of religion, and the law-focused method of an “Old Testament” worldview, are ultimately insufficient.

We cannot earn our way to heaven by being good. We cannot save ourselves. The Coens know that “all have sinned,” and they know that “the wages of sin is death.” Everybody is likely to die miserably in their movies, whether as a result of their own evil or someone else’s.

But there is something out there, some kind of offer of grace, and when we glimpse that, goodness happens in us. We begin to love not for selfish reasons, but as a response, as a reflection, as if we are instruments being tuned up by something greater than ourselves.

No, I think that the clearest summation of their worldview comes from Mattie in their True Grit remake: “You must pay for everything in this world, one way and another. There is nothing free except the grace of God.”

If you enjoyed that snippet, I hope you’ll read the full discussion. And if that isn’t enough there is a whole book written on the topic of the Coens’ theology. The Dude Abides: The Gospel According to the Coen Brothers by Cathleen Falsani

2007 Best Movie Bracket

As I mentioned in the last post, 2008 was the beginning of the Comic book adaptation explosion. This march through the years to determine the Best Movie of all time really shows that themes come out in particular years. 2007 was loaded with amazing movies that almost no one saw. They were so good that I may have my first year with multiple winners. I say that no one saw them because the top 3 highest grossing films of 2007 were Transformers, Shrek the Third, and Spider-Man 3. All were panned by critics and had lackluster performance at the box office. This was a year for those Superbad movies and others like Pirates of the Caribbean: At World’s End, Alvin and the Chipmunks, Wild Hogs, Fantastic Four: Rise of the Silver Surfer, Bee Movie, I Now Pronounce You Chuck and Larry, and Norbit.

That being said, the ugly performance of popular films in 2007 really made the gems shine. We had an artsy Bob Dylan biopic with I’m Not There, and one of the coolest, nerdiest documentaries ever in King of Kong. There was a great entry from one of my favorite directors Sidney Lumet (12 Angry Men, Network) who gave us Before the Devil Knows You’re Dead. We saw a minor resurgence of good westerns with a 3:10 to Yuma remake and my pick for best long title movie, The Assassination of Jesse James by the Coward Robert Ford. On the musical front, there were several solid entries from Sweeney Todd, Across the Universe, August Rush, and the hauntingly beautiful Once. There were also two emotionally shattering foreign films in Diving Bell and the Butterfly and 4 Months, 3 Weeks, and 2 Days.

Other must watch films from the year include: Hot Fuzz, Ratatouille, Juno, Into The Wild, I Am Legend, Sunshine, Atonement, Gone Baby Gone, Lars and the Real Girl, American Gangster, Persepolis, and Michael Clayton. Charlie Bartlett is the film that sticks in my mind for the late Anton Yelchin, It is not a perfect film, but it is very entertaining with a great cast. However, all of these good films should wait if you haven’t seen any of my top three. I consider two of them modern classics that are almost perfect films.

3rd – Zodiac

Zodiac is a woefully underrated film from David Fincher, the same director that gave us Se7en and Fight Club. Roger Ebert said in his four-star review, “Zodiac is the All the President’s Men of serial killer movies, with Woodward and Bernstein played by a cop and a cartoonist…. What makes Zodiac authentic is the way it avoids chases, shootouts, grandstanding and false climaxes, and just follows the methodical progress of police work.” The cast (Mark Ruffalo, Jake Gyllenhaal, and Robert Downey Jr.) as well as the tone and script are all so tight and precise. It’s a delightful movie and immensely frustrating and entertaining. Now, onto the two films which I will be including in the Best Movie Bracket Competition.

Continue reading 2007 Best Movie Bracket