All posts by Engagingculture

I'm a normal guy who watches a lot of movies. I love to compare techniques, cinematography, and acting, but I'm really amazed at what makes movies successful. Why does one film make piles of money while another falls flat on its face? I hope to help other normal people enjoy more good movies and avoid the garbage.
2010s, Actor/Actress, Awards, Television

Oscar Outlook: Female Performance

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The Oscars are on Sunday night. I want you to be informed about all the nominees and the stories surrounding their movies and nominations. That way you can be well informed at your Oscar party as you stuff your face full of hors-d’oeuvres.

There is an entire debate about whether or not the Actor and Actress categories should be combined or left separate. I don’t want to get involved in the politics of it, but I do like having separate categories because it means that we can recognize more performers for their craft. In this post, I’m going to look at both the race for Best Actor who happens to be a female and best Supporting Actor who happens to be a female.

Best Actress

And the nominees are…

  • Frances McDormand for Three Billboards Outside Ebbing, Missouri
  • Saoirse Ronan for Lady Bird
  • Sally Hawkins for The Shape of Water
  • Margot Robbie for I, Tonya
  • Meryl Streep for The Post

Who Will Win

Frances McDormand is the hands down favorite to win this. Honestly, anyone else would be a shock. Three Billboards has grown on me the further I have gotten away from watching it. The film itself had a bit of controversy early on because of its somewhat flippant attitude towards racial violence. However, it lingers and invades in a good way and much of it is due to McDormand’s performance as a tortured mother who lost her daughter in a tragic way and is seeking justice in unconventional means.

This is her 5th nomination, and if all goes according to plan, it would be her 2nd win since her victory for her role in 1996’s Fargo. She has already taken home the Screen Actor’s Guild award, BAFTA, and Golden Globe for this performance, it is hard to think that the Academy will push against this wave of support.

Outside Chance

I guess technically McDormand split the Golden Globe with Saoirse (pronounced “Seer-sha”) Ronan. McDormand won for a dramatic performance and they called Lady Bird a comedy/musical. It’s possible that Saoirse could sneak in to win this, but anyone else is pretty much a statistical impossibility. But it is an honor to just be nominated, right?

Who Should Win

I’m not going to fight this one either, McDormand gave the female performance of the year in my eyes. She commanded the screen and left us broken with her. However, if we take that amazing performance away, I think we would be having a heated race between Saoirse Ronan for her coming of age Lady Bird performance and Margot Robbie as Tonya Harding in I, Tonya. All three of these films are in my top 10 of the year and all are deserving of much credit and praise.

Best Supporting Actress

And the nominees are…

  • Mary J. Blige for Mudbound
  • Allison Janney for I, Tonya
  • Lesley Manville for Phantom Thread
  • Laurie Metcalf for Lady Bird
  • Octavia Spencer for The Shape of Water

Who Will Win

If there were odds on this race, Allison Janney would be so far out front that I could lose money if I bet on her. Regardless, she deserves it! If you haven’t seen I, Tonya because you hate ice skating or whatever or the true crime drama kind of thing, then just watch it for the 5-6 scenes that we get with Allison Janney playing the acidic mother of Tonya Harding. She does more to elevate Margot Robbie’s performance as Tonya than Margot could have ever done on her own. That is why they call it a “Supporting” actor.

Outside Chance

If it comes out this week that Allison Janney is a cannibal and was somehow responsible for the death of Mr. Rogers, she would still win. Not just because voting is already completed but because she is that good.

Who Should Win

Are you listening? Allison Janney should win!

But if we are discounting her, then this would be between Laurie Metcalf as the Mother Bird to Saoirse Ronan’s Lady Bird and a subtle but tenacious performance by Lesley Manville as the sister of the unique and exacting character that was Daniel Day Lewis’ lead character in Phantom Thread. I obviously knew Laurie Metcalf from Roseanne ages ago, but Lesley Manville, I had to look up to see what else she had been in that I had missed. She was my favorite part of that film.

What do you think? Will the stars align for both of these favorites so they leave the stage grasping gold or will there be a shocking upset that we will all be talking about on Monday? I want to hear your opinions. It’s no fun just talking to myself. Let’s start a conversation here or on any of the major social media platforms.

2010s, Awards, Director, Television

Oscar Outlook: Best Director

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The 90th Academy Awards are this Sunday night. I’ve already made my picks on a couple of the contest sites including the Official Oscar Challenge and Gold Derby where you can play the odds on all kinds of entertainment contests. If you’re feeling old fashioned, you could just print out a ballot and pass it around your office this week. Whether you are going to a fancy Oscar party or just watching in your pajamas, it’s always fun to play along.

With that in mind, I thought in these few days leading up to the biggest night in Hollywood, I would take a few minutes to look deeper at the top categories. Best picture, the four top actor nominations, and of course…

Best Director

Among most of my non-movie friends the Best Director category holds just as much mystery as the Best Production Design might. “Normal” people don;t go around talking about movie in terms of their director. Oftentimes they go unnoticed in the background, and that is how most of them would like to keep it, the exceptions being those few directors that almost demand that their name be read before their movie’s title, like Lee Daniel’s The Butler.

I however, directors do so much to create the films that we see everyday, it is good that they have a few moments in the sun to take credit for the pictures that they have painstakingly collaborated and toiled for years to create.

Even if you have no idea who these people are, you should at least be happy that this isn’t a panel of old white guys. That’s what we usually see, but with last years Oscars so white controversy we have a great deal more diversity this year. I think it certainly helps those efforts that many of the best pictures of the year came from diverse sources and were made by a varied group of individuals. This is a good thing because we need to see films highlighted that reflect our country’s population.

Without further ado, the nominees are…

  • Christopher Nolan for Dunkirk
  • Jordan Peele for Get Out
  • Greta Gerwig for Lady Bird
  • Paul Thomas Anderson for Phantom Thread
  • Guillermo Del Toro for The Shape of Water

Will Win

There is not a doubt in my mind that Guillermo Del Toro will take home the gold on Sunday night. We’ve seen a trend of Hispanic Directors over the last few years with Alejandro G. Innaritu and Alfonso Cuaron. Del Toro should have been Nominated (and probably won) for Pan’s Labyrinth. That movie was better than this one, but the Oscars have a way of righting past wrongs through new awards. See John Wayne’s only Oscar for one of his last films, a good role in True Grit but far from his best.

Outside Chance

If the Academy voters are keen to just hand out diversity nomination but not awards, they could give the trophy to Christopher Nolan for Dunkirk. I think that would be the wrong move, Dunkirk is not Nolan’s best film by far, but he’s been snubbed previously and they could try to make up for that.

Should Win

I’m not one for pandering, but I would love to see either Greta Gerwig or Jordan Peele take home the win. They are only the 5th nominee that is female or African American respectively. Gerwig would be second only to Katherine Bigelow who won a few years ago for The Hurt Locker.

However, my should win has to go to Jordan Peele for his outsanding Directorial debut in the completely original and seamlessly crafted Get Out. He weaved comedy, drama, horror, and political satire into one massively entertaining film and seemingly didn’t even break a sweat. I’m looking forward to what we will see from him next. Part of me wishes the Oscars had a category for best new director so he could at least get full credit there., but unfortunately, he would still be up against Greta Gerwig and the juggernaut that was Lady Bird.

What’s Your Pick?

Who do you think will win? What was your favorite of the year? Do you think that it’s a good thing that we are seeing more diversity represented in these awards? Let your voice be heard in the comments below.

2010s, Action, Alien/Monster, Awards, Biopic, Detective, Drama, Epic, Great Movies, Horror, Lists, Mystery, Political, Science Fiction, Suspense, Thriller, True Story, War

Best of 2017: Outsiders 11-15

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Let’s continue to look at those just outside of my top ten of 2017. You can also read my #16-20. I’ve seen most of these on other people’s top ten lists and I think that they could all be up there if I was in a different mood. You’ll notice that on most of these mini reviews, I’m not focusing on technical merit or acting unless it was hands down better than anything else I’ve seen this year. Instead, I’m choosing my top films by selecting the ones that resonated the most with me. I hope that you will read my thoughts on these five and give me your thoughts. Link me to your top 10s, Tell me why I’m wrong or what I got right. Continue reading Best of 2017: Outsiders 11-15 →

1960s, Anniversary, Article, Not New Review, Review, Science Fiction, Space

Planet of the Apes (1968) – 50th Anniversary

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Fifty years ago today, Planet of the Apes was released in theaters. Filmgoers were presented with an alternate future where humans were no longer the dominant species. No longer the strongest. It took audiences by storm and produced four sequels, two television series, numerous graphic novel adaptations, and a remake. Not to mention the recently popular film saga. What is it about this simple sci-fi story that has resonated with our culture for 50 years?

I had never seen the original film until this year in preparation for this article. I have seen all of the new films and have enjoyed most of them but I was honestly surprised how relevant the original still is 50 years later. I believe it worked so well because it held up a mirror to our culture and allowed us to reflect on our actions and behaviors in the light of what really matters to us as a species.

The original 1968 movie mixes political and religious satire, suspense, and action and leads us to a finale with one of the best twists in all of film history. If you don’t know what that twist is then please stop right here and let me express to you that you have an amazing gift right now. Please don’t read any further. Go find a copy of the film (but beware of some of the DVD covers that can even spoil the ending!). There is a new 50th anniversary Blu-ray edition being released this week and you can get it for $8 over at Best Buy. It has the film plus a digital copy and all of the special features that you could want. Enjoy the camp and get swept away to a time when political powers were unstable, the future was uncertain, and the threat of nuclear war was on the public’s mind daily. Even sarcastically you can see how this film still speaks its humanist message loud and clear.

Continue reading Planet of the Apes (1968) – 50th Anniversary →

2010s, Best Movie Bracket

2016 Best Movie Bracket

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Not going to do a full post for this. I just needed to catch up since I started the Best Movie Bracket in 2016 and never got around to posting my bracket for the year. I posted my top 20 over at Letterboxd and it still holds up. I think it’s a pretty solid mix of populist and more obscure films.

2010s, Article, Film studies, Longform, Review

Aronofsky’s God on Display in mother!

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There is a lot going on in Darren Aronofsky’s new film mother! Some have called it the worst movie of the year, some even claim the century. Yet others have called it truly breathtaking and a creative masterpiece. It is a very polarizing film. Upon first viewing in theaters, I was sold. I couldn’t stop talking about it and thinking about it. Since then it has earned the worst audience score of an F, and been nominated for several Razzies. So why am I “wasting my time” looking at this film that statistically speaking most people will not watch?

There are so many religious messages that I can’t pass it up. It is available on Blu-Ray and streaming now, but I will warn you that this is a film made for one time purposeful viewing. It will stick with you and may haunt you. Beware that there is violent and disturbing imagery and foul language. I believe it is all meant to serve a purpose and it points to a creation, fall, redemption, restoration process that we see in scripture. This is through the eyes of an agnostic at best so it is not at all a perfect or complete picture, but we can clearly see what Aronofsky thinks of this God and his followers through his creation.

I can’t wholeheartedly recommend this film. It is a very difficult watch. But to serve any purpose I must dive deeper in discussion of the story that the film presents. To look at it from the surface it is just torture porn wrapped in religiosity, but if we will take time to go deeper, we can glean some tremendous insights. This is my last warning. Massive spoilers ahead! If you are up to it, let’s dive in.

Continue reading Aronofsky’s God on Display in mother! →

1990s, Best Movie Bracket

1999 Best Movie Bracket

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In 1999, I was a sophomore in high school, I got my drivers’ license, and I gave my life over to Christ and decided to go into full-time ministry. Clearly, it was a big year for me, but what about in Hollywood?

On a recent episode of the Filmspotting podcast, longtime hosts Josh Larsen and Adam Kempenaar listed their top 5 years of film. This is one that was on both of their lists. So it shouldn’t surprise you that in this highly favored year that I am going to have more than 1 number 1. Unlike 2007, this one isn’t so much a tie as it is the consideration of this exercise as a death match. If only the winners from each year are left for eternity to represent that year, then I need both of these films because they speak to the larger shift in cinema.

In my mind, the films of a year speak to the cultural landscape of the time, and prior to 9/11 in 2001, one of the biggest cultural shifts (at least in my life) was the school shooting at Columbine school in Littleton, Colorado on April 20, 1999. Today, it seems like school shootings happen everyday and they don’t have time to linger on our consciousness the way they did because of the constant barrage of the news cycle. At the time, I don’t think that Columbine played a role in that decision, but it definitely shaped my life from that point forward.

The films of 1999, whether I saw them at that time or years later, have solidified my love and passion for cinema. I was a film lover years before I became a Christian, but my entire worldview shifted in a moment and these films form a cultural microcosm for me and speak deeply. Continue reading 1999 Best Movie Bracket →

2010s, Weekend Outlook

Weekend Outlook – Battle of the Sexes, Kingsman, Lego, and more

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Man, there are a lot of movies coming out this weekend! I’m hoping to do this Weekend Outlook on a weekly basis to highlight the films that are hitting theaters each week. Alternatively, I’m thinking about posting about movies coming out on DVD so you can see what will be hitting stores, your Video on Demand service, or Redbox. I know that not everyone watches movies in theaters like I do.

These are all nationwide releases that should be coming to a theater near you. I’m most excited about Battle of the Sexes, but none of the others look awful, It should be a good week.

BATTLE OF THE SEXES 

Poster for the movie "Battle of the Sexes"
© 2017 Fox Searchlight Pictures − All right reserved.

Starring: Steve Carell, Emma Stone, and Sarah Silverman

Rated PG-13

The electrifying 1973 tennis match between World number one Billie Jean King (Emma Stone) and ex-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the Battle of the Sexes and became the most watched televised sports event of all time. The match sparked a global conversation on gender equality, spurring on the feminist movement. Trapped in the media glare, King and Riggs were on opposites sides of a binary argument, but off-court each was fighting more personal and complex battles. With a supportive husband urging her to fight the Establishment for equal pay, the fiercely private King was also struggling to come to terms with her own sexuality, while Riggs gambled his legacy and reputation in a bid to relive the glories of his past. Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis courts and animated the discussions between men and women in bedrooms and boardrooms around the world.

Continue reading Weekend Outlook – Battle of the Sexes, Kingsman, Lego, and more →