Category Archives: Lists

Ten Movies to Watch this Summer Besides Infinity War

Summer came early this year with Marvel unleashing their biggest film ever. This one was 10 years and 18 films in the making. Infinity War was great, but was that the best thing that we’re gonna see this summer? I’ll bet you anything, we won’t see any blockbuster come close to doing what Infinity War did at the box office, but that doesn’t mean that we won’t see some great movies released between now and August.

I could waste a lot of time giving you a list of every movie coming out between now and then, but you could just head over to IMDb if you wanted that. Instead, I want to let you know about 10 movies that have me excited this summer other than Infinity War. That doesn’t count because it was on the top of my list and it met and exceeded my expectations.

Deadpool 2 – May 18

Come on… Do I have to explain this one? It’s Ryan Reynolds back in the role that he was designed by our good Lord to play. I hope it can live up to the hype despite some production woes. It will be weird seeing Josh Brolin play another villain so soon after he tore my heart out as Thanos.

Solo: A Star Wars Movie – May 25

I’m not nearly as excited about this one. It looks pretty entertaining and from the brief bits of dialogue in the trailer it seems like Alden Ehrenreich is doing a passable job imitating Harrison Ford. I know all the fanboys will turn out in droves, but I think that the average moviegoer isn’t going to rush out to watch this scruffy looking nerf-herder.

Hereditary – June 8

Excuse me while I go change my pants. This trailer gives me nightmares. I’m not sure what the movie is going to do. I don’t know much about the first time director Ari Aster, except that he looks like he’s 14 and just learned that he can grow hair on his face. This doesn’t look like your normal style of horror movie, I’m hoping it follows in the footsteps of The Witch and The Babadook and does something different.

Oceans 8 – June 8

All female heist film by Steven Soderbergh. I don’t think it needed to be tied to the Ocean’s franchise, but I guess that makes it more bankable. I hope it’s good. The cast looks great. But it could end up being like the Ghostbusters remake if they aren’t careful.

Incredibles 2 – June 15

Finally! A sequel to my favorite Pixar movie. Forget Toy Story 4 and all that garbage. This thing has been cooking for 14 years and finally Brad Bird is delivering what looks like an impressive follow-up. I’ve already heard complaints that no one has aged, that he’s not bringing us to the present or at least giving us teenage Jack-Jack but at this point, I trust Pixar as a whole and Brad Bird specifically and I will be at the front of the line for this one.

Sicario: Day of the Soldado – June 29

Continuing the year of Josh Brolin, we get the follow-up to 2015’s Breakout hit Sicario. The first was directed by Denis Villeneuve who has now launched into the stratosphere with movies like Blade Runner 2049 and Arrival under his belt. At first I was worried, but then I saw that Taylor Sheridan is back in the writer’s chair and he was hesitant to even call it a sequel. Hopes are tentatively high that this can be added to the flawless list on Sheridan’s resume.

Uncle Drew – June 29

I will be completely transparent. This movie is not made for me. I’m whiter than Nick Kroll (oh wait…), but even with that handicap, I still think this looks funny. Tiffany Haddish and the pure joy of watching some basketball superstars donning white hair and beards. This is going to make more money than Tyler Perry dressing in drag, and you can take that to the hoop.

Ant-Man and the Wasp – July 6

We pick up with Ant-Man after the events of Captain America: Civil War and apparently he is on some type of house arrest. Hank Pym outfits a partner for him and we get lots of stuff getting smaller than normal and other things getting comically large. This should be a nice exhale after Marvel has been punching us in the gut with Black Panther and Infinity War, and who knows maybe we’ll get another piece of the Avengers 4 puzzle.

Mission Impossible: Fallout – July 27

Unpopular opinion: The Mission: Impossible franchise is more entertaining than James Bond or Jason Bourne. I can’t wait to watch Tom Cruise break his ankle in that scene from the trailer where he jumps from one building to another and shorts it. They take it to the next level and the touches of humor from Simon Pegg are great. Christopher McQuarrie has directed Tom Cruise excellently in Mission: Impossible – Rogue Nation as well as the original Jack Reacher film. I have no reason to doubt that this will not be a kick-ass ride.

The Darkest Minds – August 3

It’s not the New Mutants X-Men movie that I’ve been hoping for, but close enough. In essence, these teenagers are held captive by the government because they begin to develop powers. Some of them break out to form a resistance group to fight their oppressors. It is based on a YA novel by the same name written by Alexandra Bracken and directed by Jennifer Yuh Nelson who previously directed The two Kung Fu Panda sequels.

What about you? Are you surprised by any of these? Do you have one that you are just dying to see? Did I leave something off? Let me know if the comments below or hit me up on social media.

 

1998 Best Movie Bracket

Best Movie of 1998

I watched several movies to make sure I was well versed including: Out of Sight, The Thin Red Line, Fear and Loathing in Las Vegas, Buffalo 66, The Opposite of Sex, Blade, Rushmore, Happiness, and Dark City. While I did enjoy Buffalo 66, it didn’t have enough substance to knock any of my existing top 3 off their throne. My greatest struggle was over whether The Thin Red Line was going to dethrone another great war movie from the year. Let’s get to it.

Win: The Big Lebowski

His words are quoted, books have been written about him, gatherings are arranged in his honor, and the image of his long hair and flowing robes are legendary. No, I’m not talking about Jesus. Welcome to the modern cult of The Big Lebowski.

The Dude, or ‘El Duderino’ if you’re not into the whole brevity thing, is an aging (and unemployed) hippie who lives a modest life in his Venice, California, bungalow. It seems as if this was the role that Bridges was born to play. He even used much of his own wardrobe to outfit himself for the role.

It was released 12 weeks after the behemoth called Titanic and finished in 6th place in its opening week. After this disappointing start, it made just $17 million in its opening run. It has gone on to become what I would consider to be the definition of a cult classic. Knowledge of Joel and Ethan Coen’s strange tribute to Los Angeles has been spread by word of mouth, DVD sales, and home-viewing parties. Like all cult classics, it has taken on a life of its own. The film has gone on to spawn books, festivals held in various cities, innumerable online tribute videos, and even a religion.

Set in the Los Angeles area in 1991, The Dude roams the Earth with his two friends—Walter (John Goodman), a brash Vietnam war veteran, and Donny (Steve Buscemi), a meek and often befuddled man—in search of justice, the perfect White Russian cocktail and diversionary games of bowling.

So what is it about this movie that attracts its faithful adherents, and what makes film aficionados remember it fondly rather than just as another commercial flop from 20 years ago? If a viewer can get past the seemingly nonsensical premise and plot, one discovers a very funny movie that explores human relationships, friendships, and interactions such as only the exceptionally rare film really can.

Part of the film’s appeal definitely comes from the ethos of The Dude himself, which offers a compelling escapist contrast to the inhabitants of the highly competitive atmosphere of the late ‘90s through today. Not only does The Dude not have to carry a steady job, he is also fortunate enough to have two bowling buddies who are willing to fight and die for him. That is true friendship. We all yearn for friends as loyal as Walter and Donny, as eccentric as they may end up being.

For many, The Dude abides as a symbol of a functional savior of Slackerdom. “If only I could be that free, so unencumbered by material concerns,” says the cubicle dwelling drone, or middle manager, or executive, then I would be happy. This is as much of a functional escape, fantasy, or savior from the mundane as materialism provides. We all wish to have the completeness that the Dude has found in an absence of material possessions but in the companionship of close friends.

Place: Life is Beautiful

Roberto Begnini’s masterpiece is a grand opus on the power of the human spirit in the face of overwhelming struggle. It is the story of a loving father who discovers creative and humorous ways to shield his young son from the terrible realities of the holocaust surrounding them. It is similar to Chaplin’s Great Dictator as both are comic attacks on fascism.

Benigni initially accesses the emotions of his audience through simple comedy, which is a pleasant mix of Buster Keaton and Charlie Chaplin. Romance ensues with his real life wife Nicoletta Braschi.  In the first section, we follow the delightful romance that will eventually lead to marriage and the creation of their precocious son Giosue, played by Giorgio Cantarini, whose only other role was the son of Russell Crowe’s father in Gladiator. The five year old greatly reminds me of Toto in Cinema Paradiso, and plays an equally important role in his film.

It is the first half where the audience can laugh the loudest and delight at the immense comedy talent of Benigni. Unlike so many films nowadays there is nothing crude or course, just his simple innocent humor, which is all the more effective. The way he ties together little strands in the film to create comedy elements shows a great writing ability, and a mastery of timing when it comes to their execution on screen. Various incidents related to the rise of anti-semitism and fascism in Italy show that there are sinister forces at work which come to the fore in the second half of the film.

During this second half, Guido attempts to keep from the boy the horrors of what is going on as they become part of the German’s final solution, and this eventually manifests itself as a game where the aim is to score 100 points, with the winner winning a real tank (which, of course appeals to the young boy). Comic moments are still present, the scene involving Guido’s translation of the rules of the camp is particularly notable, but it becomes somewhat more difficult to laugh when we consider the gravity of what is going on.

As this emphasis begins to shift, we realize that this is a film about human spirit above all else. Guido not only appeals to the audience through his comedy and sheer pleasantness, but also in his love for  his family and the measures that he will go to to protect them. This is certainly no Schindler’s List, but it never pretends to be. Occasionally, events seem a little contrived, but this seems to work in the film’s favor. The balance between emotional weight and historical credibility is perfect.

Benigni shines like a lantern throughout the picture, showing that he is a talent, not only in comedy terms, that far outshines his peers.  Please don’t let the fact that it is a foreign language film dissuade you. There are many that avoid films because they must read subtitles. The language itself adds a beauty of form to the film. Please see this film, and make up your own mind. It’s available to stream on Amazon Prime right now. It is appealing in so many different ways that I’m sure that you will not be disappointed.

Show: The Thin Red Line

This one was hard. I’m not a fan of war or a particularly big fan of war movies. I appreciate the soldiers who fight and die for noble causes, however if I dig deeply I find more and more of a pacifist. The Thin Red Line, based on the novel of the same name by James Jones, Is a war movie for people like me. It was released in the last months of 1998 in the wake of a little war film called Saving Private Ryan. Some have called that the greatest war movie ever and it is hard for me to argue against that point. However, since this is my list, The Thin Red Line has a superior tone and message, and takes the prize.

This film has a cast of over a dozen actors that you will easily recognize, yet there are no big names like Tom Hanks or Matt Damon. Instead we have Sean Penn, Jim Caviezel, Nick Nolte, Elias Koteas, Ben Chaplin, Adrien Brody, George Clooney, John Cusack, Woody Harrelson, Jared Leto, John C. Reilly, and John Travolta.

If Saving Private Ryan is a novel about World War II then Thin Red Line is a poem about the war. One is a story, the other is a sermon. One is a ballad, the other is a symphony. For as much as they have in common they are completely different films.

To illustrate this point, lets see what happens when a man gets shot in both films. Spielberg would focus on the bloody face of his character whom we have come to know and understand. The blood would splatter and the agony would be on his face. Terrence Malick instead would show the shot and instead of focusing on the man, we focus on the idea of devastation and death. We would see the pool of blood on the ground mixing with the dirt, we would see the rays of sunlight breaking through tattered leaves as if heaven were reaching down to touch the newly fallen dead.

I loved this movie. It kept me thinking and realistically depicted war without glorifying it. It also spoke to the problems that I have with war without dishonoring those soldiers who gave their lives. This doesn’t even mention how beautiful the film is, it was shot by the underrated John Toll. If you’ve never seen it, I hope you will seek it out.

Honorable Mentions

  • A Bug’s Life
  • American History X
  • Buffalo 66
  • Elizabeth
  • Happiness
  • Lock, Stock, and Two Smoking Barrels
  • Mulan
  • The Opposite of Sex
  • Out of Sight
  • Pleasantville
  • Primary Colors
  • Prince of Egypt
  • Saving Private Ryan
  • Shakespeare in Love
  • There’s Something About Mary
  • The Truman Show
  • Waking Ned Divine
  • What Dreams May Come

What do you think of my picks? Would you have changed something? What do you think of the great war movie debate of 1998? Let me know in the comments or on social media.

Going Forward as we Look Backward

We are getting into the years where I was not watching quite as many movies especially those with adult themes. I have caught many since I was a teenager, but I still have some blind spots. With that in mind, I’m going to add some structure to these Best Movie of the year posts.

First off, they will be monthly. By the last day of each month, I should have my final determination set. All posts will have a top 3 and an un-ranked honorable mentions list. Because I know how the internet works, I’m going to start the posts from here out by jumping directly into the top film of the year after a paragraph or two of introduction.

Also, because I do have more blind spots as we go further back in time, I want to devote some time to filling in those gaps. There is an amazing site that will allow us to watch movies together. It’s called Rabb.it and I have already created a group and watched several movies from 1998. I would encourage you to go there now and join my group so I can call you to the group when the show is starting. It’s nice because as you watch, you can chat about the movie and if things get interesting, we can even turn on our video/audio and have a virtual discussion. If you go to my Movie Nights page, you can also see the upcoming calendar.

I’m going to do my best to post my list of blind spots and keep the list of upcoming movies going. Not all movie nights will be blind spots for me. There are several movies that I hold in high regard or look on with disdain. I would like to re-watch some of those films to get a better picture of the year as a whole. When I post my blind spot list, I encourage you to give me your suggestions for what we should watch. I might throw in a poll as well.

Best of 2017: Top 5

This is it. I’ve already looked at the rest of my top 20. you can read them elsewhere on the site. (6-1011-1516-20). But now, it is time for the cream of the crop. These are the movies that made a lasting impact on me. They changed the game somehow or made it impossible for me to shake them. This will also serve as my Best Movie Bracket entry for 2017. Once I publish this post, I’m going to stop looking back to 2017 and start looking at some of the 2018 movies that I have already missed and that are coming on the horizon.

This year has been one of the more diverse and varied in my recent memory. In this list we have indie films next to billion dollar blockbusters. We have psychological horror next to morally ambiguous drama, next to totally ambiguous metaphorical experimental cinema. Three of these five films have a female as the lead protagonist and we have a black screenwriter/director as well.  The point should never be diversity for the sake of diversity, but these are amazing films and they deserve the credit that they are getting. Let’s dive into my top 5 of the year!

5. mother!

The award for the most audacious, controversial, and avant-garde film this year goes to Darren Aronofsky’s awkwardly titled mother! I hope that you, like me, have been shrieking the name like Norman Bates from Psycho every time it comes up in conversation. This is a film that many did not appreciate but that I could not forget. I left the theater thinking about it and as my whole family can attest, I did not stop talking about it and pondering it for days and weeks afterwards.

Jennifer Lawrence plays the titular character and is featured in close-up, over the shoulder, or from her point of view for nearly the entire film. This promotes a claustrophobic feeling within this house which she is painstakingly attempting to restore to its former glory. She does all of this for her husband, played by Javier Bardem, who is known only as Him or the poet. The entire film is a metaphor or allegory for a multitude of different things that have been debated since its release. They are probably all somewhat right in their own way.

We’ve got an allegory of the biblical creation story mixed with a little bit of awaited messiah worship. These biblical themes are overlaid with a struggling creative type who ruins his relationships with his writers block and subsequent struggle with newfound fame and mixed in for good measure is a metaphor for climate change and environmentalism. Essentially, it is a big jumbled mess, but it is marvelous and hideous to behold all at the same time.

4. Get Out

Jordan Peele, half of the comedy duo, Key and Peele, writes and directs his first film. This is not the comedy that you might expect, if it is a comedy at all. We are presented with the story of a young black man invited to a weekend at the family home of his white girlfriend.

This could be the source of an interesting romantic comedy, but there is something wrong with this setting that we just can’t put our finger on. Is it the overt anti-racist statements that her father makes? “I would have voted for Obama for a third term if I could.” Why are the two servants the only black people around and why are they acting weird? Is this all just in his head? Is he being racist to think that there must be something else going on under the surface?

This will go down in a long line of movies that use racism as a theme, like American History X, The Help, Django Unchained, Crash, and Guess Who’s Coming to Dinner. However, this film is unique because it turns the horror genre on its head. There is no boogeyman, no monster in the closet, there is no supernatural force of evil. The nefarious evil of Get Out is displayed in the white people who cannot be trusted. It is so impactful because this fear is something that is all too real for many young black men all over this country. We might hope that we would have moved on from racism in our country, but it is alive and well and it’s just as ugly, evil, and scary as any movie monster.

3. Three Billboards Outside Ebbing, Missouri

It may sound like I love horror movies based on the marketing of my two previous choices. The fact is that I love movies that do things differently that other films that I’ve already seen. I like original concepts and execution that is done with high quality.

In Three Billboards Outside Ebbing, Missouri we get a more conventional narrative story but the psychology of its characters pushes it into the outstanding category. It is a dark comedy to be sure. Coming from Martin McDonagh, who brought us In Bruges, I would expect nothing less, but as with that film there is also earth shattering heartbreak and pain. This is the duality of the world that we live in. There are notes of joy, beauty, grace and absurdity punctuated by hate, violence, hypocrisy, and apathy.

Frances McDormand is a force of nature. She carries such emotion through her performance that we can’t help but root for her even though she is crude, mean-spirited, and hateful. The growth of all of the characters is what keeps us rooted as viewers to this story. We know that her meanness is coming from a place of deep pain and sorrow and we want to see justice. We also see the ignorance and racism of the deputy played by Sam Rockwell. Our desire to see the good in people leads us to hope for his change and redemption. This film delivers on all sides.

2. Logan

I hope you can see from this choice that I am not like most critics. I try to take a look at all different types of film regardless of their standing within a particular community. I cross the gap so a film like Logan can go toe to toe with an indie film that only saw a limited release. I try to look at each film for what it is and for its merits and efforts to do what it set out to do.

I was looking forward to Logan since the initial teaser trailer and the revelation that a big budget R-rated Wolverine film would now be sharing my name. As the campaign continued I only got more excited to see that we were going to be exploring the Old Man Logan story line from the comics. We were going to see Hugh Jackman in his final performance as the adamantium-clawed anti-hero and he was going to be grizzled and broken.

The film joins Logan years into the future where no new mutants have been born and most of the old mutants are mysteriously absent. We get some beautiful touches of the paternal relationship between Logan and Charles Xavier played expertly by Patrick Stewart in his final role of the franchise as well.

The thing that impressed me the most about Logan was that there were huge sections of the film that I forgot this was supposed to be a superhero movie. It took its time in storytelling and character building and we are left with beautifully stark western about the consequences of a life of violence and how there can be hope for change but not without sacrifices. It is rich and deep and immensely entertaining for a fan of the X-Men but even if you’ve never picked up a comic book or seen another superhero film this is a story that will resonate and hit deeply.

1. The Florida Project

If you follow any of my social media feeds, it should come as no surprise that this is on the top of the heap for my year end list. I’ve been in love with this film since I first saw it. I love the style that Director, Sean Baker, brings to the table. It is rich and grounded and humanistic. All of his stories have been semi-documentarian. Starlet and Tangerine both focus on sex workers and their real-life struggles in a fictionalized setting. However, this is his most accessible film and it drips with charm.

The film was actually shot on site at a budget motel in Orlando outside Disney World called the Magic Castle. During filming, the motel was still operational, so many of the people featured in the film as extras were actually real residents of the motel. Willem Dafoe brings an air of gravitas to the role of Bobby, the on-site motel manager. He’s playing against type for him and is warm and paternal with many of the residents and their kids, however he still buzzes around this castle keeping it magical.

 There really isn’t much of a story in a narrative sense. We just get to spend a portion of the summer with a couple of families that live in this budget motel. Our main characters are young mom Halley and her precocious young daughter Mooney. The trick of the film is that the movie is told from the perspective of the kids. We are seeing this world with all of the potential wonder and hope while we keep our knowledge and it makes a profound difference. What kind of trouble will Mooney get into, is that going to affect Halley’s ability to raise her?

Can meaning be found in the shadow of the false god of consumerism? Is there happiness when the happiest place on earth is out of your reach. The film struggles with deep religious and philosophical and religious themes without ever mentioning any of them or having an expository scene. It is also a marvel to behold with gorgeous cinematography from Alexis Zabe who’s only other credit that I recognized was the music video for Pharrell Williams’ hit song “Happy.” His use of color and framing was so vivid and rich and reminded me of Wes Anderson in a good way without becoming distracting. This will be added to my Blu-Ray collection as soon as I can add it and I would encourage you to do the same.

So that’s it for 2017. Next up, I’m hopefully going to be looking at the recent Alex Garland follow-up to Ex Machina, staring Natalie Portman, Annihilation. Stay tuned for that. In the meantime, please let me know your top handful for the year. You can always comment here at LifeattheMovies.com, but you can also visit me on various forms of social media and let me know your thoughts/opinions and leave snide comments.

Best of 2017: Insiders 6-10

After getting a bit sidetracked with Oscar predictions, let’s get back to the Best of 2017. You can see my 11-15 and 16-20 as well, but as we enter the coveted top 10, we find some truly remarkable films that resonated with me personally. I am proud of the diversity of films from drama to action to biopic. Let’s go!

10. Logan Lucky

Steven Soderbergh comes out of retirement to make his best since the original Ocean’s Eleven remake. He shows off his flair for visual storytelling and gives us a hillbilly fairy tale wrapped up in a heist movie. The cast of characters is outrageous, the premise is outlandish, and the film is outstanding.

The film centers around the Logan brothers played by Adam Driver and Channing Tatum and their plan to rob Charlotte Motor Speedway in efforts to break the 100 year old Logan family curse. Other cast members include Riley Keough, Daniel Craig, Seth MacFarlane, Sebastian Stan, Hillary Swank, Katie Holmes, Dwight Yoakam, and so many more deliciously funny characters.

I know many people who might not be as stereotypically country as these characters are but who suffer from a curse nonetheless. This curse of living paycheck to paycheck and being overlooked and derided is turned on its head as they mastermind a heist that would make Danny Ocean jealous. It is a hilariously wild ride, with a strong focus on family and a message about changing your station in life that might surprise you.

9. Phantom Thread

In opposition to the previous entry, Phantom Thread is set in the alluring world of 1950s British couture. Paul Thomas Anderson helms what is supposed to be Daniel Day-Lewis’ final performance. The previous collaboration of these two produced one of my favorite movies of all time, There Will Be Blood. I hope this isn’t the last we see from Daniel Day-Lewis because he is one of the greatest actors of our time and he has much more to give. However, if he did choose to make this film his last it would be a fitting close to an amazing career.

Hey plays Reynolds Woodcock who is a fictional mashup of several real designers from this time-frame. He is an exacting personality, he is brilliant but petulant and spoiled. The best thing about this film was the surprising humor. It arises from places you would not expect and the whole story goes in a direction that subverts the viewers expectations. It is a twisted picture of love, relationships, and power.

8. I, Tonya

Much like Phantom Thread, in I, Tonya we have a unique character study with dark humor that springs from odd places. People my age and older may think they know this story. We watched much of it play out on television. It happened right at the beginning of this new trend of 24/7 news coverage. So for weeks, you could not escape the saga of Nancy Kerrigan and Tonya Harding.

The story is so strange because of the varied and conflicting versions of the story that come from all sides. Instead of trying to present the truth, it seemed to leave us in an ambiguous place where we are rooting for the good in Tonya while still seeing he faults and part to play in the whole fiasco. Violence was the language that these people spoke and while that does not excuse any actions, it does provide a picture of the twisted mindset that could commit this crime.

Part of me wonders how much coverage this story would have received without the media coverage that it received. Did our thirst of “news” as entertainment feed into this? Because just as soon as a bigger story came along we were off on our next witch hunt. Today, this thirst has grown exponentially to the point that this story would have been nothing more than a blip on our Twitter feeds that would disappear within a few moments as soon as the next viral video appeared.

Margot Robbie and Sebastian Stan were very good, and the visuals could almost fool me to think that Margot Robbie trained to actually complete a triple Axel just for this film. The way that they filmed the skating sequences was captivating as well with the camera moving fluidly around the skater as the perform on the ice. However, the real star and one of the best overall performances of the year was from Allison Janney who played the cartoonishly evil mother of Tonya. She was wickedly delightful.

7. Baby Driver

The more I think about this movie the higher I want to put it on my list. Looking back in a couple of years after I own this Blu-Ray and watch it 5-6 dozen times it will probably find its way well into the top five. I love that it came in with a modest budget and blew it out of the water showing that you can make original and artful cinema and still make loads of money.

When I mention Edgar Wright, you might recognize the name from Shaun of the Dead, or Hot Fuzz. Here Edgar wright uses more of his distinct visual style and uses it to craft a musically choreographed heist film. Do yourself a favor and watch the first 6 minutes of the film. If it strikes your fancy then you will love the whole film. If it doesn’t then you may be doing something wrong.

My one issue with the film is that the whole thing isn’t presented as a musical. There are certainly musical elements and complete scenes that are linked directly to the music we hear, but I would have loved to see a full blown action centered La La Land type film.

6. Lady Bird

I have to admit that I jumped pretty hard on the Lady Bird bandwagon, and it’s hard not to. It is delightful. Its simplicity is part of its charm. However, I think that the simplicity might keep it from taking home any of the 5 Oscars it is nominated for on Sunday. But that is okay. It doesn’t need to be controversial or flashy to draw attention.

I feel like Lady Bird was so well loved because the characters albeit quirky are so accessible. Have you ever wanted to spread your wings and escape from your town or your school or your family? Everyone has! So much of this comes from the performances of Soairse Ronan and Laurie Metcalf. Ronan manages to capture that odd teenage limbo between the confidence in their own abilities and the realization that they are clueless as they prepare to leave.

Did anyone else feel like Metcalf appeared out of nowhere like someone had her locked in a time capsule since Roseanne. She was so good. She was warm and motherly and cold and calculated all in the same scenes. I have to give a small shout out to Tracy Letts as well as the dad. With three teenagers or nearly teenagers of my own I always look out for great father figures and he is now up there with the likes of Stanley Tucci from Easy A.

Did you hate any of these movies? Am I out of touch because I chose an Oscar bait movie like Phantom Thread or do I need to give up my Movie cred because I liked a trailer trash movie like Logan Lucky? I want to see your top 10 lists, leave me a comment here or shoot me a message on social media!

Best of 2017: Outsiders 11-15

Let’s continue to look at those just outside of my top ten of 2017. You can also read my #16-20. I’ve seen most of these on other people’s top ten lists and I think that they could all be up there if I was in a different mood. You’ll notice that on most of these mini reviews, I’m not focusing on technical merit or acting unless it was hands down better than anything else I’ve seen this year. Instead, I’m choosing my top films by selecting the ones that resonated the most with me. I hope that you will read my thoughts on these five and give me your thoughts. Link me to your top 10s, Tell me why I’m wrong or what I got right. Continue reading Best of 2017: Outsiders 11-15

Fall 2017 Movie Preview: Drama Part 2

Sorry for the delay in getting the last part of this Fall Movie Preview finished and published. I live in Florida and things are a little bit crazy with Hurricane Irma preparations. There were just too many dramatic films coming out over the next few months to capture them all in one post.

You can read the first part here. Or read the other sections of the preview : Action/Adventure, Horror/Thriller, or Family/Comedy. I hope you’ll let me know which of these sound interesting to you and which you’ll wait to stream on Netflix.

November

LBJ – 11/10

The story of U.S. President Lyndon Baines Johnson from his young days in West Texas to the White House.

This was originally scheduled to come out in 2016. I don’t know the actual reason it was delayed, but I can only think that it had something to do with something else going on in the world of politics that was slightly more entertaining than history. There was also another film focusing on this period of time, Jackie. I for one would have never imagined Woody Harrelson as LBJ, and it’s directed by Rob Reiner (Princess Bride, A Few Good Men, and When Harry Met Sally).

Murder on the Orient Express – 11/10

A lavish train ride unfolds into a stylish & suspenseful mystery. From the novel by Agatha Christie, Murder on the Orient Express tells of thirteen stranded strangers & one man’s race to solve the puzzle before the murderer strikes again.

The second film adaptation of Agatha Christie’s most famous story of legendary detective Hercule Poirot. The 1974 film directed by Sidney Lumet is already legendary for its stunning cast and claustrophobic feel. This version looks like it is trying to capture that essence. I’m really excited to see what they do with it, and with a cast featuring the likes of Johnny Depp, Daisy Ridley, Willem Dafoe, Michelle Pfeiffer, Penélope Cruz, Kenneth Branagh, Judi Dench, and Josh Gad it’s going to have to try really hard not to be at least good.

Lady Bird – 11/10

The adventures of a young woman living in Northern California for a year.

Well, that’s not much of a description to go off. It should say something like, “Jackie from Roseanne (Laurie Metcalf) is raising a teenage daughter of her own played by Saoirse (it’s pronounced “seer-sha”) Ronan. She doesn’t feel like she belongs in the little Northern California town. She feels as though the walls are closing in. She longs to be on the east coast in a city where writers live out in the woods.” That’s a movie I want to watch. It looks funny and sad and warm and rich. Saoirse Ronan is a fantastic actress and is going to bring so much heart to the titular character of Lady Bird. The whole thing is written and directed by Greta Gerwig as something of an autobiography. Man, I love this time of year!

The Darkest Hour – 11/22

Within days of becoming Prime Minister, Winston Churchill must face his most turbulent and defining trial: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation.

A Winston Churchill biopic starring Gary Oldman. Need I say anything else? I mean, just look at that picture. He’s is a master of sinking into a role whether it is Dracula, Sid Vicious, Pontius Pilate, Sirius Black, or Commissioner James Gordon. Watch the trailer and see if you don’t get chills.

Molly’s Game – 11/22

The true story of an Olympic-class skier who ran the world’s most exclusive high-stakes poker game and became an FBI target. Her players included movie stars, business titans and unbeknownst to her, the Russian mob.

Idris Elba and Jessica Chastain are great, but I’m excited about this one because Aaron Sorkin is attached to direct. He adapted the book by the real Molly Bloom. Normally he is happy to write and have someone else direct, but this marks his directorial debut. What a cool story. It should be lots of fun and full of amazing lightning fast dialogue.

Call Me by Your Name – 11/22

It’s the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian boy, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

I’ve got this here because it is sure to get a lot of love from the LGBT community. It will be called groundbreaking and monumental. However, when it is boiled down it sounds like the story of a man taking advantage of a kid who is still figuring out who he is for his own pleasure. I just can’t get behind that. I’ll probably see it at some point because it will most likely be nominated for an Oscar but I’m not expecting much.

December

The Current War – 12/8

The Current War is the epic story of the cutthroat competition between the greatest inventors of the industrial age over whose electrical system would power the new century. Backed by J.P. Morgan, Edison dazzles the world by lighting Manhattan. But Westinghouse, aided by Nikola Tesla, has seen fatal flaws in Edison’s direct current design. Igniting a war of currents, Westinghouse and Tesla bet everything on risky and dangerous alternating current.

Benedict Cumberbatch, Michael Shannon, and Nicholas Hoult as Thomas Edison, George Westinghouse, and Nikola Tesla. The battle between alternating current and direct current. The trailer looks great with amazing cinematography playing with the light. If there isn’t at least one song by AC/DC in the film, it will be a missed opportunity.

The Shape of Water – 12/8

An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

This looks like it could be the best most innovative thing that Guillermo del Toro has done since Pan’s Labyrinth. I’m afraid that the creature (played by Doug Jones, look him up his work is amazing) is going to be too grotesque for mainstream audiences to get behind the love story aspect. It is kinda far out there and I just don’t now if we’re ready for it. Either way, I’m looking forward to it because it’s an original story that we’ve never seen coming from a visionary director with a star-studded cast. What do you think?

The Greatest Showman – 12/25

Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Apparently this musical based on the life of P.T. Barnum was supposed to come out last year around November or December, but they decided to wait to unleash Hugh Jackman’s vocal stylings on the world in part because of competition with a little movie called La La Land. I don’t think this will do quite as well, but it should be a feel good story with singing and dancing to end our 2017 on a positive note.

Phantom Thread – 12/25

Set in the couture world of 1950s London, the story illuminates the life behind the curtain of an uncompromising dressmaker commissioned by royalty and high society.

This is shrouded in mystery. We don’t have much to go off, but it is believed that Daniel Day Lewis will be playing Charles James. He will be teaming up with Director P.T. Anderson. The last time these two joined forces they created one of the best movies of all time in my opinion, There Will Be Blood. To add anticipation, Daniel Day Lewis has stated that this will be his last film. If that is the case, I sincerely hope he goes out with a bang and wins his 4th Best Actor Oscar.

Others to Watch:

My Friend Dahmer coming on November 3rd. Before Jeffrey Dahmer became a notorious serial killer, he was a shy, alcoholic teen who never quite fit in. Based on the acclaimed graphic novel by Derf Backderf, this is the true, haunting story of Jeffrey Dahmer in high school. This could be the start of a whole cinematic universe of teenage serial killers. Seriously, Ross Lynch looks disturbed as the young Dahmer. It could be a surprise success.

Roman J. Israel, Esq. coming on November 3rd. Denzel Washington stars as Roman Israel, a driven, idealistic defense attorney who, through a tumultuous series of events, finds himself in a crisis that leads to extreme action. Written and directed by the mind behind Nightcrawler, Dan Gilroy. This will be another heavily character driven role, like Fences, that Denzel can sink his teeth into.

Last Flag Flying coming on November 3rd. Thirty years after they served together in Vietnam, a former Navy Corpsman Larry “Doc” Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War. Steve Carell, Bryan Cranston, and Laurence Fishburne in a road trip movie directed by Richard Linklater (Dazed and Confused and Boyhood). It’s hard not to get a little excited for this.

The Man Who Invented Christmas coming on November 22nd. The journey that led to the creation of Ebenezer Scrooge (Christopher Plummer) and other classic characters from “A Christmas Carol.” The film shows how Charles Dickens (Dan Stevens) conjured up a timeless tale. Looks like it could be a good family film retelling the often told Christmas story through the eyes of the man who created it.

There will be other films that come onto the radar in the final months of the year and some of these will inevitably be pushed to 2018 but I think this is a very good list to work off as you prepare for the season and decide which films are the most enticing. Please let me know which ones sound great and which you will pass on. Now that I’m done with this, I may decide to make a calendar will all of the films I’ve featured listed by their release date. The obvious problem with that is many of these films will be limited releases and so they will likely not be playing outside of major markets for a week or two after their actual premier unless they are tracking very will and the studios believe they can risk a wider opening.

Fall 2017 Movie Preview: Drama Part 1

This is going to be a great season. The awards are going to be very crowded. We’ve already seen several powerful films that could be in awards consideration. I’m specifically thinking of Detroit, Dunkirk, Baby Driver, and even Logan and Wonder Woman. However, they are going to have to compete with a slew of biopics and powerful narrative dramas and character studies. These movies are like candy for me so excuse me if I tend to go on and on, but part of the joy of cinema is its ability to move us, and that is exactly what these aim to do.

Please let me know which of these you would see if you could only choose one or two. This is only half of the Dramatic movies coming out this season. I’ll be following up to this post with the dramatic movies from November and December soon. Also, make sure you take a look at the others to watch section because there are far too many to talk about all of them at length.

September

Rebel in the Rye – 9/15

The life of celebrated but reclusive author, J.D. Salinger, who gained worldwide fame with the publication of his novel, The Catcher in the Rye.

How many of you have actually read Catcher in the Rye? I think it is one of those books that people buy to look smart but never actually read. If you want to watch an interesting retelling of the Holden Caulfield story, you can watch Perks of Being a Wallflower. Honestly, It is a great work of literature and it will be interesting to see the story behind what inspired the author. It will be starring Nicholas Hoult as J.D. Salinger and will feature Kevin Spacey as a teacher and source of inspiration. Also, I hope you like biopics because this is the first of about a dozen by my count.

Battle of the Sexes – 9/22

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

I love both of these actors. I heard that after La La Land, now Emma Stone is the hottest thing since sliced bread and is making oodles of money. That’s good for her. She has a fantastic comedic sense and is able to sink her teeth into more meaty dramatic roles so this biopic should be great for her. Steve Carell has been one of my favorite comedic actors since his turn as Brick in Anchorman: The Legend of Ron Burgundy. It will be fantastic to watch these two play off of each other in a story of liberation, misogyny, and tennis.

Loving Vincent – 9/22

A feature film about the life and mysterious death of Vincent Van Gogh.

Just watching the trailer for this I am surprised that so much time and care has gone into the preparation of the film. If you haven’t heard anything about it, watch the trailer and be floored by the visuals as you realize that every single frame in this film about the life and death of Vincent Van Gogh was hand painted in oils meant to mimic his style. It looks stunning and innovative. I love to see films that do something that no one else has ever done and this will certainly do just that. Not only have I never heard the story of Van Gogh’s tortured creative process but I have certainly never seen a movie that is put together in this way. It should be very rewarding to watch.

Lucky – 9/29

The spiritual journey of a ninety-year-old atheist.

I really hope that Harry Dean Stanton gets an Oscar nomination for this. The film looks quirky and funny and contemplative and it is all centered around the tremendous skill of an actor that generally stays out of the limelight. You might probably best know Harry Dean Stanton as the janitor in The Green Mile that the guards use to practice for the execution. That is one of hundreds of roles he has had in his storied career. This also serves as the Directorial debut for that guy that everyone thinks is the Zodiac killer in Zodiac (John Carroll Lynch). I can imagine that I will probably be quoting lines from this for months after watching.

October

Three Billboards Outside Ebbing, Missouri – 10/13

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

I’ve been ready for this one since I saw the trailer in front of something back in June or July. It is a combination of a number of things that I love. Frances McDormond is an amazing actress that doesn’t get nearly the number of roles she deserves. Much of that is probably because she only takes roles that are good. Sam Rockwell takes everything he is in up a couple of notches. And Martin McDonagh (In Bruges) is one of my favorite screenwriter/directors in the business today.

Marshall – 10/13

About a young Thurgood Marshall, the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.

I’m a bit embarrassed that I know next to nothing about Thurgood Marshall except for the fact that he served on the Supreme court from 1967-1991 (I even had to look those dates up). Chadwick Boseman has been Mr. Biopic as of late. Before landing his role as Black Panther in the Marvel Cinematic Universe (including his own stand-alone movie coming in 2018) he starred in 42 as Jackie Robinson and most recently in Get on Up as James Brown. So, he is no stranger to taking on another’s mannerisms and portraying their lives. This is clearly a story of Thurgood Marshall’s young life before he became part of the US Supreme court. Is this a film that interests you?

Same Kind of Different as Me – 10/20

International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggling marriage to his wife, a woman whose dreams will lead all three of them on the journey of their lives.

It looks like Hollywood might finally be figuring out that Christians want to see movies with Christian themes of love and mercy and generosity and equality portrayed in a artful manner by talented actors. I for one will be one of the first people lined up to see this film and I will be encouraging our Church to buy out showings to encourage more film like it to be made. With a cast of actors as eclectic and talented as this group there is no reason it shouldn’t be good. I just hope it’s not too schmaltzy or preachy. If they can walk that fine line and maintain realism while telling the story then it should be good.

Suburbicon – 10/27

Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns…the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge (Matt Damon) must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon.

I was torn whether to put this one in the Horror or Comedy category or here. It definitely will not be your average thriller. But I can’t just discount it as a comedy like Hot Fuzz. Instead, it seems to be blending Drama, Comedy, and Thriller tropes together to create something. It should be very interesting because The Coen Brothers usually direct the stories that they write, but this one they have handed off to their good friend, George Clooney, who has great abilities as a Director, but we haven’t seen his best work as of late.

Others to Watch:

Stronger coming on September 22nd. Stronger is the inspiring real life story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become a symbol of hope following the infamous 2013 Boston Marathon bombing. This is getting some praise from actual Boston natives about it realism and authenticity. Jake Gyllenhaal is super talented so it should be great to see him get lost in this role.

Breathe coming on October 13th. The inspiring true love story of Robin and Diana Cavendish, an adventurous couple who refuse to give up in the face of a devastating disease. Their heartwarming celebration of human possibility marks the directorial debut of Andy Serkis. Yes, Gollum is directing a film with Claire Foy and Andrew Garfield. That’s intriguing if nothing else.

Only the Brave coming on October 20th. A drama based on the elite crew of firemen from Prescott, Arizona who battled a wildfire in Yarnell, AZ in June 2013 that claimed the lives of 19 of their members. Firemen are good people and they risk their lives to protect people. This might not be the greatest movie, but it should be a powerful reminder of their service with a great cast featuring: Jennifer Connelly, Taylor Kitsch, Josh Brolin, Miles Teller, Jeff Bridges, and Andie MacDowell.

Wonderstruck coming on October 20th. The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection. Directed by Todd Haynes (Carol, I’m Not There) and based on the Novel by Brian Selznick (Hugo).

The Mountain Between Us coming on October 20th. Stranded after a tragic plane crash, two strangers (Idris Elba and Kate Winslet) must forge a connection to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they embark on a perilous journey across the wilderness. This sounds stressful and I won’t be taking my wife to see it or I will never get her on a plane.

Professor Marston and the Wonder Women coming on October 27th. The true story of William Moulton Marston, the polyamorous relationship between his wife and mistress, the creation of his beloved comic book character “Wonder Woman”, and the controversy the comic generated in its earlier years. Playing off the success of Patty Jenkins’ Wonder Woman earlier this year, we get a biopic about the guy who created the Amazonian princess. Could be interesting.

Wow. That’s already quite a list and we still have two more months of the year to look at. Which are you most enthused about? Are there any that you aren’t sure about or that you think might not live up to their expectations? Let me know in the comments below or on Social media. Also, don’t forget to check out the other installments of this Fall Movie Guide: Action/Adventure, Horror/Thriller, and Comedy/Family.

Fall 2017 Movie Preview: Comedy/Family

This is a hard category because unlike Horror/Thriller where you can be fairly certain that all of the films are meant to be seen by adult eyes and ears, this category blends a bit of both worlds. We can have a family friendly animated film right next to a raunchy comedy. For that reason, I am going to include the MPAA rating after the synopsis. It should be fairly obvious which is which, but I didn’t want to waste time making two posts when these go together nicely.

September

Home Again – 9/8

Recently separated from her husband (Michael Sheen), Alice (Reese Witherspoon) decides to start over by moving back to her hometown of Los Angeles with her two young daughters. During a night out on her 40th birthday, Alice meets three aspiring filmmakers who happen to be in need of a place to live. Alice agrees to let the guys stay in her guest house temporarily, but the arrangement ends up unfolding in unexpected ways. Alice’s unlikely new family and new romance comes to a crashing halt when her ex-husband shows up, suitcase in hand. – PG-13

I’m not much of a romantic comedy fan, but this looks pretty good. I could see it being a fun date night or enjoyable flick for a group of ladies to watch. The guys all competing for her attention will make for some funny situations, but I predict that Michael Sheen as her ex-husband will be the best. Do you think she’ll get back together with her husband, or embrace the single life?

Lego: Ninjago – 9/22

The battle for Ninjago City calls to action young Master Builder Lloyd, along with his friends, who are all secret ninja warriors. Led by Master Wu, as wise-cracking as he is wise, they must defeat evil warlord Garmadon, The Worst Guy Ever, who also happens to be Lloyd’s dad. Pitting mech against mech and father against son, the epic showdown will test this fierce but undisciplined team of modern-day ninjas who must learn to check their egos and pull together to unleash their inner power of Spinjitzu. – PG

The folks behind the Lego Movie and the Lego Batman movie are hilarious. Here they have once again collected an extremely talented cast (Dave Franco, Justin Theroux, Jackie Chan, Olivia Munn, etc.), although most of them are less well known than in the previous films. I don’t think this one will fare quite as well since Ninjago is not as well known or loved as Batman and that might hurt it. But it should be funny and enjoyable for the family.

October

My Little Pony – 10/6

A dark force threatens Ponyville, and the Mane 6 embark on an unforgettable journey beyond Equestria where they meet new friends and exciting challenges on a quest to use the magic of friendship to save their home.

I have a 12 year-old little girl. I will likely be front and center for this movie. I have to admit, while I’m not quite a bronie (look it up if you don’t know what that is), I do appreciate the humor and message of the show. Friendship is indeed magic. All of the glitter and sparkles of the Trolls movie with a heartwarming message at its core.

Goodbye Christopher Robin – 10/13

Goodbye Christoper Robin gives a rare glimpse into the relationship between beloved children’s author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin (Will Tilston), whose toys inspired the magical world of Winnie the Pooh. Along with his mother Daphne (Margot Robbie), and his nanny Olive (Kelly Macdonald), Christopher Robin and his family are swept up in the international success of the books; the enchanting tales bringing hope and comfort to England after the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family? – PG

This one will be a nice film to take the kids to. It sounds delightful as a true story and kind of reminds me of Saving Mr. Banks. I think Domhnall Gleason is a fantastic actor. His work in Ex Machina was inspired. Plus I get to hear Kelly MacDonald’s beautiful Scottish accent as the nanny.

Killing Gunther – 10/20

A group of eccentric assassins are fed up with Gunther, the world’s greatest hitman, and decide to kill him, but their plan turns into a series of bungled encounters as Gunther seems to always be one step ahead. – R

Do yourself a favor and watch the trailer for this! I had not even heard of it. It feels like it has a Taika Waititi vibe, but that could just be the mock-umentary style. It reminds me of What we Do in the Shadows with the dark humor and shaky cam style. I hope that is a good sign. I know next to nothing about Taran Killiam beside the fact that he’s on Saturday Night Live and he’s married to Colbie Smoulders.  Most Saturday Night Live movies are awful, but they tend to take a skit and blow it up into a movie, this looks like a different concept and Schwarzenegger as the greatest hitman Gunther seems inspired. I guess all we can do is wait to see how it is.

November

Wonder – 11/17

Based on the New York Times bestseller, WONDER tells the incredibly inspiring and heartwarming story of August (Augie) Pullman, a boy with facial deformities who enters fifth grade, attending a mainstream elementary school for the first time. – PG

Steven Chbosky is one of my favorite writers. I hope this is a good adaptation. The trailer looks inspiring. This kind of film is so nice to see and I hope it gets good reviews and people go to see it. We all know how cruel kids can be, but will they use their ability to look beyond the physical to connect with this amazing young man. He’s being played by Jacob Tremblay (Room) and I can barely recognize him.

Coco – 11/22

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. – PG

I’m excited that Pixar is jumping into a film like this that feels much more provincial than their most culturally specific film to date, Brave. I hope it pays off for them and that people come out in droves to see this. It reminds me a little bit of Book of Life and Kubo and the Two Strings. It should be a great film for the whole family.

December

Disaster Artist – 12/1

A behind the scenes look at the making of the best bad movie of all time. Based on the book of the same title by Greg Sestero and Tom Bissell. Starring James Franco as Tommy Wiseau who wrote, produced, directed, and starred in 2003’s The Room.

I’m a big nerd about film making as well as movies in general. If you’ve never seen the trainwreck that is Tommy Wiseau’s The Room, do yourself a favor and watch it… for science. It is awful! How it could have possibly been made is beyond me. Why didn’t someone tell this man that he had no business making a movie? There has to be a story here, and there is. This won’t be for everyone and many will hate it because by the trailers it seems like James Franco’s Wiseau is spot on.

Jumanji: Welcome to the Jungle – 12/20

Four teenagers discover an old video game console and are literally drawn into the game’s jungle setting becoming the adult avatars they choose. – PG-13

For a remake / re-imagining it looks like they are doing things right. I loved the gender and role reversals we got in the trailer. it looks like it is going to be funny. I still don’t think that we need a new Jumanji, but if we’re going to get one, Dwayne Johnson, Kevin Hart, Jack, Black, and Karen Gillan should be able to provide an awesome one.

Downsizing – 12/22

When scientists discover how to shrink humans to five inches tall as a solution to over-population, Paul (Matt Damon) and his wife Audrey (Kristen Wiig) decide to abandon their stressed lives in order to get small and move to a new downsized community — a choice that triggers life-changing adventures. – R

From the director that brought us Sideways, About Schmidt, and Election (Alexander Payne) comes another dramady starring Matt Damon. We don’t know a ton about the plot, but it sounds like it involves some sci-fi element and probably relates to social commentary about feeling small in this great big world. I personally am excited. What do you think?

Others to Watch:

A Bad Mom’s Christmas coming on November 3rd. The three moms from the original struggle to cope when their respective mothers visit for the holidays.

Daddy’s Home 2 coming on November 10th. Brad and Dusty must deal with their intrusive fathers during the holidays. The first one was over the top, but funny. This one looks like it could be hilarious with John Lithgow joining the cast as Will Ferrell’s dad and Mel Gibson showing up for the holidays as Mark Whalberg’s father.

Ferdinand coming on December 15th. Animated and based on the classic children’s book by Munro Leaf. After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.

Pitch Perfect 3 coming on December 22nd. Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices. Clearly, this is a bold faced attempt at an Oscar from Anna Kendrick… not. I love her as an actress, but this is one franchise I never got into. Acapella music is cool and everything, I think I even downloaded Cups, but it’s just not my cup of tea.

So which of these light-hearted films are you looking most forward to? Please leave me a comment in the section below or on social media! If you want to read the rest of my Fall preview, you can find the other sections here: Action/AdventureHorror/Thriller, Drama Sept-Oct, and Drama Nov-Dec.

Fall 2017 Movie Preview: Horror/Thriller

You’ve most likely already seen the decorations, costumes and candy littering the shelves of stores. While we are still weeks away from October, much less the end of October, Halloween is already right in our faces. Why? Because the overhead for these items is low and the profit margins are high. Not to mention that consumers buy it up by the truck load. The opportunity to pretend to be a celebrity, superhero, or ghoul is just too good to pass up and the lure of free candy keeps kids of all ages excited about the holiday.

In the same way, Horror films are usually pretty inexpensive and quick to make and there is always a desire for them. Whether you are an adrenaline junkie out with your friends to see who flinches last at all of the jump scares and blood-curdling screams or if you are a teenager looking for a dark room and a place to sneak your arm around that special someone as they hide themselves from the perceived danger.

I’m not a huge Horror fan, but I do appreciate the art of a good scare and the psychology that goes into it. When we find those films that defy the traditional plot devices and tropes to keep the audience riveted then I am fully on board. So what delicious horrors are in store in our coming attractions? We actually have a Friday the 13th during October this year so expect that to be the epicenter for horror flicks this fall.

September

IT – 9/8

When young children in the little town Derry of Maine starts to begin to be found dead a group of seven kids find out that the killer is not a man. The killer is the evil clown Pennywise who is actually a creature that can shapeshift into the thing you are most afraid of. The kids also known as the Losers Club decide to fight and kill It. But how can you fight something who knows all your biggest fears?

I hear that it is good to face your fears head on. That’s great. I have been stuck with this irrational fear of clowns ever since I read Stephen King’s IT back when I was 10-11 years old. At some point, I dug up a copy of the 1990 TV miniseries and I’ve never looked at Tim Curry the same way again. This one looks like it is going to be much more true to the source material and people that I trust have said that it is terrifying in all the right ways. So, lets band together my Loser’s Club and we’ll get rid of our coulrophobia once and for all.

Mother! – 9/15

A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Man it’s fun to just say the name of this film with that exclamation point, but we haven’t been given much to go on with this one and I for one am totally fine with that. The trailer is frenetic and creepy and with a cast featuring Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer I have no doubt that the performances will be superb. Jennifer Lawrence said that she hyperventilated and dislocated a rib during filming so it’s going to be a wild ride. If you weren’t aware, this is coming from Darren Aronofsky, the same guy that gave us Black Swan and Requiem for a Dream. He is an amazing director and I’m ready to see what this is all about.

Flatliners – 9/29

Five medical students, obsessed by the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiment: by stopping their hearts for short periods of time, each triggers a near-death experience – giving them a firsthand account of the afterlife. But as their experiments become increasingly dangerous, they are each haunted by the sins of their pasts, brought on by the paranormal consequences of trespassing to the other side.

I know what you’re thinking, “Another remake of a 90’s Horror property?” Yep, but don’t count this one out yet. That first movie with Kevin Bacon, Keifer Sutherland, Julia Roberts, Oliver Platt, and Billy Baldwin is surprisingly good and I think this one has a chance as well. Ellen Page leads this cast with Diego Luna and Nina Dobrev, even Keifer Sutherland comes back for the fun. Hopefully the nostalgia gets people into the theaters and the story will take them the rest of the way. If it doesn’t, then maybe there are just some lines we’re not meant to cross.

October

Happy Death Day – 10/13

A college student (Jessica Rothe) relives the day of her murder with both its unexceptional details and terrifying end until she discovers her killer’s identity.

Imagine Groundhog Day with every day ending in your murder. It’s an interesting twist on this familiar plot device. It will be interesting to see it utilized for terrifying effects. There is no big name attached so it could either be a surprising hit or a big flop. I hope it’s good. The trailer looks solid.

The Snowman – 10/20

When an elite crime squad’s lead detective (Michael Fassbender) investigates the disappearance of a victim on the first snow of winter, he fears an elusive serial killer may be active again. With the help of a brilliant recruit (Rebecca Ferguson), the cop must connect decades-old cold cases to the brutal new one if he hopes to outwit this unthinkable evil before the next snowfall.

Based on the international best selling novel of the same name from Norwegian author Jo Nesbo, Michael Fassbender plays Harry Hole (what a horrible name for a character). I don’t know if they have struck the right tone in the trailer. It almost looks like a dark comedy with the childish drawings of snowmen. It has to be better than the only other snowman based horror film I can think of: Jack Frost. It’s rare to see the Fassbender in anything awful (except Assassin’s Creed).

November

The Killing of a Sacred Deer – 11/3

Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister.

Yorgos Lanthimos is an enigmatic director who doesn’t like clean common sense plots. You might have heard of a couple of his previous films, Dogtooth and The Lobster. They are both very dark, very strange and full of a twisted masochistic humor. Lanthimos reunites with Colin Farrell who starred in The Lobster and adds Nicole Kidman and Alicia Silverstone as well as a crop of young actors with few roles under their belts. It appears to be his most accessible film to date. That doesn’t mean that he is adopting a standard narrative style. That’s not what this Greek director does. This will be a crippling psychological thriller that will not give us any clear answers and will stick with us for days.

December

Polaroid – 12/1

High school loner Bird Fitcher has no idea what dark secrets are tied to the mysterious Polaroid vintage camera she stumbles upon, but it doesn’t take long to discover that those who have their picture taken meet a tragic end.

This doesn’t look very impressive to me, but it is the only horror movie coming in the traditionally quiet month of December. It looks like a knock off of the Ring and Final Destination films.  With no a list star to get people into the theater and such competition from other films this one probably won’t do anything, but even if it only makes 20 million it will still be profitable and we might even see a sequel in coming years. That is the way horror franchises get started.

Others to Watch:

Friend Request coming on September 22nd. When a college student unfriends a mysterious girl online, she finds herself fighting a demonic presence that wants to make her lonely by killing her closest friends.

Til Death Do Us Part coming on September 29th. Michael and Madison Roland had planned to spend the rest of their lives together, until one day Michael’s controlling ways turned their perfect marriage. With the help of her best friend, Madison decides to get away. After adopting a new identity, she meets Alex Stone (Taye Diggs) and learns to love again. All is well, until Michael discovers Madison’s whereabouts, and recreates the nightmare she once lived all over again.

Leatherface coming on October 20th. A teenage Leatherface escapes from a mental hospital with three other inmates, kidnapping a young nurse and taking her on a road trip from hell while being pursued by an equally deranged lawman out for revenge. It’s the Leatherface origin story we never knew we needed.

Jigsaw coming on October 27th. Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one man: John Kramer. But how can this be? The man known as Jigsaw has been dead for over a decade. The week after we get Leatherface’s origin story, we get a deeper dive into the Jigsaw killer from Saw. Two fictional serial killers that we don’t need to see any more.

Are you looking forward to any of these films? Which one would you go to if you were trying to sneak an arm around the girl you liked? Coming up next, we’ll take a look at the Comedy/Family movies coming this fall.

Click here for the other installments of the 2017 Fall Movie Preview:

Fall 2017 Movie Preview: Action/Adventure

It’s that time of the year again when the leaves start to change color. Well, not for me. I live in Florida. For me, fall means that most of those big summer tent-pole blockbusters are reaching the end of their runs and we are getting closer to the crop of movies that traditionally fares better in the awards. This is my favorite season for movies. We generally get more dramas with impressive acting and striking cinematography. Not saying we don’t get awards movies during the rest of the year (Wind River is out right now and I think it is going to make a run). But, with so many movies preparing to hit theaters it can be overwhelming and I don’t want you to miss anything.

I’ve taken a look at all of the films coming before the end of the year and have divided them into 4 major categories: Action/Adventure, Drama, Comedy/Family, and Horror/Thriller. Not everything fits perfectly into these categories but it works to try to divide this up into manageable chunks.

First, I want to look at the larger releases which tend to be more action/adventure and sci-fi films. I’ll pick one or two from each month between now and 2018. Please let me know which film will have your butt in the theater with a bucket of popcorn in hand? I’ll tackle the other three categories in my next posts.

September

Kingsmen: Golden Circle – September 22nd

When their headquarters are destroyed and the world is held hostage, the Kingsman’s journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.

So, if you liked the first one from 2014, you will probably like this one. The same cast returns (Taron Edgerton, Mark Strong, and even Colin Firth) plus they’re adding some new American blood in the form of Jeff Bridges and Channing Tatum. It looks to be a lot of fun. Director Matthew Vaughn is back for this sequel and I think it could be the highest grossing film of the month if the reviews are favorable.

October

Blade Runner 2049 – October 6th

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

I’m super excited for this one! I love the first Blade Runner from Ridley Scott. I’m frankly happy that Scott is not returning to direct the sequel because his track record has not been the greatest lately and I’m stoked that Denis Villeneuve is at the helm. His previous films Sicario and Arrival were some of my favorites of their respective years and with Ryan Gosling in the lead and Harrison Ford returning to reboot yet another of his franchises I will be in the front row to see what gorgeous sci-fi adventure they have in store.

 

November

Thor: Ragnarok – November 3rd

Thor is imprisoned on the other side of the universe without his mighty hammer and finds himself in a race against time to get back to Asgard to stop Ragnarok — the destruction of his homeworld and the end of Asgardian civilization — at the hands of an all-powerful new threat, the ruthless Hela. But first he must survive a deadly gladiatorial contest that pits him against his former ally and fellow Avenger — the Incredible Hulk!

If you don’t know about this one, I think you’ve been hiding under a rock. I’m very excited to essentially see a buddy cop movie with two of the most powerful creatures in we universe, Thor and Hulk. They were curiously absent from Captain America: Civil War and now we get to find out what they’ve been up to. It’s being helmed by Taika Waititi (What We do in the Shadows and Hunt for the Wilderpeople). I’m excited to see how he brings his own brand of awkward comedy to play. But, that first trailer with Led Zeppelin’s Immigrant Song still has me pumped. This this my most anticipated personally.

Justice League – November 17th

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

I was so happy to see D.C. have some success with Wonder Woman. I really hope that we get more of that quality of film and that we stay clear of Suicide Squad or Batman vs. Superman style that audiences are tired of seeing from D.C. I’m excited to see Ezra Miller’s take on the Flash and we can’t forget Jason Momoa’s Fish Whisperer. It will be interesting to see the team dynamics. This one will certainly make the most at the box office for the month as die hard D.C. fans have been panting for this movie that way that I was for the Avengers. It should be very exciting and I hope it does well. Which are you more excited about Thor: Ragnarok or Justice League?

December

Star Wars: The Last Jedi – December 15th

Having taken her first steps into a larger world in Star Wars: The Force Awakens (2015), Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

For Star Wars fans there is nothing better to find underneath the Christmas tree than a great new installment in the ever expanding Star Wars Universe. We keep getting little hints from the promotional information, but I’m actively trying to avoid most of it. I hope that we rejoin Luke and Rey on that island immediately after the opening crawl and we get the answers to some of the questions we’ve all been asking. Who is the last Jedi? Who are Rey’s parents? Why has Luke been in hiding? I don’t think this will have quite as large of an opening as the Force Awakens just because that was the first after 30 years of silence, but regardless, there will be piles of geeks lining up for this one and I will be one of them. How about you?

Others to watch for:

American Assassin coming September 15. Twenty three-year-old Mitch (Dylan O’Brien) lost his parents to a tragic car accident at the age of fourteen, and his girlfriend to a terrorist attack just as they were engaged. Seeking revenge, he is enlisted by CIA Deputy Director Irene Kennedy as a black ops recruit. Kennedy then assigns Cold War veteran Stan Hurley (Michael Keaton) to train Mitch. Together they investigate a wave of apparently random attacks on military and civilian targets. The discovery of a pattern in the violence leads them to a joint mission to stop a mysterious operative intent on starting a world war in the Middle East.

American Made coming September 29. Doug Liman (Bourne Trilogy and Edge of Tomorrow) directs Tom Cruise who stars as a pilot who lands work for the CIA and becomes a drug runner in the south during the 1980s.

The Foreigner coming on October 13th. Director Martin Campbell (Casino Royale and Mask of Zorro) presents the story of humble London businessman Quan (Jackie Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – is taken from him in a senseless act of politically-motivated terrorism. In his relentless search for the identity of the terrorists, Quan is forced into a cat- and-mouse conflict with a British government official (Pierce Brosnan), whose own past may hold clues to the identities of the elusive killers.

Geostorm coming on October 20th. I’m really not sure what to make of this… It looks like it could be similar to 2012 or The Day After Tomorrow. We’re all in deep trouble after our weather tech starts malfunctioning and we need Gerard Butler to save the day. Ed Harris is in it so I’m going to guess right now that he’s the bad guy kind of like in The Rock. It will most likely fade into obscurity, but you never know with this kind of movie.

Thank You for Your Service coming on October 27th (Just in time for Veterans Day). This film follows a group of U.S. soldiers returning from Iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield. Starring an ensemble cast led by Miles Teller, the drama is based on the bestselling book by Pulitzer Prize-winning reporter and author David Finkel. Jason Hall, who wrote the screenplay of American Sniper, makes his directorial debut and also serves as its screenwriter.

Death Wish coming on November 22nd. A remake of the original Taken franchise. We see a mild-mannered father (Bruce Willis) transformed into a killing machine after his family is torn apart by a violent act. I’m afraid we are all a bit too tired of this type of film where the washed up old guy goes out and kicks butt. However, you should never count out Bruce Willis. I’m afraid it will be lost in theaters since it is coming out the week after Justice League.

So, what’s on your radar? Did I miss anything? Let me know in the comments below. Check out the other sections of this preview below: