Let’s continue to look at those just outside of my top ten of 2017. You can also read my #16-20. I’ve seen most of these on other people’s top ten lists and I think that they could all be up there if I was in a different mood. You’ll notice that on most of these mini reviews, I’m not focusing on technical merit or acting unless it was hands down better than anything else I’ve seen this year. Instead, I’m choosing my top films by selecting the ones that resonated the most with me. I hope that you will read my thoughts on these five and give me your thoughts. Link me to your top 10s, Tell me why I’m wrong or what I got right. Continue reading Best of 2017: Outsiders 11-15
In Alien we follow a seven man crew en-route to earth on board the huge space freighter “Nostromo”. The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form…
The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement. The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn’t have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It’s a story about ordinary people facing true fear, which is the fear without a face. The fear we can’t understand and can’t negotiate with, because its only goal is to survive on the expense of us. It’s a story where some people bravely fight back whilst others are destroyed by the terror. It’s a story where people are killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest – not necessarily the most righteous – will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn’t just the Alien itself, it’s the entire atmosphere which gets so effectively under your skin, that you just can’t shrug it off after the end credits like you can with so many other Hollywood horror movies. The title “Alien” doesn’t just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie.
Aliens is set 57 years after the events of the first film. It begins with Ripley being rescued & revived from hypersleep after drifting in space far longer than she ever expected. After hearing her account of what happened to her former crew on Nostromo, the panel board turns down her story, revokes her space-flight license & makes her aware of the colonisation of the planet LV-426, where the alien spaceship was found in the first film. Things set in motion when the contact with the colony on planet LV-426 is lost and Ripley is requested to join a group of space marines to investigate which she, after initially refusing, finally accepts in order to face & overcome her fears.
In Alien, we got to know the monster; how it grows to maturity inside an unwilling host, how it bleeds acid, and how difficult it is to kill once it’s loose. In that film, we watched a single one of these life forms tear an entire ship out from under its crew, and no matter what steps were taken to defeat it, the alien simply would not die. In Aliens, James Cameron shows us what an army of them is capable of, and by doing so transforms his movie into more than a mere sequel.
Vertigo is a psychological thriller film directed by Alfred Hitchcock. The film stars Jimmy Stewart as a former police detective John “Scottie” Ferguson, who has been forced into early retirement due to his discovery of crippling acrophobia and vertigo. Scottie is hired as a private investigator to follow a woman, Madeleine Elster (Kim Novak) who is behaving peculiarly. The film received mixed reviews upon initial release, but has garnered acclaim since and is now often cited as one of the defining works of his career. It is currently listed at #65 on the IMDb Top 250, which I think is a travesty. It shows you what type of list the IMDb Top 250 is, to see this film and others, like Citizen Kane, outside of the top 50, but The Dark Knight currently holds the #4 place. But in the 2012 British Film Institute’s Sight & Sound critics’ poll, it replaced Citizen Kane as the best film of all time and has appeared repeatedly in best film polls by the American Film Institute.
While it is a lucrative career, there is one downside, Loopers are expected to ‘close the loop’ by assassinating themselves. At this point they are given a huge payout and are effectively retired, left to enjoy the remaining 30 years of their life. When Joe’s future self (Bruce Willis) appears before young Joe, he hesitates to kill him, allowing him to escape and forces the younger self to track down the older self and kill him before the leader of the loopers, Abe (Jeff Daniels) finds him. The chase leads the two men to a remote farm, the home to Sara (Emily Blunt) and her son Cid (Pierce Gagnon), where they must finally sort out the ever-growing list of potential paradoxes.
The cast are uniformly excellent and Emily Blunt and Joseph Gordon-Levitt (with a prosthetic nose which is very convincing in the close-up shots) are as good as you would imagine. It is however, Bruce Willis who is the stand-out. It’s been a long time since Willis has had to show any range, and while he gets to show-off his action chops in a series of scenes that will delight fans of Die Hard, it is in the more emotional scenes that he excels. In fact after the barmy opening act, Looper is strongest when engaging in the depth of character on display.