Tag Archives: Russell Crowe

1990s, Art-house, Best Movie Bracket, Detective, Drama, Film Noir, Lists, Trailers

1997 Best Movie Bracket

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On to the year 1997 in our journey to find the Best Movie of all time. If you’re new to this Best Movie Bracket. You can learn more on my Best Movie Bracket Page. There you can explore the whole idea as well as 20 years worth of reviews and countdowns. 1997 was monumental, Harry Potter and the Philosopher’s Stone was first published and would soon set the world on fire with Pottermania. Scottish scientists successfully cloned Dolly the sheep, we landed a rover on Mars, and we mourned the loss of Princess Diana.

But the biggest news in the film world was of course James Cameron’s epic Titanic. It opened in December and overshadowed everything else that was released that year and even into 1998. Even by today’s standards, many of the effects are amazing and ambitious. It was nominated for 14 Oscars tying 1950’s All About Eve and took home a record tying 11, sharing that feat with 1959’s Ben-Hur. It was the first film to ever cross the $1 Billion earnings mark staying at the top of the box office charts for 15 straight weeks and within the top ten for 26!

You won’t find Titanic on the top of my 1997 best list. I thought it was a good disaster film on par with The Towering Inferno, or Dante’s Peak with a uninteresting romance thrown in between Leonardo DiCaprio and Kate Winslet. I consider myself a fan of both of these actors, but I don’t think it is their best work, and it appears that I’m not alone in this. The only major acting award received for Titanic was a tie at the Screen Actors Guild for best supporting actress for Gloria Stuart. The other two Oscars that Titanic didn’t take home were for screenwriting. Those went to my top two.

1. L.A. Confidential

I find it funny how Kevin Spacey and Kim Basinger get the top billing and focus in marketing. When you look at Russell Crowe and Guy Pearce today, it is obvious that they are big name stars. But they owe their Hollywood status to the late director Curtis Hanson. He went out on a limb and took this script that he spent years adapting and put it in the hands of two relative unknowns from Australia who hadn’t even perfected their American accents.

It is a great film that captures the look of this hard-boiled noir time-frame all while feeling modern and supremely entertaining. In addition to the big four characters which is still a lot of most films, we still have James Cromwell, Danny Devito, David Strathairn, Paul Guilfoyle, Ron Rifkin, and even a pre-Mentalist Simon Baker. The story moves very well and we have enough character development to fill several movies. The world feels lived in and tactile. There is action, humor, and plenty of twists and turns to make this one of the most engaging films of the 1990’s.

2. Good Will Hunting

Is this a movie about a kid from the wrong side of the tracks trying to cope with the fact that he is smarter than the average Southie, and even smarter than those stuffed shirts at MIT? I guess that is the basic plot, but it is really much deeper than that. Honestly, his genius really only becomes the reason that anyone cares about him, which is pretty sad. He uses his genius to build his walls higher and thicker, but the walls were put there in the first place through abuse. Abuse that is all too common and is often unnoticed. If Will was just an average guy from Southie like his buddies played by Ben and Casey Affleck would we even see him speaking to a therapist? No, he would have been in jail or worse. 

So, we need that piece of the puzzle to pull the movie along, but in reality, the movie is about how to be a friend, how to form relationships, and how to embrace commitment. Matt Damon and Robin Williams establish a great chemistry together and their scenes together make the film. The whole film rests on Sean’s relationship with Will. Is he going to fold under the hostility and egotistical superiority of this savant? Or will he look deeper than the math problem that is Will Hunting’s genius and actually care about him as a person? And by treating the person can he teach Will how to let others in and how to make a commitment?

Honorable Mentions

So, where were you in 1997? What fond memories do you have? Did I mess up my sinking the Titanic? Did I leave out on of your favorites? let me know in the comments below. You can also share what you enjoy about the top films on social media using the #BestMovieBracket. Thanks for joining me!

2000s, Adventure, Art-house, Best Movie Bracket, Drama, Drugs, Epic, Surreal

2000 Best Movie Bracket

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We’re beginning to get into years that I haven’t seen as many movies. I was a minor in 2000 so I couldn’t go see R rated movies without my parents and I lived in a pretty conservative home. However, I’ve seen many films since that time and tried to fill in the gaps. This list has always been a subjective one, but I like to be fair in my judgments so I will try to take the advice of other critics and moviegoers into consideration as we move forward in this process.

I’m also going to try and move quickly through these, because I think the real fun is going to be when we have the head -to-head match-ups of the bracket. With that in mind, I’m just going to list my top 3 and then any honorable mentions will be in the read more section. Here we go.

#1 – Requiem for a Dream

I’m glad this is the Best Movie Bracket and not the most re-watchable or most entertaining movie bracket. Requiem for a Dream will stay with you and make you feel like you might never be happy again. It is like a film Dementor. We follow four people involved with drugs as their lives spin more and more out of control; the devoted mother (Ellen Burstyn), her junkie son (Jared Leto),his girlfriend Marion (Jennifer Connelly), and their friend (Damon Wayans). Everything is spinning out of control, because when it comes to drugs, once you are hooked, you are hooked.

Darren Aronofsky (Black Swan, The Fountain, and Pi) brings the camera so close to the characters that you can almost feel their sweat dripping on you. As they stumble confused through their addictions and the consequences of them, Aronofsky makes us feel every emotion until we feel like throwing up in unison with these poor souls. The last half hour of the movie is a crescendo of these stories and it is the most effective part. He cuts between all four stories as they go deep down the rabbit hole each in their own way. Ellen Burstyn was deservedly nominated for an Oscar for her performance as Sara, the lonely mother who puts up with everything just to get a visit from her son.

#2 – Almost Famous

Set in 1973, it chronicles the funny and often poignant coming of age of 15-year-old William, an unabashed music fan who is inspired by the seminal bands of the time. When his love of music lands him an assignment from Rolling Stone magazine to interview the up-and-coming band Stillwater — fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William embarks on an eye-opening journey with the band’s tour, despite the objections of his protective mother.

Cameron Crowe (Writer of Fast Times at Ridgemont High, Director of Say Anything and Jerry McGuire) directs this nostalgic story as if it was his own childhood. I am personally not a big fan of 70s music, but it is used very well in this film, most of my favorite scenes are made all the more memorable by the music, which includes Simon & Garfunkel, Elton John, Joni Mitchell, Black Sabbath, and The Beach Boys. Most of the actors and actresses in this film give the performance of their lives, Frances McDormand being especially comical as William’s mother, and many of the best moments are all hers. William himself has an endearing quality about him to the audience, and I’m surprised I haven’t seen Patrick Fugit in any other films since this one.

#3 – Gladiator

Ridley Scott (Alien and Blade Runner) created this shields and sandals epic. It is considered by many to be the best movie of 2000. It was nominated for 12 Oscars and won Best Picture, Actor, Costume, Sound, and Effects. The acting in the movie more than lives up to expectations.

Russell Crowe is brilliant in his role as Maximus, the “general who became a slave, who became a gladiator, who defied an emperor.” Crowe’s intense style is perfect his character’s relentless determination and confidence. Joaquin Phoenix is equally wonderful in his role as the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine.

Honorable mentions: Continue reading 2000 Best Movie Bracket →

2010s, Action, Comedy, Detective, Film Noir, Mystery, Review

The Nice Guys (2016) Review

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The Nice Guys is to LA crime stories what Deadpool is to superhero flicks: at once a celebration and a send-up. That’s just the kind of storytelling moviegoers have come to expect from Shane Black, who directed the film and co-wrote it. Black has a history of blending irreverence and violence going all the way back to his legendary script for Lethal Weapon (1987). However, Black didn’t become a name until the release of Iron Man 3, which saw a lukewarm reaction from fans.

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Several years before that Marvel film, Black made his directorial debut, with the black comedy/noir Kiss Kiss Bang Bang, which is great. In many ways, The Nice Guys feels like a spiritual successor to Kiss Kiss Bang Bang. With twisty detective plots, style to spare, comedy as black as night, and a plethora of interesting characters, the films would make for a great double feature, and they showcase exactly where Black’s directorial strengths lie. Is this a family film? No way. Does it include scenes that some may find painful to watch? You bet. Will you be entertained? Thoroughly.

Continue reading The Nice Guys (2016) Review →