We’re beginning to get into years that I haven’t seen as many movies. I was a minor in 2000 so I couldn’t go see R rated movies without my parents and I lived in a pretty conservative home. However, I’ve seen many films since that time and tried to fill in the gaps. This list has always been a subjective one, but I like to be fair in my judgments so I will try to take the advice of other critics and moviegoers into consideration as we move forward in this process.
I’m also going to try and move quickly through these, because I think the real fun is going to be when we have the head -to-head match-ups of the bracket. With that in mind, I’m just going to list my top 3 and then any honorable mentions will be in the read more section. Here we go.
#1 – Requiem for a Dream
I’m glad this is the Best Movie Bracket and not the most re-watchable or most entertaining movie bracket. Requiem for a Dream will stay with you and make you feel like you might never be happy again. It is like a film Dementor. We follow four people involved with drugs as their lives spin more and more out of control; the devoted mother (Ellen Burstyn), her junkie son (Jared Leto),his girlfriend Marion (Jennifer Connelly), and their friend (Damon Wayans). Everything is spinning out of control, because when it comes to drugs, once you are hooked, you are hooked.
Darren Aronofsky (Black Swan, The Fountain, and Pi) brings the camera so close to the characters that you can almost feel their sweat dripping on you. As they stumble confused through their addictions and the consequences of them, Aronofsky makes us feel every emotion until we feel like throwing up in unison with these poor souls. The last half hour of the movie is a crescendo of these stories and it is the most effective part. He cuts between all four stories as they go deep down the rabbit hole each in their own way. Ellen Burstyn was deservedly nominated for an Oscar for her performance as Sara, the lonely mother who puts up with everything just to get a visit from her son.
#2 – Almost Famous
Set in 1973, it chronicles the funny and often poignant coming of age of 15-year-old William, an unabashed music fan who is inspired by the seminal bands of the time. When his love of music lands him an assignment from Rolling Stone magazine to interview the up-and-coming band Stillwater — fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William embarks on an eye-opening journey with the band’s tour, despite the objections of his protective mother.
Cameron Crowe (Writer of Fast Times at Ridgemont High, Director of Say Anything and Jerry McGuire) directs this nostalgic story as if it was his own childhood. I am personally not a big fan of 70s music, but it is used very well in this film, most of my favorite scenes are made all the more memorable by the music, which includes Simon & Garfunkel, Elton John, Joni Mitchell, Black Sabbath, and The Beach Boys. Most of the actors and actresses in this film give the performance of their lives, Frances McDormand being especially comical as William’s mother, and many of the best moments are all hers. William himself has an endearing quality about him to the audience, and I’m surprised I haven’t seen Patrick Fugit in any other films since this one.
#3 – Gladiator
Ridley Scott (Alien and Blade Runner) created this shields and sandals epic. It is considered by many to be the best movie of 2000. It was nominated for 12 Oscars and won Best Picture, Actor, Costume, Sound, and Effects. The acting in the movie more than lives up to expectations.
Russell Crowe is brilliant in his role as Maximus, the “general who became a slave, who became a gladiator, who defied an emperor.” Crowe’s intense style is perfect his character’s relentless determination and confidence. Joaquin Phoenix is equally wonderful in his role as the corrupt emperor. He plays a great villain because he is able to give Commodus depth by showing certain vulnerable or fragile sides, while at the same time instantly transforming to let the ruthless nature of his volatile character shine.
In Alien we follow a seven man crew en-route to earth on board the huge space freighter “Nostromo”. The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form…
The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement. The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn’t have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It’s a story about ordinary people facing true fear, which is the fear without a face. The fear we can’t understand and can’t negotiate with, because its only goal is to survive on the expense of us. It’s a story where some people bravely fight back whilst others are destroyed by the terror. It’s a story where people are killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest – not necessarily the most righteous – will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn’t just the Alien itself, it’s the entire atmosphere which gets so effectively under your skin, that you just can’t shrug it off after the end credits like you can with so many other Hollywood horror movies. The title “Alien” doesn’t just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie.