As I have been looking at my top films for a given year, I needed a method for looking at a large number of films for the year so that I could compare them. In my search, I came across Letterboxd. I tried Letterboxd a few years back before it had the number of users that it does today. They have made significant improvements and the user community is phenomenal. I would encourage any movie lover to keep their film diary at Letterboxd.
The site has also let me look at a number of films from any given year and sort them in a multitude of ways. Letterboxd has 12,585 films listed with a release date of 2014. This is also where the featured image comes from and where I will pull the featured image from all of my annual entries. This is to give you a chance to see some of the other films that I had to pass over to get my favorites. According to the site, I have seen 63 of those films. So with that, let’s look at my top 3 films of 2014.
From start to finish, many of 2015’s biggest news stories were centered around violence and terror threats and they showed a general sense of fear. The year began with a targeted terror strike in Paris and closed out with another planned attack in San Bernandino, California, proving that threats around the globe remain an issue for all.
As fun and epic as the continuations of Mad Max, Star Wars, and Avengers were, there was not enough to set them apart and leave a lasting legacy. Leonardo Dicaprio deserved an Oscar for what Innaritu put him through in The Revenant, but the movie itself though stark and piercing didn’t create the effect in viewers that you expect from the best. The Martian was alternatively hilarious and harrowing, and Room ripped my heart out and slowly put it back together again, but there were a lot of really good movies in 2015. I keep coming back to three films from the year that will have some staying power. Here are my top 3 films of the year. Continue reading 2015 – Best Movie Bracket→
With about 4 weeks until the Academy Awards, I’m still watching these highly lauded films to be as knowledgeable as I can. I still have a bit of a list to watch, but I have made some good progress and I think I will make it. I just wish the Academy would make it a little easier on me by sending me screeners of all the movies. But one of the most recent that I was able to catch was Spotlight. It tells the story of how the Boston Globe shined their Spotlight, also the name of their long-running investigative unit, onto the cover up of abuse by priests in the Catholic Church. You can read a great article on the Boston Globe’s website about how the real story unfolded and how it was transformed into a movie.
In a nutshell, the Spotlight team was lead by its editor Walter ‘Robby’ Robinson (Michael Keaton), who was born in raised in Boston. His team of reporters: Michael Rezendes (Mark Ruffalo), Sasha Pfeiffer (Rachel McAdams), and Matty Carroll (Brian d’Arcy James) who were all known for their reporting skills followed the leads and uncovered the ugly truth. The investigation took five months, and countless hours, but the finished product was a story that would change so much.
Over time, there have been many jobs that have been held in high esteem. I’m thinking of pilots, astronauts, police officers, and firefighters. While some of those jobs have lost their luster in the public eye, we have not seen a fall from grace quite so drastic as that of the Priest. Going back to the middle ages, the Priests were among the most highly educated people in a given city or town, and as a Christian, it disgusts me to even think about the scandals that have plagued the Catholic Church.
A few isolated incidents of priests (or pastors) falling into sin is unavoidable. However, the story that Spotlight tells goes deeper to reveal the ugly truth that the Catholic Church as an institution collaborated to cover-up these incidents, protect the offenders from justice, and create an environment where further atrocities could take place. This pains me as a believer knowing that we are all fallen and corrupt people in need of grace, but I can only imagine the collective effect that these scandals have had on the church (Catholic and Protestant alike) as non-believers and marginal attenders have left in droves in the past decade. An article at Salon.com reveals that, “Catholic defection is the single greatest factor driving the much-heralded rise of the nones, who now account for just under 23 percent of the population. Almost one-third (28 percent) of nones are former Catholics, the single largest share of any religion.” I hope Churches, organizations, and businesses will learn from this story and know that when something like this happens it affects a lot of people, and they must understand that some bad press is not as important as a person’s life and emotional well-being.
Oddly enough, reporters have perhaps lost just as much respect as priests but for a completely different reason. I mean, how much more respect can you get than being the job that Superman choose to do as his alter ego. But I miss the day when news was actually news. Why does anyone care that Kim Kardashian and Amber Rose are having a feud over a couple of selfies and social media posts? Why was Tom Brady sentencing and appeal over “Deflategate” headline news while Greece’s economy was tanking and Turkey was stepping up to fight Daesh. This film reminded me that journalists used to investigate and break real stories. I hope that the pendulum swings back to the American people valuing the reporters that tell real stories that impact the community and not which celebrities just broke up.
Channeling great films like All The President’s Men and Network, Spotlight, written by Tom McCarthy and Josh Singer, honors the account of events with their writing but never loses sight of the story they are telling. The writing is outstanding. They don’t have any agenda in this film except telling the story. I was afraid that as this subject was handled in film we would see a vilifying of the Catholic Church. On the flip side, it was also good that they didn’t try to make heroes out of the Boston Globe. It felt like they tried to be completely unbiased while writing the story. It could have been very easy for this film turn into a Lifetime or ABC Family movie and be a manipulative mess, but instead it became a polished and well-wrought film.
McCarthy, also the director, lets his actors and the shocking truth take center stage. Mark Ruffalo gives a fantastic performance as a highly driven investigative journalist and has really been knocking them out of the park lately. Michael Keaton also gives another awards season-worthy performance as the leader of the Spotlight team. Stanley Tucci was amazing, though I don’t think Tucci is capable of giving a bad performance. Also, Liev Schreiber gives one of the best performances of his career. His turn as Marty Baron was calm and understated, but he takes charge in every scene he’s in, which is saying something considering the caliber of the other actors and actresses with whom Schreiber shares the screen.
Spotlight is one of those movies that will stand the test of time and is deserving of the awards credit that it is receiving. I really enjoyed this film as it takes the time to deal with a heartbreaking story that needs to be told. Everything from the writing to the acting is amazing. I doubt that Spotlight will make it to the top of the Oscars heap, but it definitely deserves to be widely seen and given all of the praise that we can give.
Merry Christmas everybody. While my wife watches A Christmas Story (1983) for the 10th time and the kids fall asleep among the wrapping paper, I am thinking about movies that are either set at Christmas or remind us of Christmas without being “Christmas movies.” You won’t find the traditional Christmas favorites on this list, but you might find some fun movies to watch with your sweetie on a cold winter night.
5. Gremlins
What better than a movie that had trouble getting past the MPAA because they believed it was too scary for its target audience. This movie doesn’t even make me think of Christmas, and I didn’t even watch it until I was in college. But who wouldn’t want to get a cute fuzzy monster like Gizmo under their Christmas tree. In fact, I think it was partly because of this movie that Furbys became popular 15 years later.
4. The Family Man
Jack (Nicolas Cage) is given the chance to live the life that he could have had if he had followed his heart. It is a retelling of It’s a Wonderful Life. The film emphasizes the importance of having family and friends in your life. Christmas just happens to be the backdrop for this hypothetical journey. Don Cheadle as the street wise angel really makes this film.
3. Batman Returns
Everyone has had a Christmas when they got one too many pairs of socks or when their crazy relative has a little too much egg nog and started spilling all the family secrets. That’s nothing compared to Christmas in Gotham City. The Red Triangle Gang jumps out of a giant present, mess up the Christmas decorations and attempt to install the super creepy Penguin (Danny Devito) as mayor. It’s not all bad however, it inspired a crazy woman to make a homemade skin-tight shiny black leather cat suit.
2. Trading Places
It’s a simple concept. Take a well-to-do Harvard alumnus named Winthorpe (Dan Aykroyd) and set him up for a fall. Then take a street bum Billy Ray (Eddie Murphy) and put him in his old job to see if he can make it on the stock exchange. Pretty soon, Winthorpe’s a suicidal gun-toting thief dressed as Santa and Billy Ray’s scolding house guests for making a mess of his nice clean rug. Throw in Jamie Lee Curtis as a lady of the night and you have a heartwarming holiday classic. Or not.
1. Die Hard
Holiday office parties are the best! The boss gets tipsy, you see a whole other side of your co-workers, and international terrorists take everyone hostage in the office building! Well, at least that last one sounds fun for John McClane, a New York city cop who is attempting to surprise his estranged wife on Christmas Eve. But instead of a gift, he brings the pain. Who needs a “ho ho ho” when you can have a “yippie kai-yai motherf***er.” And McClane gets into more mischief around Christmas in Die Hard 2, but I think by Die Hard with a Vengeance he learned to stay home for the holidays.
These are some of my favorites. Can you think of some others?
"Life moves pretty fast. If you don’t stop and look around once in awhile, you could miss it."