A Movie That Is A Guilty Pleasure
I have to say that 1997’s Jerry Bruckheimer produced Con Air is an extremely fun ride, and it is one of my favorite action films. If I see this one on TV I will almost always watch it. The film is so over-the-top with its characters, dialogue, and situations that it can’t be truly believable and I don’t think it is meant to be. I know that this is not a high quality film, it doesn’t answer any metaphysical questions. But it is a good popcorn movie and it is endlessly re-watchable, even 15 years after it was released. True to most Bruckheimer productions Con Air is loud, crazy, and completely mindless fun during its 123-minute running time.
I’m not even going to give a synopsis. If you haven’t seen this movie, it is a lot of fun and would be a great film for a date night. It has a great cast of extremely talented actors playing extremely colorful characters. Our leading man Cameron Poe (Nicholas Cage), Drug smuggler Joe “Pinball” Parker (Dave Chappelle), serial rapist “Johnny-23” (Danny Trejo), Nathan “Diamond Dog” Jones (Ving Rhames), mass murderer William “Billy Bedlam” Bedford (Nick Chinlund), the Hannibal Lecter wannabe Garland Green, a.k.a. “The Marietta Mangler,” (Steve Buscemi), and the notorious criminal mastermind Cyrus “the Virus” Grissom (John Malkovich).
With a cast like that stuck on a plane together for at least half of the film, it has to be good.
Con Air is loud, brash, and over-the-top (did I say that it was over-the-top already?). It’s hard to believe that Michael Bay wasn’t in the director’s chair this time, since it contains many of his trademarks including fast editing, crazy characters, outlandish dialogue, stunning action sequences, explosions, car chases, and shootouts. In reality it was directed by Simon West, (who gave us The Mechanic this year and is currently working on The Expendables 2), in his directing debut.
Con Air is one boldly energetic and exciting action flick. I’ve seen the movie well over a dozen times since it first came out in 1997 and it’s never lost its luster or ability to be exciting, brain-dead entertainment. It’s one wild ride that I am a bit ashamed to say that I love to take.
Great Quote: “What if I told you insane was working fifty hours a week in some office for fifty years at the end of which they tell you to piss off; ending up in some retirement village hoping to die before suffering the indignity of trying to make it to the toilet on time? Wouldn’t you consider that to be insane?”- Garland Greene (Steve Buscemi)
Do you have a favorite movie that you are ashamed to say you like. Is it so bad it’s good? There were a lot of movies that I could have went with here, but probably because I love John Malkovich and Steve Buscemi, this one took the cake for me. What is your pick? Let me know in the comments below or on Facebook or Twitter. And if you decide to take the 30 Day Movie Challenge, please leave me a link to your quest so I can stalk you.

I have two films that have changed my ideas about the food industry. It has made me question everything I put in my mouth. These are the Morgan Spurlock McDonald’s experiment, Super Size Me, and Food, Inc. that asks how much we really know about the food we buy in the supermarket. After watching both of these movies, I wanted to move to a big 40 acre farm in Montana where my family and I could grow crops and raise cattle and we could seclude ourselves. Of course, then I got hungry and couldn’t afford to be a vegan, so I settled for a double cheeseburger.
This is an eye-opening and shocking look at the effects of fast food on the body, and it’s more important that ever with 60% of the United States being obese. We are literally eating ourselves to death.
A little over halfway through the month, the doctors finally catch on to the danger and indicate that the side effects are going far beyond what they predicted. His triglycerides and cholesterol are up, but his liver also looks like he has been a heavy drinker all his life. By the end of the 30 days, he’s put on almost 25 lbs, and his body fat has increased from 10% to 18%. In the closing credits, we’re told that it took him 8 weeks to get his liver back to normal and over one year to get down to his previous weight.
I consider myself pretty well educated when it comes to nutrition. I mean, I actually read and understand most of the stuff that is put on the nutrition labels. But I was shocked when I watched Food, Inc. and found out that some of those items that I thought were healthy could have been doctored to the point that they harbor franken-bacteria. And if I was this taken aback, I can imagine how many people who don’t take the time to educate themselves would really be stunned if they realized where their food comes from and what the food they are consuming could be doing to their bodies. Most Americans biggest concern about their food is that it is fast, cheap, and tasty. Food, Inc. examines the costs of valuing cost and convenience over nutrition and environmental impact.
This was another category that suffered from the use of vague language. What is a classic movie? What criteria would you use to define a classic? I think what determines a classic film is the same thing that determines a classic piece of literature: the test of time. No film or literature of substandard quality will survive that test. The key to passing this test of time is a work’s universal appeal. This asks for my favorite, not the most classic, so I am pleased to share my favorite classic movie, North By Northwest.
The 1950s were a great decade for Alfred Hitchcock. He had so many hits with Strangers on a Train, Dial M for Murder, Rear Window, To Catch a Thief, and The Man Who Knew Too Much. He also had a TV show, Alfred Hitchcock Presents. But in 1958, Vertigo was released and failed to impress critics or audiences. Hitchcock was undoubtedly disappointed by this and couldn’t know that Vertigo would eventually be considered one of his masterpieces. But he vowed that his next project would be a more tested and tried effort that would be more of a crowd-pleaser. The film was a box-office hit, second only to Ben-Hur for the year, and got positive reviews from critics.
It starred Cary Grant as Roger Thornhill a New York advertising executive who is mistakenly identified as a secret government agent, this put a target on his back. Then he’s framed for murder, this puts him on the run from the police as well as the bad guys. While on the run, he meets Eve Kendall (Eva Marie Saint), who apparently believes his story and wants to help. I’m not going to give you any more about the plot because I want everyone to see it. It has so many iconic scenes and it is still powerful today. It influenced a whole genre of action-suspense-espionage movies. Only three years after its release, the first James Bond film, Dr. No, appeared. Of course, James Bond is a spy, whereas Roger Thornhill was only mistaken for one. But both films have implausible action sequences in outrageous locations like Mount Rushmore. They both have beautiful but mysterious women who take an interest in the hero. And both have a well-dressed leading man who is suave, has a knack for one-liners, a fondness for liquor. You can probably think of dozens of movies since 1959 that have operated on those same principles.
With North by Northwest, Hitchcock tweaked the basic man-on-the-run story with witty dialogue, charismatic performances, and visually arresting action sequences. He demonstrated that these elements of basic popular entertainment, which are sadly looked down upon by some who call themselves critics, could be applied to big-budget studio films. He showed that a movie could be entertaining, thrilling, and funny, smart and well-produced. It didn’t have to choose to be either high-brow or low-brow. North By Northwest is an extremely entertaining thrill ride. There is not a lot of substance or meaning to it, it is just a tremendously fun roller coaster ride that Hitchcock takes us on. When I first saw it as a kid, I was hooked. And it set a precedent for hundreds of blockbusters that followed in its wake.
Growing up, I remember getting to go to work with my dad from time to time. My dad has worked for several different companies, from pest control to shoe repair, but I will never forget the day that he took me to work with him at the radio station. He sold airtime to businesses that wanted to advertise on the station. I got to sit in the booth with the Djs, I even recorded a little radio spot when I was probably no older than 4 or 5 for the station that used to be GC-101.
This one was a fairly easy choice. I don’t tend to re-watch many movies, only those that I really enjoy. But I remember seeing Braveheart in theaters three times when I was only 12. That means that begged my parents or friends parents to take me because I was too young to go by myself. This was the first DVD I ever bought. I watched it so many times in High School that I now have the movie memorized. I’m not sure of my heritage, I’ve never done the ancestral digging to find out where my origins truly lie, but because of this movie, I tell people I’m Scottish. And I am proud to be a Scotsman.
It probably had something to do with the gory violence, and the comedic writing probably helped as well. But what really got me, I think, was the fact that I was able to lose myself in the film and become William, joining him on his journey.
Looking back, it has been a while since I sat down and critically watched this film. It does suffer a bit from it’s length as it tends to drag a bit in the 2nd and 4th acts. That would be the background story of Robert the Bruce (little known fact: the title Braveheart was historically attributed to him, not Wallace.), and the love affair with the princess, which is total historical rubbish (she would have been in France at the time and only about 13 years old) and completely unnecessary, and contrary, to the heart of the film. That being said, this is still a film which I plan on showing to my sons and daughter when they are on the brink of the teenage wasteland. I hope that it can teach them what it taught me. That a life that is lived without purpose is not lived at all.




I am six days into the 30 Day Movie Challenge and I have remained faithful. But today presents a couple of obstacles. First, it is Wednesday and this is the one day a week that I take my kids to school. I choose Wednesday because that is Chapel day and I can sit with them as they sing and dance. It reminds me of an opening rally at VBS. I am writing this as I wait for chapel to begin, but this will delay me from my blogging time until about 10am. Add to that the very obscure topic for today, and it really does present a challenge.
I Know My Name is Steven was one that looked interesting, also
The story-lines involving Porter’s customers and how their lives were changed by him are certainly inspiring, but one must also wonder if they actually did happen. I was most intrigued by the story-line involving the gay couple and an obvious insinuation that one of their friends might have been afflicted with the AIDS virus. This was never resolved and seemed a little misplaced. Also, what is probably the films most quotable line, “God created us all, Shelly. He doesn’t make mistakes,” is in relation to this couple. The fact that this little bit of tolerance propaganda was tagged on kept this from being a really great film. But it doesn’t keep Door to Door from being a really an inspirational story that I still recommended for those who are sick movies about things getting blown up or people getting peppered with bullets.
I can’t say that I’m an expert on romantic novels or films. I’ve seen my fair share, but I am not as fond of this genre as some others may be. That being said, I believe that When Harry Met Sally is, the wittiest and most funny romantic comedy out there in film land. The movie came out in 1989, but for some reason, I think this is one that will stand the test of time and entertain audiences for decades to come.
Their love story is one that we’ve seen play out on the screen dozens of times since, but I don’t think any film has ever or will ever portray the issue better. The question it poses is one of universal importance, namely, can women and men ever be friends? It appears so, but what happens when you introduce sex to the equation? Does it negate the friendship or does the intimacy make it too awkward to continue just being friends? I’ll leave that for you and your friends (male or female) to discuss over a nice cup of coffee. If you haven’t seen the film, go now and watch it. Seriously, I will wait right here. If you won’t go watch it, I’ll just say that with heaps of quirky, funny dialogue, a script that Nora Ephron will forever attempt to duplicate, and clean directing from the extremely talented Rob Reiner, When Harry Met Sally is a highly enjoyable film that has held strong over two decades after its creation.
In contrast to many of the weeping romantic comedies and melodramas that I mentioned in yesterday’s
I don’t watch movies that make me sad. The reason most people watch movies is to escape for a couple of hours from your life. Who wants to escape to a sad alternate reality? On the other hand, there are plenty of movies with sad elements or scenes that make me cry no matter how many times I watch them. Yeah, that’s right I cry at movies. But that sadness is usually part of an ultimate happy ending or uplifting message.
To narrow it down, I thought of 5 sad movies that I had seen. Those 5 were: My Girl, Boy with the Striped Pajamas, Dead Poets Society, A Walk To Remember, and The Green Mile. The saddest movie that I could think of was The Green Mile. At John Coffey’s execution everyone is weeping at seeing something so unjust. Everything from the scene where Paul goes into John’s cell and asks him what he wants him to do is sad. He can’t bear the thought of killing “one of God’s true miracles.” He doesn’t want to stand before God at the judgment and have to answer for why he killed an innocent man. Then as John asks to see a movie, he sits amazed at the beauty that he is beholding. At the execution I have to stop myself from sobbing out loud. Even the ending when we see Paul as an old man grieving over the loss of a friend saying that this is his punishment killing John Coffey. For those that think Stephen King is only a horror author, this film is the answer to that.