So Secret Life of Pets went beyond everyone’s expectations and reeled in $104 Million last weekend. That is giant for any film, but I’m planning to write a separate post all about this film that made more in its opening weekend than any other original non-adapted property. Think about movies like Inside Out and Avatar. Yes, Secret Life of Pets just did something unprecedented. So what’s coming next? Do any of this weekend’s offerings have what it takes to dethrone the pets? Let’s find out.
Continue reading Weekend Outlook: Ghostbusters and Infiltrator
All the President’s Men – I referenced this movie just a few weeks ago when I looked at Spotlight because of the parallels that I saw in the two movies in terms of journalism. But All the President’s Men shows not only the journalistic side but also the political side of the Nixon Watergate scandal. It is seriously compelling and is well worth the time to watch it.
Mr. Smith Goes to Washington – I’m surprised that Marco Rubio doesn’t use this film on his Campaign trail. If you are unfamiliar, it tells the story of a man who is set to be a senator by the spineless governor of his state. He is a naive and idealistic and he wants to change everything starting from the building of a camp for children but his plans promptly collide with political corruption and there the true fight starts.
A few isolated incidents of priests (or pastors) falling into sin is unavoidable. However, the story that Spotlight tells goes deeper to reveal the ugly truth that the Catholic Church as an institution collaborated to cover-up these incidents, protect the offenders from justice, and create an environment where further atrocities could take place. This pains me as a believer knowing that we are all fallen and corrupt people in need of grace, but I can only imagine the collective effect that these scandals have had on the church (Catholic and Protestant alike) as non-believers and marginal attenders have left in droves in the past decade. An 
Oddly enough, reporters have perhaps lost just as much respect as priests but for a completely different reason. I mean, how much more respect can you get than being the job that Superman choose to do as his alter ego. But I miss the day when news was actually news. Why does anyone care that Kim Kardashian and Amber Rose are having a feud over a couple of selfies and social media posts? Why was Tom Brady sentencing and appeal over “Deflategate” headline news while Greece’s economy was tanking and Turkey was stepping up to fight Daesh. This film reminded me that journalists used to investigate and break real stories. I hope that the pendulum swings back to the American people valuing the reporters that tell real stories that impact the community and not which celebrities just broke up.
Channeling great films like All The President’s Men and Network, Spotlight, written by Tom McCarthy and Josh Singer, honors the account of events with their writing but never loses sight of the story they are telling. The writing is outstanding. They don’t have any agenda in this film except telling the story. I was afraid that as this subject was handled in film we would see a vilifying of the Catholic Church. On the flip side, it was also good that they didn’t try to make heroes out of the Boston Globe. It felt like they tried to be completely unbiased while writing the story. It could have been very easy for this film turn into a Lifetime or ABC Family movie and be a manipulative mess, but instead it became a polished and well-wrought film.
McCarthy, also the director, lets his actors and the shocking truth take center stage. Mark Ruffalo gives a fantastic performance as a highly driven investigative journalist and has really been knocking them out of the park lately. Michael Keaton also gives another awards season-worthy performance as the leader of the Spotlight team. Stanley Tucci was amazing, though I don’t think Tucci is capable of giving a bad performance. Also, Liev Schreiber gives one of the best performances of his career. His turn as Marty Baron was calm and understated, but he takes charge in every scene he’s in, which is saying something considering the caliber of the other actors and actresses with whom Schreiber shares the screen.