Tag Archives: James Wan

2010s, Action, Animation, Horror, Science Fiction, Space, Trailers, Weekend Outlook

Weekend Outlook: Star Trek Beyond

July 23, 2016 Engagingculture Leave a comment

What does this weekend look like for new releases? Two more sequels crash upon theaters this weekend and while they may not be total busts, both are probably going to fall short of the previous installments in their respective series. Star Trek Beyond and Ice Age: Collision Course represent the 21st and 22nd wide release sequels this year. Only four of them (Finding Dory, Captain America: Civil War, The Purge: Election Year and Batman v Superman: Dawn of Justice) have been able to outperform their franchise predecessor at the box office. Also opening this weekend is the new PG-13 thriller Lights Out from producer James Wan.

Star Trek Beyond

The third film in the rebooted franchise. It makes me nervous that there is no J.J. Abrams. Instead, it is being helmed by Justin Lin (Fast & Furious) although he wasn’t even the original choice. The original reboot of the series in 2009 was great and it enabled us to explore this world with a new reimagined cast. Because they had a blank slate to work with, I was a bit disappointed that Into Darkness was essentially a remake of Wrath of Khan. It was an acceptable remake, but I’m hoping we don’t see whales in Beyond. Regardless, I think it will easily end up on the top of the charts this weekend after Secret Life of Pets snuck past Ghostbusters to lead the box office for a second week in a row.

Ice Age: Collision Course

This weekend’s second sequel is likely going to fall short of second place in the weekend as it goes head to head with an original property in The Secret Life of Pets. I don’t like to hate on films, but this Ice Age series needs to go extinct. Interestingly, no Ice Age film has ever opened below $41 million. But this is the fifth in the series, sequels have not fared well so far this year, and we have had a very strong season of animation which I don’t think will help. I think it will be very close, but Pets will freeze Ice Age in 3rd place this weekend.

Lights Out

The final wide release is one that I won’t be watching unless it is a matinee showing. I’m not a huge fan of horror films but anything with James Wan’s name attached seems to have a leg up on the competition. Lights Out looks scary and with a budget of less than $5 million, I think it is safe to say that Lights Out will be in the green after one weekend in theaters. It won’t be enough to compete with Ghostbusters in its second weekend, but I think a respectable $15 million showing is very likely since it is doing well critically and there is no other genre competition right now.

How do you think these movies are going to do? My predictions are below. I’d love to hear what you are watching this weekend, even if you are just binge watching Stranger Things on Netflix.

Star Trek Beyond – $60 Million
The Secret Life of Pets – $27 Million
Ice Age: Collision Course – $26 Million
Ghostbusters – $24 Million
Lights Out – $15 Million

2010s, Book Adaptation, News, Superhero

James Wan on Why Superhero Movies are Popular

June 12, 2016 Engagingculture Leave a comment

If you’ve been paying any attention to the current climate in the world of film, you’ll notice one thing: superheroes are ruling the day. Comic book movies have become the most lucrative films in the biz, breaking box office records and ensuring boat loads of money for their respective studios. And while they’re usually visual masterpieces with stunning effects, it seems unlikely that movies about men flying around in tights would be so universally adored. So the question that rises is: why the hell do we love superhero movies so much?

Director James Wan, who will be helming his very own superhero flick with the DC Extended Universe’s Aquaman, recently opened up to Collider and answered that very question, saying:

I think a big part of it is because we’re finally at the point where we can actually tell these larger than life stories and have the technology to make them work. That’s one factor, that we can create these whizz-bang visuals to go with the story and ultimately superheroes say a lot about the society we grow up in. Pretty much all the good superheroes have some kind of social commentary about why they are who they are. It teaches values and so it’s a very important thing. On one hand it works on a surface level because it’s super incredible to watch from a visual feast standpoint but on another level it works on a very human level it works on a very human, emotional level and I think it makes it fun for us. Let me pose you a question. Do you think people are having superhero fatigue?

James Wan’s statement offers some answers and as well as an important question, while also erasing any trace of doubt as to whether or not he’ll be able to make Aquaman a successful superhero flick. He just gets it.

To start, James Wan cites our current technology as what is causing this superhero renaissance. This seems to make a great deal of sense. Sure, comic fans would have liked to see Superman, Batman, and Wonder Woman together kicking some ass years ago, but the visual effects might not have allowed the action sequences to be what they should have been. We certainly got some questionable Batman flicks in the 90’s, with the Dark Knight becoming campy and with less intense fight scenes. We’re in a point where action sequences become some of the highlights of superhero movies, with amazing and extensive scenes like Captain America: Civil War‘s airport battle and Batman v Superman‘s heroic beatdown truly wowing audiences.

Additionally, James Wan notes that there is something essentially moral about superhero movies. These heroes fight for what is right, we all inherently want the good guys to win and for villains to get their comeuppance. Sorry Suicide Squad.

But the Conjuring and Aquaman director ended this statement on an important question. Are we facing superhero fatigue? With so many heroes dominating both the small and big screen, it definitely has the potential to become a bit saturated and stale. The MCU might be untouchable, but it’s entirely possible that other studios may suffer in the future due to overcrowding. Only time will tell.

Wan’s Aquaman will be released on July 27, 2018.

Source: Cinema Blend

2010s, Action, Adventure, Alien/Monster, Computer, Fantasy, Heist, Horror, Mystery, Supernatural, Suspense, Thriller, War, Weekend Outlook

Weekend Outlook – June 10, 2016

June 10, 2016 Engagingculture Leave a comment

With X-Men: Apocalypse, Alice Through The Looking Glass, and Teenage Mutant Ninja Turtles: Out of the Shadows tumbling their way down the top 10, there’s more than enough room for a couple more sequels to make waves amid another weekend stuffed with multiple new wide releases. This weekend we will see a highly anticipated follow up to one of the best horror films of the last 10 years. Second, we have a not-so-highly anticipated sequel to a mediocre mystery drama about a troupe of magicians illusionists. Finally, we see a video-game adaption from a visionary director that has been doing amazingly well in China and Russia.

The Conjuring 2

So far, 2016 has become a graveyard for high-profile sequels as Alice Through the Looking Glass, Zoolander 2, Allegiant, Neighbors 2: Sorority Rising, and The Huntsman: Winter’s War have all under-performed. However, both cinematic continuations hitting theaters Friday look like they will bring in respectable grosses. The Conjuring 2 will almost certainly take the #1 spot this weekend after the dazzling run of its predecessor in 2013. I won’t be watching it, because I don’t like having nightmares.

The Conjuring, based on the spooky real-life dealings of paranormal investigators Ed and Lorraine Warren, grossed $41.9 million in its opening weekend nearly three years ago. Its sequel, also directed by James Wan with Vera Farmiga and Patrick Wilson returning, is opening on approximately 3,200 screens this weekend, and will bring the series back to No. 1 at the weekend box office. For starters, strong critical reviews for a modern horror film are almost an anomaly, but The Conjuring 2 has them, as 64 percent of critics surveyed by Metacritic have given the film a positive review.

Warcraft

While it is expected to disappoint in North America, Warcraft, however, could put up a worthy fight for the No. 2 slot. Traditionally, video game adaptations are awful, but if anyone call pull off the impossible, it is Duncan Jones the director of two of the most original and thrilling sci-fi movies of the last 20 years in Moon and Source Code. The film hits almost 3,400 North American screens this weekend with a robust international gross already under its belt. Based on the wildly popular Blizzard Entertainment video game series with millions of active subscriber accounts.

Warcraft brought in the biggest Thursday gross ever (around $45 million) in China following a huge estimated $46 million opening on Wednesday, upping its total in the country to more than $90 million and counting. Given its low critical reviews (32 percent on Metacritic) and lack of star power among the cast, the picture is seemingly selling itself on brand alone. However, with more than 1.7 million likes on its official Facebook page, Warcraft also seems to be making a decent impact with its target demographic via their go-to medium: the internet.

Now You See Me 2

Now You See Me 2 has big shoes to fill. Its 2013 predecessor was arguably the most unexpected runaway hit of the year, grossing $351.7 million worldwide during its run. This film has a great following and has infused some new talent into it’s cast. As I watch, I’m going to be waiting for ~~Harry~~ Daniel Radcliffe to pull out his wand.

The only problem for Now You See Me 2, however, is that its legs are probably nowhere near as sturdy as its forerunner’s. Critics haven’t been as kind this time around (it currently sits at 48 percent on Metacritic), though audience anticipation is strong, I think we will see a fairly warm welcome from fans, but that passion will quickly die down and Now You See Me 2 will join the graveyard of 2016 sequels.

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