Category Archives: Video

2010s, Coming Soon, Lists, Netflix, Video

Most Anticipated Releases – June 2019

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We’re in that time of year when there is a lot of new content being thrown our way hoping to grab our attention over the Summer blockbuster season. Here are some of the new titles that will hit theaters this month that I think might be worth your time.

Black Mirror – Season 5

https://www.youtube.com/watch?v=2bVik34nWws
I’ve been avoiding most of the trailers because I like to walk into these immersive fables blind, but if you want a peek at what to expect from season five check it out.

I’ll start with a bit of a cheat since it isn’t a movie. Netflix is bringing back Black Mirror for a short season 5. It looks like it will only be 3 episodes so it really won’t be much longer than a feature-length movie. I have adored the twisted technological storytelling of the first four seasons, and the create your own adventure style special. Black Mirror: Bandersnatch was something I’ve been waiting for Netflix or another streaming platform to do for a long while.

Season 5 looks like it’s going to continue to trend of bringing A-list talent as the information we have seen the names Anthony Mackie (Falcon from Avengers), Miley Cyrus (You know her), Topher Grace (That 70s Show and lots of other stuff), Andrew Scott (Moriarity in Sherlock), Pom Klementieff (Mantis from Avengers), and Angourie Rice (I’ve been waiting to see her in more since The Nice Guys years ago) thrown around. Season 5 drops on Netflix on June 5th.

Dark Phoenix

Big plot spoilers are visible in this trailer so watch at your own risk.

With Disney now owning 20th Century Fox that means that they own the rights to the X-Men, as well as Fantastic Four, Silver Surfer, X-Force, Deadpool, and much more. Because of this transition and a quote from Fox Executive Emma Watts who said that Dark Phoenix would be the “perfect sendoff for our X-Men team,” it looks like this will be the conclusion of the X-Men: Beginnings story arc which began with X-Men: First Class in 2011 and melded with the original timeline in X-Men: Days of Future Past. I think it is safe to say that we haven’t seen the end of the X-Men, but they may look very different under Marvel’s umbrella and this film will close the door that was opened in 2000 with the original classic X-Men. It still remains to be seen what will happen with the New Mutants horror spinoff that has been in the works for at least 3 years. It might just end up on Disney+.

Ever since the 90s cartoon, the X-Men have been my favorite superhero team. That’s right, even more than the Avengers. I mean my parents named me after Wolverine. (Not really, but that’s what I tell myself.) Over the years we’ve gotten some great stories and we’ve seen them weave several timelines together. Last Stand didn’t really do the Dark Phoenix storyline justice, so it will be nice to see something a little more in line with the comics. I’m tentatively excited about it if for nothing more than the return of Evan Peters’ Quicksilver. Dark Phoenix will rise in your theaters on June 7th.

I Am Mother

Feels like Moon meets 10 Cloverfield Lane meets Ex Machina.

Shortly after humanity’s extinction, in a high-tech bunker deep beneath the earth’s surface, a robot named Mother commences her protocol. Designed to repopulate the earth with humans born from test-tube embryos, Mother raises a baby girl to become an intelligent, compassionate teenager (Clara Rugaard). But the arrival of a wounded woman (Hilary Swank) at the bunker door soon casts doubt on Mother’s account of the earth’s fate and threatens the unique bond between Mother and her “daughter.”

I don’t know much about this film, outside of this official synopsis. This is Grant Sputore’s first feature-length film and it looks like it could be a good addition to the myriad of man vs. machine movies that we have seen since the origins of cinema itself. With Hillary Swank and Rose Byrne, artificial intelligence, and a dilemma over who to trust it sounds like this will be a fun ride for a stay in date night. It will drop on Netflix on June 7th.

Murder Mystery

This one isn’t going to win any awards, but maybe it’s worth a couple of laughs.

You’re probably thinking, are you serious Logan? An Adam Sandler movie? Direct to Netflix? Is this going to be another Ridiculous Six, The Do-Over, or The Week Of? With Sandler, it is always possible. He has given us some real stinkers over the years, but I still remember the good old days and I hope that maybe he is turning a corner in his career and really trying to make more quality films. I really enjoyed him in Noah Baumbach’s The Meyerowitz Stories. I know that he has good acting chops.

The same could really be said for Jennifer Aniston, however, I have usually enjoyed her films and I’m a fan. Add in Gemma Arterton, Luke Evans, and others in a good cast and give me a story that feels like it is pulled right from an Agatha Christie novel and I think we’ve got another good date night movie. Pop the popcorn and get ready to laugh with Murder Mystery dropping on Netflix on June 14th.

The Dead Don’t Die

Bill Murray in another Zombie movie! Sign me up.

If I asked 10 random people on the street to name 10 film directors I would bet a dollar a name that no one would mention Jim Jarmusch. He is an enigmatic and quirky individual who is extremely creative and has developed relationships all over Hollywood over the last 35 years. When I heard that he was producing a zombie movie with Adam Driver (who he directed in Paterson) I was instantly interested.

I had almost forgotten that Jarmusch is not a stranger to the horror genre. He created the vampire film Only Lovers Left Alive starring Tilda Swinton who also has a role in this. But when I saw the reclusive Bill Murray as the co-lead with Driver I was sold. The Dead Don’t Die will be hitting select theaters on June 14.

Beats

Shut up and take my money! Wait… this is on Netflix. Shut up and take my password.

We had a flurry of powerful African American led dramas last year. Beats looks like it might be bringing that game to Netflix. Anthony Anderson (Dre from the TV show Black-ish) plays a school security officer who goes looking for a truant student and finds a hurting young man who is gifted musically. He begins to support the boy and encourage him but will he push him too hard? Is he ready to put himself out there with wounds and trauma still so fresh in his mind?

This one will pull on the heart-strings and probably make you think about music, race, law enforcement, mental health, education, and who knows what else. I love living in this creative environment where it feels like much of the creative and unique storytelling is being done on these new media platforms while theaters still play a rich role as the only venue for amazing experiential blockbusters. I hope that we keep both and that they both continue to thrive and grow. I’m really looking forward to Beats and Netflix will be releasing it on June 19th.

Yesterday

What would you do if you were the only one in the world who knew the Beatles music?

Jumping to the end of the month, we see another very unique story coming from the incomparable Danny Boyle. If you don’t know his name just do a quick google search and great movies will explode all over your screen. He’s one of the most reliably great directors out there. If he puts his name on it you can be sure it is worth your time.

I just love this concept. I’m not familiar with the lead actor, Himesh Patel, but he has a beautiful voice from the trailer. Lily James and Kate McKinnon are always wins as well. It looks funny and romantic and the music is guaranteed to be fantastic unless they take Ed Sheeran’s advice and change Hey Jude to Hey Dude. That is potentially blasphemous. Yesterday will be playing in your local theater on June 28th.

What About Toy Story 4?

I intentionally left Toy Story 4 off this list because I am reverse anticipating it. I’m still upset with Pixar for not listening to me after I told them to leave well enough alone after Toy Story 3. They’ve gone too far. If Pixar can’t continue to innovate and create unique stories then they should just hang it up and not ruin the great films that they already made. I could be totally wrong and it could be amazing. I’m sure I will see it, but I have a sinking feeling that it is not going to be great.

What is your most anticipated release of June? What do you think about Netflix putting out some great original content? We cancelled our Amazon Prime and haven’t really missed it, do they have some new movies or shows you’d like to share? Leave it in the comments below or find me on Facebook, Twitter, or Instagram and we can chat.

Action, Comedy, Drama, Genre, Horror, Longform, Romance, Video

Is Action really a Genre?

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Watch this original trailer for Drive (2011)

If you watched the above trailer for Nicholas Winding Refn’s Drive (2011) and then went into the theater expecting a balls-to-the-wall action-filled crime drama you would not be alone. Many people did exactly this and were very disappointed in Drive even though it is one of the best movies of that year and even this decade. The problem here was genre marketing.

Filmmakers, marketers, and audiences usually have a good relationship and that trust is built based upon certain expectations which have been developed over the years. That is what a genre is, a set of conventional storytelling patterns and expectations which filmmakers purposefully use and exploit to communicate within the medium of film.

This is what most of the film was actually like. Notice the difference?

I don’t think they knew how, or took the time to try, to sell a character-driven art-house neo-noir drama which has very little dialog and extensive sections of long takes broken up with scenes of intense, disturbing violence. Instead, they included nearly all of the dialogue from the film in the trailer and cut it as a standard action flick. The studio even had at least one lawsuit over this discrepancy. This is one example of the importance of genre. As the medium of film has developed, many different genres have emerged and risen to popularity as culture changes and as storytellers mold life into art.

Four Master Tools

With that in mind, you shouldn’t mistake genre for one of the four main storytelling tools. You’ll often see a list of movie genres and right at the top of the list will be action. However, Action is not a genre. You say, “Of course it is! It’s on IMDb.” It’s even on the sidebar list of categories on this site. But I think this is because the field of genre theory has not been able to formalize the popular nomenclature. When people ask, “What kind of movie is it?” They are looking for a simple definition and often the easiest definition is the primary tool that is used. This doesn’t really work though so inevitably the film just gets compared to other films.

It’s easy to call a movie an It is a tool that has been used in all films since audiences were frightened by a train rolling into the station. Action is what differentiates a motion picture from still photography.

Poster for the movie "Pulp Fiction"
© 1994 Miramax − All right reserved.

The four master tools are:

  • Action
  • Comedy
  • Drama
  • Romance

Most films will use one of these tools primarily, but that does not make it a genre. These tools are employed and blended by master storytellers to create. Consider Quentin Tarantino’s modern-classic Pulp Fiction as an example, you can see bits of all four master tools blended together in a way that defied any kind of conventional genre. That is why it was and is called cutting edge. Tarantino created something new and I think he sparked a genre of films that have lazily been called Tarantino-esque.

Using Master Tools in a Genre

So then what is a genre, you ask? As I said before, a genre is a set of conventional storytelling patterns and expectations which filmmakers purposefully use and exploit to communicate within the medium of film. The list of genres is long and it will continue to get longer as time goes on and stories continue to be told in new and exciting ways.

Let’s take another example and flesh this out. Horror is a well-established master genre and several movies like Scream and Cabin in the Woods have outlined those genre expectations and conventions while still living within the genre itself, but let’s dive even deeper down into one of its sub-genres, the zombie film.

Victor Halperin’s White Zombie starring Bela Lugosi is widely considered to be the first zombie movie and it plays heavily on the horror genre tropes. Bela Lugosi was well known for his famous turn as Dracula in 1931. The marketers used this star power and genre recognition and actually refer to Lugosi as Dracula in the trailer.

Zombies became a feature of religion, folklore, and storytelling in Haiti during the inhumane conditions of slavery. Plucked from their home and forced into terrible conditions, the slaves saw themselves as zombies; Dead inside, forced to do the will of their master. We didn’t see the first Zombie film until 1932 with the Bela Lugosi film White Zombie. It plays on the Haitian folklore much more than modern zombie stories which were solidified by the popularity of George A. Romero’s Night of the Living Dead in 1968 where the term zombies isn’t even used and his follow-up in 1978’s Dawn of the Dead, where the zombies have now come to represent mindless consumerism. This is appropriate because it was the unfettered desire for consumer goods like sugar and tobacco that led to the rise of slavery in the Caribbean.

Today, zombie movies come in all different shapes and sizes and they use the four master tools to shape the story. We can take each of the tools and apply them to the genre to create very different movies. Most zombie films tend towards the action tool more heavily because of the subject matter of aggressive flesh-eating creatures. So, it’s easy to think of zombie action film like World War Z (2013).

However, you can look at the other tools and find examples where those have risen to the surface within the Zombie genre framework. If we look at drama, we have encountered another word whose definition is amorphous at best. Drama has become a junk-drawer term that catches any kind of film that doesn’t neatly fall into other genres. I don’t think the word is bad, but doesn’t every film have drama? Drama is the development of characters in a realistic setting. It involves emotion and relationships and tells a humanistic story.

With this definition, we can see that movies as varied as The Shawshank Redemption, 12 Angry Men, and The Social Network can all be defined as drama, but that does little to help anyone get a sense of what to expect when they sit down to watch. I would postulate that these films are prison-escape, courtroom-legal, and biopic respectively.

So let’s take this tool of drama and elevate it above action in a zombie movie? Rather than blood and gore and chase scenes, you will get the emotional weight of a father losing his daughter to a disease he doesn’t fully understand. In other words, you get a movie like the overlooked Arnold Schwarzenegger film Maggie (2015).

If you really wanted to be a nit-picker you could roll the tool of romance into drama because they are very similar. However, there is enough material and difference to separate them in my opinion. So if you turn the drama in a zombie movie to the specific romantic emotion you would get a very odd juxtaposition, but it’s been done to good effect in the 2013 zombie romance Warm Bodies.

And finally, when you ramp up the comedy in a zombie movie and explore some of the absurd or humorous parts of a zombie apocalypse you get a movie like Zombieland, or better yet Edgar Wright’s Shaun of the Dead (2004).

These are four very different films but they all share the same subject matter and storytelling conventions. The zombies may have risen in different ways and the fight against their spread might be shown more or less prominently but the heart of the story is the same. People have become mindless killing creatures and those who remain are trying to protect themselves while seeking a cure or safety.

I hope this helps you see the depth of variety that exists in the world of film. I’m working on a guide to genre that will breakdown all the major tropes that we see in film and give some names to everything from the absurdest of French new wave cinema to the most realistic of documentary.