[movie title=”Equilibrium (2002)” meta=”director|genres|actors|overview”]
If you are like me and are a fan of such books as Brave New World, 1984, and The Giver or movies like The Matrix, Logan’s Run, and Gattaca – Equilibrium is just the movie for you. In addition to a terrifying plot set in our very own future, the movie has beautifully choreographed action sequences and spectacular acting on the part of Christian Bale. I hate predictable movies and this one could have been predictable because it has a lot of things in common with other films of its time. This explains its dismal performance at the box office and even its negative critical reception, but I think Equilibrium is a worthy addition to the genre and presents a unique story that will keep you riveted in suspense the majority of the time.
The action takes place in Libria, a generic futuristic metropolis where peace reigns supreme after a ruler known as “the Father” has eradicated war, hatred, rage and jealousy by requiring all citizens to be dosed with regular injections of Prozium, a soul-deadening designer drug that erases all emotion.
Unfortunately, this also removed all joy, love and compassion from the world, but “to make an omelet,” right? Those who dare to feel are branded as “sense offenders,” sniffed out by “intuitive” government operatives, then snuffed out by special police forces.
Anyone who has read dystopian fiction will have images galore of which to feed off. Remember the book burnings in Fahrenheit 451? Here, all works of art and literature are incinerated, including the original Mona Lisa. I’m sure that some would say that this kind of sci-fi escapism makes them think, but thinking is allowed in this world. Feeling is what makes us human, and this drama begs us to feel.
The enforcers of this branch of the government are called “clerics,” clearly meant to be an anti-church sentiment. Christian Bale plays the highest-ranking enforcement official. His brooding demeanor suits his role as an enforcer turned rebel. He is able to smite dozens of armed men with his bare hands. Initially, you question the physics of such fights, but by the end of the film, I understood that Christopher Nolan must have seen this film. Have you ever seen the things that Batman does? Most of them are completely impossible, and many are implausible. But they are entertaining and we suspend our disbelief because the story is good. It is the same thing here.
This is definitely not a masterpiece. There are giant plot holes and parts which are laughable and don’t feel like they fit, but at the end of the day it was a good story about Batman saving a puppy. Pick it up from the $2 bin at Walmart and add it to your collection. It is worth the lesson that life is not worth living without emotion. So watch this film. Let it wash over you until you feel as grey as its stark landscape. Then take it as a reminder and go watch a real movie with exquisite beauty that will actually make you feel something. Because what are we if we don’t feel?
In Alien we follow a seven man crew en-route to earth on board the huge space freighter “Nostromo”. The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form…
The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement. The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn’t have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It’s a story about ordinary people facing true fear, which is the fear without a face. The fear we can’t understand and can’t negotiate with, because its only goal is to survive on the expense of us. It’s a story where some people bravely fight back whilst others are destroyed by the terror. It’s a story where people are killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest – not necessarily the most righteous – will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn’t just the Alien itself, it’s the entire atmosphere which gets so effectively under your skin, that you just can’t shrug it off after the end credits like you can with so many other Hollywood horror movies. The title “Alien” doesn’t just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie.
The movie features a blend of new characters as well as actors reprising their roles from the original movies as we join them 30 years since the destruction of the Death Star and the fall of the Empire. We are treated to Harrison Ford and Peter Mayhew as Han Solo and Chewbacca, Carrie Fisher as Princess turned General Leia Organa, and Mark Hamill even makes a brief albeit epic appearance as the nearly mythical Luke Skywalker. There are plenty of other visuals and references that caused the theaters to erupt with fanboys (and girls) gushing their praise. However, some have said that this film was too close to the originals and it should be called more of a reboot than a sequel. I disagree.
I see the presence of the original characters as a way to pass the baton on to a new generation as we step into new adventures. John Boyega as Finn, Daisy Ridley as Rey, Adam Driver as Kylo Ren, and Oscar Isaac as Poe bring a delightful on-screen chemistry reminiscent of the original trilogy but setting a course for a new direction. The new characters are at home in the Star Wars universe, nothing feels forced, and they welcomingly provide a lighthearted and fitting next generation of heroes. Both the old and new cast work beautifully together, and the result is a film jam-packed with classic banter, references to previous movies and suspenseful action.
I will not spoil anything here, though if you have waited as long as I did to watch the film you will need to watch out for sneaky spoilers already creeping their way into pop-culture. My recent favorite being Adam Driver reprising his role on Saturday Night Live as Kylo Ren becomes Undercover Boss.
I watched the 1997 film, Contact, again last night and I, like Ebert, was struck with its boldness as it seeks to weave together politics, faith, and science. As an HR Manager, I have advised employees that they would be better off not discussing those topics in the workplace because they are too controversial. I spent years speaking about faith as a pastor and I am unashamedly and evangelically Christian.