It is so hard to distinguish between the best movies of the year and the ones that I like to watch repeatedly. Sometimes they are one and the same. I absolutely loved The Perks of Being a Wallflower, but I have a feeling that my enjoyment of the movie is more about my personal connection than the actual worth of the film.
There are also several very good films that I consider extremely worthy of being considered the best of the year, such as; Lincoln, Life of Pi, The Master, and Silver Linings Playbook. They are honorable mentions, but unfortunately I had to cut it down to three.
It is already crowded at the theaters, but this weekend will bring 3 more wide releases and an indie flick expanding its number of theaters. Below you will find a quick overview of the new titles that you will see at your local theaters as well as my prediction for how this weekend will shape up as everyone is swimming to catch up with Dory who this week, just 12 days after release, became the fastest animated film to reach $300 million and it doesn’t look like much is going to slow her down.
Back in 1993, this little movie called Jurassic Park roared into theaters. What Steven Spielberg did with a shark 20 years earlier, he did again here with dinosaurs. I can’t recall whether I saw this film in theaters or not. I was only 10, so I doubt it, but I definitely remember watching it at home on VHS. This movie was right up my alley, I’m not only a geek over movies. I also really love science and although the science here is a bit of a stretch, I was only 10 and didn’t know better yet, so I ate it up. I could just imagine this actually happening in a few years time like the filmmakers were revealing this new scientific technique to the world and the archaeologists and biologists were watching saying, “why didn’t we think of that?”
Continuing on the idea of watching the best movies that you can find on Netflix, I come to Pulp Fiction. Of course, Pulp Fiction is the film that simultaneously shot Quentin Tarantino into elite directorial status and cemented his place as one of the most innovative auteurs of all time.
His screenplay is divided into three stories, each introduced with a title card. First, there’s the story of the hit man who has to take his boss’s wife out for the evening while her husband is away. There’s the story of the aging boxer paid to throw a fight and the quest to retrieve a uniquely special family heirloom. Finally, there’s two hit men in a messy situation that needs a quick solution. These three separate stories are intertwined and not told linearly. Each story could easily stand on its own as a short film, but told as they are, each adds a further dimension to the others. The non-linear progression is not simply a gimmick, but rather an essential aspect of the film’s narrative. Continue reading Pulp Fiction (1994)→