Tag Archives: Ryan Gosling

16 Most Anticipated Films of the Rest of 2018

With the collapse of MoviePass over the past few weeks, it looks like I might need to be a little more picky in my choice of movies. I’m still going to hold onto it and I will try to use it as often as they will allow, but with service outages just about every night and no access to new releases, it will definitely be limited. Before the AMC Stubs A-List people come out of the woods to accost me, my closest AMC is about 80 miles away, so that is a no go. I’m waiting to see if Regal announces any plans, but in the meantime, I have signed up for Sinemia which allows me to see three movies a month in any format.

With that in mind, I took a look at all the upcoming films for the remaining five months of 2018 and tried my best to whittle it down to my top 15 most anticipated. There are probably three times this many that I will actually do my best to see. A lot of these only have a limited release announced and the word of mouth before and performance during that run will make the difference in whether they will ever see a national roll out. So this is me doing my part to make sure I get to see them in my neck of the woods. 

Eighth Grade – August 3rd

I figured I would cheat right out of the gate and make this list 16 instead of 15. Technically, this one hit a few theaters in July, but it hasn’t been near me until now. I haven’t seen it yet, but I am really looking forward to it. Comedian Bo Burnham makes his directing debut as we follow teenager Kayla (Elsie Fisher) as she maneuvers transitioning from middle school to high school. From the trailer it looks like something wonderful that I am going to love.

BlacKKKlansman – August 10

Spike Lee’s latest movie, produced by Jordan Peele, follows the true story of a real black police officer, Ron Stallworth, who managed to infiltrate the Ku Klux Klan. This is the first I’ve ever seen of John David Washington who stars, but it also stars Topher Grace as David Duke as well as other big names like Adam Driver and Alec Baldwin. This one can join the list of 2018 films with a racially charged message (Sorry to Bother You, Blindspotting, and another coming up on this list).

Searching – August 31

I’ve heard good things about John Cho’s performance in this. It seems like he has the difficult task of holding it all together since it uses the same gimmick that we have seen a couple of times now (Unfriended), the whole movie occurs on a computer screen. 

The Predator – September 14

Director Shane Black (Hawkins from the first Predator movie), has taken the reins of the franchise for its latest chapter. Sure to be an entertaining viewing experience, the movie stars Boyd Holbrook, Olivia Munn, Sterling K. Brown, Keegan-Michael Key, and Jacob Tremblay.

The House with a Clock in its Walls – September 21

Jack Black is hit or miss. This could be bad like Goosebumps, but the kid actor (Owen Vaccaro) looks good and it seems like a cool concept. I’m more interested in this than the next Fantastic Beasts movie. That’s saying something considering the fact that I’m currently wearing a “Become an Obliviator!” t-shirt. 

First Man – October 12

Ryan Gosling and director Damien Chazelle join forces again after La La Land for this look at Neil Armstrong, the first man to walk on the moon. With Gosling as Armstrong, the movie delves into the dramatic events leading up to the historic launch.

Bad Times at the El Royale – October 12

Drew Goddard’s (The Cabin in the Woods) latest movie follows the lives of seven troubled strangers as they stay at a rundown hotel in search of redemption. Jeff Bridges, Chris Hemsworth, Jon Hamm, and Dakota Johnson lead this star-studded cast. This could easily be either my favorite of the season or a jumbled mess. There is a thin line between the two.

The Hate U Give – October 19

Based on an acclaimed young adult novel of the same name, we follow Starr (Amandla Stenberg) as she tries to figure out the right path after witnessing her childhood friend die in a fatal shooting by a police officer. It sounds like the teenage version of the recent firestarter, Blindspotting. It looks powerful. 

Can You Ever Forgive Me? – October 19

This is a rare serious role for Melissa McCarthy. I’m always up for watching an actor stretch their creative legs and show me something I haven’t seen before. Apparently, this comes from the true story of author Lee Israel who began forging letters from literary legends when her writing career was in the doldrums. If it’s really good, we could see nominations come award season. 

Bohemian Rhapsody – November 2

Rami Malek (Mr. Robot) plays Queen front-man Freddie Mercury in this look at the band before its legendary Live Aid concert. Queen is usually my answer when asked for my favorite band, and Mercury is a very interesting figure that should make for a good watch. If all goes according to plan, Malek is looking at some major award season consideration for this one.

The Sisters Brothers – November

The Sisters Brothers are John C. Reilly and Joaquin Phoenix. That’s enough to get me interested, but it looks like a dark comedy. This could easily be the year the John C. Reilly really breaks out. I’ve been waiting for it since Walk Hard.

Ralph Breaks the Internet – November 21

Six years after the original, Ralph (John C. Reilly) and Vanellope (Sarah Silverman) head off on a new adventure. This time they discover what’s out in the internet after finding a pathway through a wi-fi router. I’m hoping this is a sequel more like Incredibles 2 than Cars 2 or worse The Emoji Movie. It looks funny from the trailer and the internet creates a lot of fodder for humor, but my worry is that with as quickly as things move on the internet, this could feel stale by the time it hits DVD. 

Robin Hood – November 21

Taron Edgerton as Robin of Locksley back from the crusades with Jamie Foxx as his trainer/sidekick? Sign me up! We might be in for the best Robin Hood movie since Men in Tights.

Mortal Engines – December 14

Based on the Philip Reeve book, and written for the screen by Lord of the Rings director Peter Jackson, this film is set in a world where cities are forced to move around in a constant chase to avoid being overthrown. Essentially, this is a real life game of Agar.io. It looks amazing, but if it is too complicated, it could end up like Valerian and the City of a Thousand Planets. It also doesn’t really have many big names to anchor it except Jackson and Hugo Weaving. 

Alita: Battle Angel – December 21

I got worried when this film moved from a July date all the way back to December. Hopefully, this was so it could get away from juggernaut tentpole films and find a better viewership. I’m not familiar with the original manga also known as Gunnm, by Yukito Kushiro, but James Cameron has apparently been attempting to get a film adaptation made for several years. Now he has finally produced it with Robert Rodriguez (Sin City) directing. It looks like we can expect some amazing visuals. Let’s just hope this movie about a fighting cyborg girl has a bit more heart and substance than the Ghost in the Shell remake. 

Welcome to Marwen – December 21

Based on the intriguing 2010 documentary, Marwencol, about how a man copes with a brain injury through creating a 1/6th scale World War II-era town in his backyard, Robert Zemeckis takes that story and glosses it up with CGI. It stars Steve Carell in the lead role. I expect this to be top of some best of lists at the end of the year. But Zemeckis’ barbie doll CGI could turn some away. Only time will tell. 

Which of these is your most anticipated? What did I miss? Venom? Into the Spiderverse? Let me know what you’re looking forward to in the comments section below!

Best of 2017: Outsiders 11-15

Let’s continue to look at those just outside of my top ten of 2017. You can also read my #16-20. I’ve seen most of these on other people’s top ten lists and I think that they could all be up there if I was in a different mood. You’ll notice that on most of these mini reviews, I’m not focusing on technical merit or acting unless it was hands down better than anything else I’ve seen this year. Instead, I’m choosing my top films by selecting the ones that resonated the most with me. I hope that you will read my thoughts on these five and give me your thoughts. Link me to your top 10s, Tell me why I’m wrong or what I got right. Continue reading Best of 2017: Outsiders 11-15

2016 Best Movie Bracket

Not going to do a full post for this. I just needed to catch up since I started the Best Movie Bracket in 2016 and never got around to posting my bracket for the year. I posted my top 20 over at Letterboxd and it still holds up. I think it’s a pretty solid mix of populist and more obscure films.

The Dreamers of La La Land • Senses of Cinema

How do you make a happy movie in America without being jumped on? Either America has forgotten how to make uplifting films so deeply that a work like La La Land is, despite its uplifting façade, only a symptom of this malaise, or we have forgotten how to critically appraise such films without competing for the deepest and hardest cuts. Or maybe both.

Source: The Dreamers of La La Land • Senses of Cinema

Trailer: ‘Whiplash’ Director’s Musical ‘La La Land’

Yesterday, we got the first fantastic trailer for Whiplash director Damien Chazelle’s new Los Angeles-set musical La La Land. It looks great and I can’t wait to see it. Ryan Gosling stars as a jazz pianist who falls for an aspiring actress, played by Emma Stone, in the City of Angels. There’s lots of singing and dancing and it is just not something that we really see anymore.

I’m excited because this is the next film from Chazelle, who blew me away with Whiplash. So stop what you’re doing and watch this right now. Lionsgate is planning to release Chazelle’s La La Land in select theaters starting December 2nd this year, with a wide release soon after.

2011 Best Movie Bracket

Continuing our search for the Best Movie of all time, we come to 2011. Marching backwards to near the dawn of the decade, we saw some brave and creative work coming out of Hollywood. The Artist, a silent black and white film, swept five of the top awards at the Oscars including best picture, best director, and best actor. However, I did not see it as a brilliant work so much as a bit of nostalgia to feed to an industry which is extremely narcissistic.

Plenty of others could have made this list including three great Marvel properties (Captain America – The First Avenger, X-Men – First Class, and Thor) which set things running for the current spate of superhero films which we are all enjoying. We also had the end of the canonical Harry Potter franchise with The Deathly Hallows Part 2 even though Fantastic Beasts and Where to Find Them is trying to recapture that magic later this year. And I can’t forget Super 8, Melancholia, Moneyball, Source Code, The Intouchables, and The Help just to name a few. It was a good year, but let’s take a look at my top 3.

Continue reading 2011 Best Movie Bracket

2015 – Best Movie Bracket

From start to finish, many of 2015’s biggest news stories were centered around violence and terror threats and they showed a general sense of fear. The year began with a targeted terror strike in Paris and closed out with another planned attack in San Bernandino, California, proving that threats around the globe remain an issue for all.

However, much of the world found a place of solace at the theater amidst the fear and violence. 2015 featured a variety of films that showed the triumph of the spirit in the face of adversity, bigotry, and evil. Movies like: Southpaw, The Good Dinosaur, Joy, The Hunger Games: Mockingjay, Room, Avengers: Age of Ultron, The Revenant, The Martian, Mad Max: Fury Road, Star Wars: The Force Awakens, and Inside Out.

As fun and epic as the continuations of Mad Max, Star Wars, and Avengers were, there was not enough to set them apart and leave a lasting legacy. Leonardo Dicaprio deserved an Oscar for what Innaritu put him through in The Revenant, but the movie itself though stark and piercing didn’t create the effect in viewers that you expect from the best. The Martian was alternatively hilarious and harrowing, and Room ripped my heart out and slowly put it back together again, but there were a lot of really good movies in 2015. I keep coming back to three films from the year that will have some staying power. Here are my top 3 films of the year. Continue reading 2015 – Best Movie Bracket

The Nice Guys (2016) Review

The Nice Guys is to LA crime stories what Deadpool is to superhero flicks: at once a celebration and a send-up. That’s just the kind of storytelling moviegoers have come to expect from Shane Black, who directed the film and co-wrote it. Black has a history of blending irreverence and violence going all the way back to his legendary script for Lethal Weapon (1987). However, Black didn’t become a name until the release of Iron Man 3, which saw a lukewarm reaction from fans.

niceguysretro

Several years before that Marvel film, Black made his directorial debut, with the black comedy/noir Kiss Kiss Bang Bang, which is great. In many ways, The Nice Guys feels like a spiritual successor to Kiss Kiss Bang Bang. With twisty detective plots, style to spare, comedy as black as night, and a plethora of interesting characters, the films would make for a great double feature, and they showcase exactly where Black’s directorial strengths lie. Is this a family film? No way. Does it include scenes that some may find painful to watch? You bet. Will you be entertained? Thoroughly.

Continue reading The Nice Guys (2016) Review

The Big Short (2015)

When I think of the collapse of the housing market and the beginning of the Great Recession, I don’t immediately think of a comedy. Millions of hard working Americans losing their homes and pensions and having to bear the burden of a government sponsored bailout makes me think of a hard-hitting and moving drama. Well, The Big Short is both of those. It is more than a comedy, but it is also tremendously entertaining even while it made me really mad and sad.

Adam McKay took the directorial chair in this adaptation of Michael Lewis’ book. McKay has previously been known for a number of Will Ferrell comedies like Anchorman, The Other Guys and Step Brothers which kind of explains the tone of the film. Lewis has been responsible for writing a number of books that have made it to the big screen despite their traditionally dry subject matter, think Moneyball (another Brad Pitt Project) and to a lesser extent The Blind Side.  
The Big Short 2The Big Short
 is set in the years leading up to the financial meltdown of 2008 and tells the story of a handful of investors who saw it coming. Bitter humor (primarily delivered by an excellent narrator in Ryan Gosling) guides us through an educational journey that ultimately ends in tragedy (for everyone but our protagonists). The housing market is usually a rock-solid investment. But these guys read the signs and started suspecting that it was a skyscraper built on sand and it was getting ready to collapse. The “experts” of the day told them that it was impossible, That it couldn’t happen.

What was their argument? Because it never has. But they had no clue how blinded they had become by their own greed and self-interest. They continued giving loans to people, no matter if they’re qualified. And not just any loans but sub-prime adjustable rate mortgage loans. In some ways, it’s a horror story: We were all affected by the illegal and fraudulent activity that led to this downfall, and most of the culprits received no punishment (in fact many used the bailout money to give themselves substantial bonuses).

The most difficult subjects can be explained to the most slow witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him. – Leo Tolstoy, 1897

Despite its ominous and (let’s be honest) boring subject matter. The film is so entertaining, I had to go back and see it a second time. It sports a star-studded cast (Brad Pitt, Steve Carell, Ryan Gosling, and Christian Bale) effortlessly operating at the top of their game. McKay uses a multitude of techniques to tell the story. There are plenty of fourth-wall breaking moments and monologues, my favorite being Anthony Bourdain using a cooking metaphor to explain the disgusting product that is a Collateralized Debt Obligation. The Big Short 1There are jump cuts, slow motion, foreshadowing and flash backs. The filmmakers use any and all tricks to explain a complicated mess of financial underhandedness in order to help the audience understand, because as our narrator tells us, “Mortgage backed securities, subprime loans, tranches… Pretty confusing right? Does it make you feel bored? Or stupid? Well, it’s supposed to. Wall Street loves to use confusing terms to make you think only they can do what they do. Or even better, for you to leave them the f*** alone.” The banks, mortgage brokers, the credit ratings agencies and the government manipulated people in the nation and world into investing in worthless packages of bonds, and it behooves the director and writer, Adam McKay, to use all cinematic tricks to explain and untangle the financial corruption. The miracle is that the film deciphers the economic melt-down well while entertaining its audience.

The Big Short 3It would probably be a good time to compare this film to two other recent films which addressed similar issues but in very different ways. First you have the over the top Martin Scorsese film, Wolf of Wall Street. That film became known for the number of F-bombs it dropped while attempting to make the world of investing look cool. Then there was the Oscar winning documentary by Charles Ferguson, Inside Job. It had a cool narrator in Matt Damon, but you almost needed a degree in Finance to follow along as they explained the crisis and spoke to experts. I feel like Adam McKay sought to walk a like between these too films, it is not over the top in an attempt to be cool, nor is it preachy and heavy handed. It reminds me of a heist movie in the vein of Ocean’s Eleven, the casino gets taken for all it’s worth, but in the end the house still wins.

The Big Short 4I’ll let you watch the movie for yourself to get to know the awesome characters that McKay develops for us. As a middle-class worker, I could not have less in common with these guys, but dang it if I didn’t feel myself rooting for and empathizing with them. We’ve got a socially backward fund manager who blasts death metal in his office. The two young guys who started on their own fund while they were still in college. Knowing that they are out of their league, they call in the investing giant turned reclusive doomsday-prepper. Then there’s the hedge-fund manager (and his team) with a bad attitude toward banks.

I already mentioned that our tour guide is played by Ryan Gosling, he is a subprime specialist at Deutsche Bank who is certain things will crash. He’s slicker than a used car salesman, but convincing and hilarious. It’s difficult to root for them when that means rooting against the economy and your own wallet. But McKay uses their formidable talents and personalities in such a way that makes it nearly impossible not to.