Tag Archives: Guillermo del Toro

Fall 2017 Movie Preview: Drama Part 2

Sorry for the delay in getting the last part of this Fall Movie Preview finished and published. I live in Florida and things are a little bit crazy with Hurricane Irma preparations. There were just too many dramatic films coming out over the next few months to capture them all in one post.

You can read the first part here. Or read the other sections of the preview : Action/Adventure, Horror/Thriller, or Family/Comedy. I hope you’ll let me know which of these sound interesting to you and which you’ll wait to stream on Netflix.

November

LBJ – 11/10

The story of U.S. President Lyndon Baines Johnson from his young days in West Texas to the White House.

This was originally scheduled to come out in 2016. I don’t know the actual reason it was delayed, but I can only think that it had something to do with something else going on in the world of politics that was slightly more entertaining than history. There was also another film focusing on this period of time, Jackie. I for one would have never imagined Woody Harrelson as LBJ, and it’s directed by Rob Reiner (Princess Bride, A Few Good Men, and When Harry Met Sally).

Murder on the Orient Express – 11/10

A lavish train ride unfolds into a stylish & suspenseful mystery. From the novel by Agatha Christie, Murder on the Orient Express tells of thirteen stranded strangers & one man’s race to solve the puzzle before the murderer strikes again.

The second film adaptation of Agatha Christie’s most famous story of legendary detective Hercule Poirot. The 1974 film directed by Sidney Lumet is already legendary for its stunning cast and claustrophobic feel. This version looks like it is trying to capture that essence. I’m really excited to see what they do with it, and with a cast featuring the likes of Johnny Depp, Daisy Ridley, Willem Dafoe, Michelle Pfeiffer, Penélope Cruz, Kenneth Branagh, Judi Dench, and Josh Gad it’s going to have to try really hard not to be at least good.

Lady Bird – 11/10

The adventures of a young woman living in Northern California for a year.

Well, that’s not much of a description to go off. It should say something like, “Jackie from Roseanne (Laurie Metcalf) is raising a teenage daughter of her own played by Saoirse (it’s pronounced “seer-sha”) Ronan. She doesn’t feel like she belongs in the little Northern California town. She feels as though the walls are closing in. She longs to be on the east coast in a city where writers live out in the woods.” That’s a movie I want to watch. It looks funny and sad and warm and rich. Saoirse Ronan is a fantastic actress and is going to bring so much heart to the titular character of Lady Bird. The whole thing is written and directed by Greta Gerwig as something of an autobiography. Man, I love this time of year!

The Darkest Hour – 11/22

Within days of becoming Prime Minister, Winston Churchill must face his most turbulent and defining trial: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation.

A Winston Churchill biopic starring Gary Oldman. Need I say anything else? I mean, just look at that picture. He’s is a master of sinking into a role whether it is Dracula, Sid Vicious, Pontius Pilate, Sirius Black, or Commissioner James Gordon. Watch the trailer and see if you don’t get chills.

Molly’s Game – 11/22

The true story of an Olympic-class skier who ran the world’s most exclusive high-stakes poker game and became an FBI target. Her players included movie stars, business titans and unbeknownst to her, the Russian mob.

Idris Elba and Jessica Chastain are great, but I’m excited about this one because Aaron Sorkin is attached to direct. He adapted the book by the real Molly Bloom. Normally he is happy to write and have someone else direct, but this marks his directorial debut. What a cool story. It should be lots of fun and full of amazing lightning fast dialogue.

Call Me by Your Name – 11/22

It’s the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian boy, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

I’ve got this here because it is sure to get a lot of love from the LGBT community. It will be called groundbreaking and monumental. However, when it is boiled down it sounds like the story of a man taking advantage of a kid who is still figuring out who he is for his own pleasure. I just can’t get behind that. I’ll probably see it at some point because it will most likely be nominated for an Oscar but I’m not expecting much.

December

The Current War – 12/8

The Current War is the epic story of the cutthroat competition between the greatest inventors of the industrial age over whose electrical system would power the new century. Backed by J.P. Morgan, Edison dazzles the world by lighting Manhattan. But Westinghouse, aided by Nikola Tesla, has seen fatal flaws in Edison’s direct current design. Igniting a war of currents, Westinghouse and Tesla bet everything on risky and dangerous alternating current.

Benedict Cumberbatch, Michael Shannon, and Nicholas Hoult as Thomas Edison, George Westinghouse, and Nikola Tesla. The battle between alternating current and direct current. The trailer looks great with amazing cinematography playing with the light. If there isn’t at least one song by AC/DC in the film, it will be a missed opportunity.

The Shape of Water – 12/8

An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

This looks like it could be the best most innovative thing that Guillermo del Toro has done since Pan’s Labyrinth. I’m afraid that the creature (played by Doug Jones, look him up his work is amazing) is going to be too grotesque for mainstream audiences to get behind the love story aspect. It is kinda far out there and I just don’t now if we’re ready for it. Either way, I’m looking forward to it because it’s an original story that we’ve never seen coming from a visionary director with a star-studded cast. What do you think?

The Greatest Showman – 12/25

Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Apparently this musical based on the life of P.T. Barnum was supposed to come out last year around November or December, but they decided to wait to unleash Hugh Jackman’s vocal stylings on the world in part because of competition with a little movie called La La Land. I don’t think this will do quite as well, but it should be a feel good story with singing and dancing to end our 2017 on a positive note.

Phantom Thread – 12/25

Set in the couture world of 1950s London, the story illuminates the life behind the curtain of an uncompromising dressmaker commissioned by royalty and high society.

This is shrouded in mystery. We don’t have much to go off, but it is believed that Daniel Day Lewis will be playing Charles James. He will be teaming up with Director P.T. Anderson. The last time these two joined forces they created one of the best movies of all time in my opinion, There Will Be Blood. To add anticipation, Daniel Day Lewis has stated that this will be his last film. If that is the case, I sincerely hope he goes out with a bang and wins his 4th Best Actor Oscar.

Others to Watch:

My Friend Dahmer coming on November 3rd. Before Jeffrey Dahmer became a notorious serial killer, he was a shy, alcoholic teen who never quite fit in. Based on the acclaimed graphic novel by Derf Backderf, this is the true, haunting story of Jeffrey Dahmer in high school. This could be the start of a whole cinematic universe of teenage serial killers. Seriously, Ross Lynch looks disturbed as the young Dahmer. It could be a surprise success.

Roman J. Israel, Esq. coming on November 3rd. Denzel Washington stars as Roman Israel, a driven, idealistic defense attorney who, through a tumultuous series of events, finds himself in a crisis that leads to extreme action. Written and directed by the mind behind Nightcrawler, Dan Gilroy. This will be another heavily character driven role, like Fences, that Denzel can sink his teeth into.

Last Flag Flying coming on November 3rd. Thirty years after they served together in Vietnam, a former Navy Corpsman Larry “Doc” Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War. Steve Carell, Bryan Cranston, and Laurence Fishburne in a road trip movie directed by Richard Linklater (Dazed and Confused and Boyhood). It’s hard not to get a little excited for this.

The Man Who Invented Christmas coming on November 22nd. The journey that led to the creation of Ebenezer Scrooge (Christopher Plummer) and other classic characters from “A Christmas Carol.” The film shows how Charles Dickens (Dan Stevens) conjured up a timeless tale. Looks like it could be a good family film retelling the often told Christmas story through the eyes of the man who created it.

There will be other films that come onto the radar in the final months of the year and some of these will inevitably be pushed to 2018 but I think this is a very good list to work off as you prepare for the season and decide which films are the most enticing. Please let me know which ones sound great and which you will pass on. Now that I’m done with this, I may decide to make a calendar will all of the films I’ve featured listed by their release date. The obvious problem with that is many of these films will be limited releases and so they will likely not be playing outside of major markets for a week or two after their actual premier unless they are tracking very will and the studios believe they can risk a wider opening.

2006 Best Movie Bracket

What was the best movie of 2006? I’m going to change the way I do this a little bit. Normally I would share some information about the year and other movies that are honorable mentions in the first few paragraphs. However, I’m afraid that most of you are clicking away before you even get to the #1 pick.  So, I’m going to start with my top picks and I’ll try to pepper in more information about the year and other possible choices throughout my reviews.

3rd – Pan’s Labyrinth

From the innovative mind of Guillermo del Toro comes Pan’s Labyrinth. It is a coming of age tale of innocence and imagination. It is a story about a young girl who is other worldly. Like a crystal vase in a sea of tupperware, she doesn’t match her surroundings. Del Toro creates a fantasy world that is draws us in and leaves us feeling like a child who just heard a fairy tale for the first time.

A warning to my more language challenged readers, this film is in Spanish. It is subtitled. I don’t see that as a problem. I would like to hear why you do if you do. The story is set in Spain in 1944 following the Spanish Civil War. So really any language besides Spanish would feel forced and inauthentic. If you claim that you don’t go to the movies to read, then that is just laziness and you need to get over it. The story centers around Ofelia who is traveling with her pregnant mother. They are moving to a fascist command centre in rural Spain led by the fiendish Captain Vidal  who happens to be the father of the mother’s unborn child. Ofelia is the type of child whose imagination feeds her energy. Unfortunately, it is also her imagination that causes Ofelia’s disconnect with the real world.

Ofelia’s exploring leads her to meet a faun. This is the Pan of the English title of the film (del Toro has told us that that is not actually the faun’s name). The first interaction between Ofelia and the faun is revealing because Ofelia doesn’t draw back in horror at the sight of this creature, in fact she seems more comfortable in his presence that with her own mother. This fantasy is her reality and it becomes ours. Ofelia learns the fact that every little girl steeped in fairy tales has yearned to hear, that she is a long lost princess separated from her kingdom.

Half of the story plays out in this ominous and sometimes frightening dreamland. However, del Toro is using the other half of the story to give us a picture of good and evil. The real monster of the film is Captain Vidal despite his normal outward appearance. Let me be quick to say that this is not a kids movie. With the young protagonist and presence of fairy tale creatures it might be tempting to present this to a child, but violence play an important part in this film showing the harsh, unwanted situation that Ofelia’s real life presents her with and blood, guts, and broken bones are all present in this reality.

El Laberinto del Fauno (or Pan’s Labyrinth) is a gorgeously detailed and styled story with characters and creatures to love and despise. Del Toro gives me hope that imagination is not dead. However, it wasn’t the only imaginative film of the year. I would also check out: The Prestige, Little Miss Sunshine, Borat, The Fountain, Paprika, Stranger Than Fiction, The Fall, A Scanner Darkly, Idiocracy, Perfume and Science of Sleep. Perhaps there is still hope yet.

2nd – Children of Men

Children of Men is a near future science fiction film based on a 1992 P.D. James novel and directed by the ever versatile Alfonso Cuarón (Y Tu Mama Tambien, Harry Potter and the Prisoner of Azkaban, and Gravity). It is set in 2027, but there is nothing special about that date. It could just as easily be 2050, or 2019. It feels like it is just a breath away. Forget giant asteroids or alien invasions, Children of Men conveys a doomsday scenario that is realistically frightening and contemporary.

Mankind has become infertile, there has not been a new birth recorded for over 18 years. Devolving into chaos from the ticking clock facing everyone, the world has resorted to violence. Britain, the only country that still “soldiers on,” has closed its borders to the swarms of refugees (sound familiar?) Those that make it through the cracks, called “fugees,” are captured and deported. The country is now a completely totalitarian state with state police and surveillance cameras everywhere.

The war-torn atmosphere and the mayhem that seems to erupt out of nowhere convey the urgency and danger of the situation. All of it is captured brilliantly by Alfonso Cuarón and the incomparable Emmanuel Lubetzki. Without hope, people are resorting to their base instincts ad lust for survival. Theo’s quest to protect Kee becomes the only thing that matters. The revelation that she is pregnant means that she is fighting for the future of all mankind.

Clive Owen plays Theo as a very ordinary man. With the action in this film, he could have easily become a 007 knockoff, but instead we are left in the frightening mess with him and allowed to feel his fear. In the same way, it would have been easy to write the appearance of this pregnant woman as a miracle, but Cuarón never makes that mistake. It’s hard to categorize this film as either a rich thematic drama when it elevates into a high-octane action film. That is one of the best things about it. It is a great dystopian thriller that is one of the best things that we have seen from a talented young director.

There were a couple of other Science fiction or dramas that almost made this list, but came up just short. Other films to add to your watchlist for the year are, The Lives of Others, Babel, Blood Diamond, Apocalypto, Last King of Scotland, and Little Children.

1st – The Departed

This is why remakes shouldn’t be dismissed out of hand. The legendary Martin Scorsese with his screenwriter William Monahan have taken an okay Chinese film, Infernal Affairs, and breathed new life into it, framing it as an American epic crime drama. This is Scorcese’s best since Goodfellas and it deserves mention alongside Scorsese’s other most celebrated films Taxi Driver and Raging Bull.

I don’t want to go into the plot too far. The trailer goes a bit too deep in my opinion. I will just say that it is a high stakes game of lies, secrets, and hidden identities. This is among the greatest of ensemble casts of all time. We have headliners like Martin Sheen, Mark Wahlberg (Oscar nominated), and Alec Baldwin turning in superb supporting roles while Leonardo DiCaprio and Matt Damon shine under the leadership of a premier director. This was the role that skyrocketed DiCaprio into the stratosphere. He and Scorsese work so brilliantly together, this was the best work he had done at the time. This is an amazing return to form for Jack Nicholson. He relishes every moment before the camera with this diabolical confidence and intensity. I think it was criminal that he wasn’t even nominated for an Oscar.

Speaking of Oscars, The Departed did go home with four awards on that night. Best Picture, Best Director, Best Adapted Screenplay, and Best Editing. As far as crime dramas go, this is one of the best. Take note, this is a gangster film by Scorsese so there is a fair amount of violence and profanity. However, The Departed is somewhat tame in comparison to some of the director’s other films. It is entangling and highly entertaining, truly the best of 2006.

These posts are getting pretty long as I can’t help but write a full review for the film instead of just a quick snippet, so to help with this, starting with 2005, I will be posting my reviews separately and the Best Movie Bracket post will fairly short. It will link to my full reviews and will help explain why I chose one film over another.