Category Archives: Television

Mister Rogers and Grace in The Neighborhood

Just after he eloquently summed up God’s perfect law with the words, “You shall love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind, and your neighbor as yourself.” (Luke 10:27) This expert on the Jewish law challenged Jesus by asking, “Who is my neighbor?” (Luke 10:29) Jesus responded, as he often did, by telling a story.

The story he told was surprising to everyone who heard it. It was the tale of a man who had fallen on some particularly hard times and had been beaten, robbed, and left for dead on the side of the road. Who would be a neighbor to this poor helpless man? Perhaps a teacher of the law? No, he was far too busy and continued on his way. Maybe a Priest? No, he was worried that the man might make him unclean. But then along came a Samaritan.

Now, the Jews considered Samaritans to be half-breeds, products of the immoral intermarrying and religious blending that took place hundreds of years before during the Babylonian exile. For a Samaritan to even be mentioned in the same story as these well-respected religious professionals was shocking, but that he would be the hero was almost intolerable.

But that was Jesus’ point as he described the compassion which the Samaritan traveler had on the victim of this crime. He went out of his way to help him and bandage his wounds, he sat him on his animal and walked alongside until they came to a hospital, and even beyond that he took care of his bills and made a plan to return to ensure that he was well treated. At this point, the lawyer must have been seething at Jesus’ words, but he was trapped as Jesus asked, “Which of these three, do you think, proved to be a neighbor to the man who fell among the robbers?” He said, “The one who showed him mercy.” And Jesus said to him, “You go, and do likewise.” (Luke 10:36-37)

Won’t You Be My Neighbor

As the camera pans over the familiar model town, the yellow caution light flashes, and the piano notes sound, an inviting face opens the door to ask us, “Please, won’t you be my neighbor?” By performing this liturgy at the beginning of each of his 912 episodes, Mister Rogers was submitting to Jesus’ command to go and do likewise as he sought to be a neighbor to anyone who was hurting and confused. However, the invitation was also a confession that he needed a neighbor as well.

Fred Rogers did not see himself as a saint or a hero. He simply stood on his doorstep and offered the same unconditional love and grace to others that he knew he needed every day to survive. Mister Rogers was an ordained Presbyterian minister and he knew better than most that each breath that we take is evidence of God’s amazing grace.

Won’t You Be My Neighbor was easily the best documentary film of 2018 because Morgan Neville captured the essence of Fred Rogers’ mission to speak directly to the children of an entire generation and to help them cope with the fact that the world is a dark and scary place. He didn’t try to fool kids or entertain them. He leaned in to teach them, in a way that we are sorely lacking today, that things like death, divorce, and disaster happen and we can’t control them. But we can manage our feelings in healthy ways and talk about them.

https://www.youtube.com/watch?v=LDnDs1Rz4ZQ

I think we are experiencing this Rogers renaissance because we are lacking a voice that will speak to our children, and us as adults, to provide guidance through difficult and confusing times. And Fred Rogers would not want us to idolize him in this manner. Rather, he would challenge us to take up Jesus’ command to be neighbors to one another. After all, it’s hard to hate someone you just begged in song to be your neighbor.

A Beautiful Day in the Neighborhood

The new film, A Beautiful Day in the Neighborhood, directed by Marielle Heller, features Tom Hanks playing the iconic role of Mister Rogers. However, this is not another documentary. Instead, it places Hanks across from Matthew Rhys in the role of investigative reporter Lloyd Vogel. This character is a mixture of fiction and fact as the whole film is based on an Esquire article by journalist Tom Junod entitled, “Can You Say… Hero?” (beware of some adult language). However, it takes a good bit of liberty with the establishing storyline, creating a strained relationship between a father (Chris Cooper) and son, to build the stakes.

In the end, the film is really about this fictional Vogel family and Fred Rogers is a high profile side character who steps in and provides an open ear and an open heart. It is a very good story overall and I was moved several times through Hanks’ performance, but my major difficulty with A Beautiful Day in the Neighborhood is that it removes any mention of Jesus or really any religious teaching. This is somewhat understandable because it is told much like one of Mister Rogers’ episodes and he avoided spiritual talk on the air.

Unfortunately, if you remove Mister Rogers’ foundation of faith, it turns his desire to care for people and heal relationships into secular humanism at its best and it gives no foundation for the beautiful mission of his life. A lack of a foundation leads people to all kinds of wild and fanciful speculations about what skeletons he hid in his closet. Whether it be the oft mentioned Navy SEAL service or sleeves of tattoos hidden under those zippered cardigan sweaters.

What Would Mister Rogers Say Today?

In the midst of a presidential inquisition and constant bickering on Capitol Hill, I wonder what sage advice Fred Rogers would have. Providentially, Tom Junod shared an email that came from his lifelong correspondence in a recent article for the Atlantic explaining his involvement with the film and his relationship with Rogers. The subject of the email was what Rogers would say to the then-current impeachment hearings of Bill Clinton.

Last week I woke up thinking how I would like to go on the air and say something like “Whoever is without sin cast the first stone” or “The Lord’s property is always to have mercy” or some other outlandish thing, and then ask for a minute of silence to think about forgiveness for those who want it. In fact if our country could dwell on forgiveness for a while I think that would be the one real positive outcome of the pain which must be pervasive in the White House and beyond. I’ve already written letters to both the Clintons and the Gores saying that often “enormous growth comes out of enormous pain.” I trust that will be so for all of us. The attitude which makes me (sometimes physically) sick is the “holier than thou” one.

As always, Mister Rogers’ words are timeless because they don’t speak to the issues but to the underlying emotions and situation deep within the human heart. His answers are profound because they sound hauntingly like the words of Jesus who would remind us that to seek God’s kingdom means to love God first and to love our neighbor (even the one we don’t really like) from the overflow and to work for their good.

Oscar Outlook: Best Picture

The Oscars are almost here and I’m excited to talk about the biggest award of the night. We sit through all the other awards to see which film is going to take home Best Picture. I remember my father having a poster of all the Best Picture Academy Award winners from 1927 – 1991. I studied that list of films, many of which I had never even heard of, much less seen. But it gave me a sense of this world of films that I was stepping into at just 10 years old.

I remember watching Billy Crystal hosting that next year’s Oscars. I remember asking about some of these films that I was too young to watch and begging my parents to let me see them. My father was a collector of VHS films during those days and once I could get my hands on it, one afternoon as a latch-key kid, I remember watching the Best Picture winner of 1992, Clint Eastwood’s Unforgiven. I think 10 year old me probably would have ranked Aladdin above Unforgiven (35 year-old me might just do the same thing), but I was hooked and wanted more.

Since those days, I remember watching all kinds of films from Hitchcock and Kubrick to westerns and war films. I had developed a taste and would never go back. Perhaps this year, there will be another 10 year old boy who might watch to hear “Remember Me” from Coco, but will stay up late to hear the proclamation of the Best Picture of the year and might ask his parents if he can see Dunkirk or Lady Bird. The Oscars are a love letter to the cinema that we adore so deeply and cherish so fondly.

Best Picture

And the nominees are…

  • The Shape of Water
  • Three Billboards Outside Ebbing, Missouri
  • Darkest Hour
  • Call Me By Your Name
  • Dunkirk
  • Get Out
  • Lady Bird
  • Phantom Thread
  • The Post

Who Will Win

When nominations were first announced the clear favorite seemed to be The Shape of Water. However, it seems that the tides have turned towards my pick which is Three Billboards Outside Ebbing, Missouri. I’m happy with this change because I did not enjoy The Shape of Water as much as many of my movie loving friends. Three Billboards, on the other hand, has grown on me and found itself squarely in my top five movies of 2017. It could very easily be the big winner of the night with Best Picture, Actress, and Supporting Actor. What a shame that Martin McDonagh was not even nominated for direction. This original screenplay is also nominated but will most likely lose to Get Out.

Outside Chance

Of course, it is very possible that The Shape of Water could hold onto its original popular sentiment and win. The film is gorgeous, but I think Guillermo Del Toro’s Pan’s Labyrinth was so much better. I would be shocked if Get Out squeaked away with the victory, but it is not out of the realm of possibility. I really enjoyed Get Out, it was one of the best theater going experiences of the year. It is currently ranked just below Three Billboards in my top 10 of 2017.

Who Should Win

This is probably cheating, but if I had one wish, it would be for Warren Beatty to come out with Faye Dunaway for their second chance to announce the Best Picture award after last year’s fiasco, and I want him to rip up the ballot and declare that The Florida Project is the best movie of the year. It is available for streaming right now on iTunes, and many other sites. It has so much heart, imagination, and despair all wrapped up in a seedy hotel nestled just off I-4 in sunny Orlando, Florida just outside the Happiest Place on Earth.  Watch the trailer below and try not to fall in love with Brooklyn Prince and forget everything you ever though you knew about Willem Dafoe. It was criminal that his performance was their only nomination. This was the only glaring snub that I saw this year.

What do you think? Who will take home all those little golden statuettes tomorrow? Do you care? Will you even be watching? Do you remember some of the first movies that made you love film? Share with me below or send me a message on social media.

Oscar Outlook: Male Performance

What’s happening on Sunday night? That’s right. It’s time for the 90th annual Academy Awards more commonly called the Oscars. The one television program that I make arrangements to watch every year. It is a night to celebrate the movies and to a lesser extent, politics, and other social issues. This is the very reason that I have to watch this without my wife.

Let’s keep looking at the nominees in the major categories, because nobody is talking about Best Adapted Screenplay at the water cooler on Monday, that is unless Logan pulls off a major upset to beat Call Me By Your Name. Instead, all eyes are on the big awards like the two male performance categories that we are going to look at in this post.

Best Actor

And the nominees are…

  • Timothee Chalamet in Call Me by Your Name
  • Daniel Day-Lewis in Phantom Thread
  • Daniel Kaluuya in Get Out
  • Gary Oldman in Darkest Hour
  • Denzel Washington in Roman J. Israel, Esq.
Who Will Win

This is another category with a clear favorite. Gary Oldman will most likely take home his first Oscar on Sunday night after already winning the SAG, BAFTA, and Golden Globe. I loved Darkest Hour. I’m a fan of history (when presented to me in 2-3 hour segments in a dramatic way). When I first saw the makeup that transformed Gary Oldman into Winston Churchill, I was amazed and knew that we were going to see them nominated and probably winning for Best Hair and Makeup.

After watching the film though, I forgot it was Oldman under that makeup. I was completely enthralled with the story and sold on his passion and eccentricities. Oldman is known for being immensely flexible in his range and he has sunk deeply into characters before. Think of Dracula, True Romance, Sid and Nancy, and many more, but he has never been this electric and transparent in such an accessible and moving film.

Outside Chance

There are some rumors that the new kid on the block Timothee Chalamet could pull an upset. I think this is highly unlikely. While Call Me By Your Name does tick a lot of the Oscar’s boxes for being relevant politically and socially, when those anonymous votes get tallied, I don’t think the voters  ) find a majority to vote for the most pretentious and self-indulgent movie of the year. Fun fake fact: Peach sales have increased by 15% since the movie’s release.

Who Should Win

The Academy is probably trending towards the correct choice at this point. Part of me would love to see Daniel Day-Lewis take home his fourth Oscar in six nominations. That would give him the best nomination/win batting averages of those with more than five nominations. Compare that to Meryl Streep with her 21 nominations and only three wins. No offense to either Daniel Kaluuya or Denzel Washington who I thought were great in their roles but they don’t have a chance of winning.

Best Supporting Actor

And the nominees are…

  • Willem Dafoe in The Florida Project
  • Woody Harrelson in Three Billboards Outside Ebbing, Missouri
  • Richard Jenkins in The Shape of Water
  • Christopher Plummer in All the Money in the World
  • Sam Rockwell in Three Billboards Outside Ebbing, Missouri

Full disclosure: This is the only category in which I still have a blind spot. I missed All the Money in the World so I can’t comment on Christopher Plummer’s quick exchange for Kevin Spacey. I’m going to try and catch it before Sunday. I’m sure he is wonderful, but part of me thinks this is one of those political statement nominations.

Who Will Win

Sam Rockwell is the odds on favorite to win this and I couldn’t be happier for him. I’ve been keeping an eye on him ever since I saw him play Guy in Galaxy Quest back in 1999. Then when he played Zaphod Beezelbrox in Hitchhiker’s Guide to the Galaxy I loved it. But his breakout role was for Duncan Jones criminally underrated sci-fi thriller Moon. Perhaps after he gets the win people will know him by his name instead of “you know, that one guy.”

Outside Chance

As much as I like Sam Rockwell and would love to see him win, in my heart of hearts I want to see Willem Dafoe pull out the victory for his role in the film that affected me more deeply than any other this year. Sean Baker’s The Florida Project was humanistic and rich. Dafoe plays an On-Site Manager for a small slum hotel called the Magic Castle in the shadow of Orlando’s Disney World.

The film was created with many non-actors, and actual residents of the hotel. I was shocked when this wasn’t even nominated for Best Picture because it is worth that accolade and more. There has been some groundswell of support for him in recent days, but I ultimately think that it was just too small of a film to make the impact that the Oscars are looking for.

Who Should Win

Rockwell and Harrelson both provide quality supporting roles to Frances McDormand’s powerhouse performance, but I’m going to go with the little guy and and say that Willem Dafoe should win this category for his supportive and compassionate father figure.

This is all just my speculation and it is all about what amounts to a fancy human horse race. The Academy invariably gets things wrong, they vote based upon popular tides and political leanings. They vote to make statements, and often that means that the true best of the year go by overlooked and under appreciated except by those of us who champion them. Let your voice be heard! Sound off in the comments below or find me on any of the major social media platforms and let’s talk about movies (or other stuff… but mostly movies.)

Oscar Outlook: Female Performance

The Oscars are on Sunday night. I want you to be informed about all the nominees and the stories surrounding their movies and nominations. That way you can be well informed at your Oscar party as you stuff your face full of hors-d’oeuvres.

There is an entire debate about whether or not the Actor and Actress categories should be combined or left separate. I don’t want to get involved in the politics of it, but I do like having separate categories because it means that we can recognize more performers for their craft. In this post, I’m going to look at both the race for Best Actor who happens to be a female and best Supporting Actor who happens to be a female.

Best Actress

And the nominees are…

  • Frances McDormand for Three Billboards Outside Ebbing, Missouri
  • Saoirse Ronan for Lady Bird
  • Sally Hawkins for The Shape of Water
  • Margot Robbie for I, Tonya
  • Meryl Streep for The Post

Who Will Win

Frances McDormand is the hands down favorite to win this. Honestly, anyone else would be a shock. Three Billboards has grown on me the further I have gotten away from watching it. The film itself had a bit of controversy early on because of its somewhat flippant attitude towards racial violence. However, it lingers and invades in a good way and much of it is due to McDormand’s performance as a tortured mother who lost her daughter in a tragic way and is seeking justice in unconventional means.

This is her 5th nomination, and if all goes according to plan, it would be her 2nd win since her victory for her role in 1996’s Fargo. She has already taken home the Screen Actor’s Guild award, BAFTA, and Golden Globe for this performance, it is hard to think that the Academy will push against this wave of support.

Outside Chance

I guess technically McDormand split the Golden Globe with Saoirse (pronounced “Seer-sha”) Ronan. McDormand won for a dramatic performance and they called Lady Bird a comedy/musical. It’s possible that Saoirse could sneak in to win this, but anyone else is pretty much a statistical impossibility. But it is an honor to just be nominated, right?

Who Should Win

I’m not going to fight this one either, McDormand gave the female performance of the year in my eyes. She commanded the screen and left us broken with her. However, if we take that amazing performance away, I think we would be having a heated race between Saoirse Ronan for her coming of age Lady Bird performance and Margot Robbie as Tonya Harding in I, Tonya. All three of these films are in my top 10 of the year and all are deserving of much credit and praise.

Best Supporting Actress

And the nominees are…

  • Mary J. Blige for Mudbound
  • Allison Janney for I, Tonya
  • Lesley Manville for Phantom Thread
  • Laurie Metcalf for Lady Bird
  • Octavia Spencer for The Shape of Water

Who Will Win

If there were odds on this race, Allison Janney would be so far out front that I could lose money if I bet on her. Regardless, she deserves it! If you haven’t seen I, Tonya because you hate ice skating or whatever or the true crime drama kind of thing, then just watch it for the 5-6 scenes that we get with Allison Janney playing the acidic mother of Tonya Harding. She does more to elevate Margot Robbie’s performance as Tonya than Margot could have ever done on her own. That is why they call it a “Supporting” actor.

Outside Chance

If it comes out this week that Allison Janney is a cannibal and was somehow responsible for the death of Mr. Rogers, she would still win. Not just because voting is already completed but because she is that good.

Who Should Win

Are you listening? Allison Janney should win!

But if we are discounting her, then this would be between Laurie Metcalf as the Mother Bird to Saoirse Ronan’s Lady Bird and a subtle but tenacious performance by Lesley Manville as the sister of the unique and exacting character that was Daniel Day Lewis’ lead character in Phantom Thread. I obviously knew Laurie Metcalf from Roseanne ages ago, but Lesley Manville, I had to look up to see what else she had been in that I had missed. She was my favorite part of that film.

What do you think? Will the stars align for both of these favorites so they leave the stage grasping gold or will there be a shocking upset that we will all be talking about on Monday? I want to hear your opinions. It’s no fun just talking to myself. Let’s start a conversation here or on any of the major social media platforms.

Oscar Outlook: Best Director

The 90th Academy Awards are this Sunday night. I’ve already made my picks on a couple of the contest sites including the Official Oscar Challenge and Gold Derby where you can play the odds on all kinds of entertainment contests. If you’re feeling old fashioned, you could just print out a ballot and pass it around your office this week. Whether you are going to a fancy Oscar party or just watching in your pajamas, it’s always fun to play along.

With that in mind, I thought in these few days leading up to the biggest night in Hollywood, I would take a few minutes to look deeper at the top categories. Best picture, the four top actor nominations, and of course…

Best Director

Among most of my non-movie friends the Best Director category holds just as much mystery as the Best Production Design might. “Normal” people don;t go around talking about movie in terms of their director. Oftentimes they go unnoticed in the background, and that is how most of them would like to keep it, the exceptions being those few directors that almost demand that their name be read before their movie’s title, like Lee Daniel’s The Butler.

I however, directors do so much to create the films that we see everyday, it is good that they have a few moments in the sun to take credit for the pictures that they have painstakingly collaborated and toiled for years to create.

Even if you have no idea who these people are, you should at least be happy that this isn’t a panel of old white guys. That’s what we usually see, but with last years Oscars so white controversy we have a great deal more diversity this year. I think it certainly helps those efforts that many of the best pictures of the year came from diverse sources and were made by a varied group of individuals. This is a good thing because we need to see films highlighted that reflect our country’s population.

Without further ado, the nominees are…

  • Christopher Nolan for Dunkirk
  • Jordan Peele for Get Out
  • Greta Gerwig for Lady Bird
  • Paul Thomas Anderson for Phantom Thread
  • Guillermo Del Toro for The Shape of Water

Will Win

There is not a doubt in my mind that Guillermo Del Toro will take home the gold on Sunday night. We’ve seen a trend of Hispanic Directors over the last few years with Alejandro G. Innaritu and Alfonso Cuaron. Del Toro should have been Nominated (and probably won) for Pan’s Labyrinth. That movie was better than this one, but the Oscars have a way of righting past wrongs through new awards. See John Wayne’s only Oscar for one of his last films, a good role in True Grit but far from his best.

Outside Chance

If the Academy voters are keen to just hand out diversity nomination but not awards, they could give the trophy to Christopher Nolan for Dunkirk. I think that would be the wrong move, Dunkirk is not Nolan’s best film by far, but he’s been snubbed previously and they could try to make up for that.

Should Win

I’m not one for pandering, but I would love to see either Greta Gerwig or Jordan Peele take home the win. They are only the 5th nominee that is female or African American respectively. Gerwig would be second only to Katherine Bigelow who won a few years ago for The Hurt Locker.

However, my should win has to go to Jordan Peele for his outsanding Directorial debut in the completely original and seamlessly crafted Get Out. He weaved comedy, drama, horror, and political satire into one massively entertaining film and seemingly didn’t even break a sweat. I’m looking forward to what we will see from him next. Part of me wishes the Oscars had a category for best new director so he could at least get full credit there., but unfortunately, he would still be up against Greta Gerwig and the juggernaut that was Lady Bird.

What’s Your Pick?

Who do you think will win? What was your favorite of the year? Do you think that it’s a good thing that we are seeing more diversity represented in these awards? Let your voice be heard in the comments below.

Stranger Things – Must Stream TV

I don’t talk about TV a lot because I generally lose interest in a series after a good season because I struggle to make the leap to the new season the way the same way I struggle to enjoy most sequels. Now, this certainly isn’t always the case. Some shows are serials and their arcs are really just the length of one episode with larger overarching stories that carry through the entire season. I think about great comedies that I have loved like Boston Legal in which we were drawn into a legal case or two that have relevance to the current political or social climate then we get resolution, but during the episode we learned a detail about one of our main characters that gives us deeper insight into who they really are.

Overall, I’m one of those people that trusts the TV creators to know when to call it quits. However, I have been burned so many time by a 3rd or 4th season that wanders aimlessly because the creators wanted to make a dollar off the success of their creativity in the first two seasons but ran our of creative things to do narratively with their characters.

If you are reading this to find out more about the original Netflix series Stranger Things then you may be disappointed because I’m not going to tell you anything about the story or what it’s about. I want you to walk into it blind. I seriously hesitated in even putting the trailer here, but it is good to show you at least the basics of what you’re getting into with this 8 hour saga.

https://www.youtube.com/watch?v=XWxyRG_tckY

That’s right this is just 8 one-hour long episodes, so it is very binge-able. If you miss an episode, you will be lost, so watch it with your partner or else you will be answering questions half way through when they get sucked in too. I do want to make some comparisons. A lot of people are comparing Stranger Things to Spielberg films like E.T. and The Goonies, and a lot of Stephen King novels. I think the best comparison would be this: Stranger Things is what J.J. Abrams would have done with Super 8 if he had decided to make an 8 hour movie.

What Super 8 did was pay homage to Steven Spielberg’s brand of 1980s storytelling through the eyes of intelligent and adventurous children on the cusp of puberty. Stranger Things brings the same cast chemistry that I loved but with a lot more nostalgia and a fully fleshed out story. I kind of hope that the next season starts completely fresh with a new story and lets this season remain right where is ends, like a Stephen King anthology or Amazing Stories.

1118full-stranger-things-screenshot

The kids in Stranger Things are fantastic, I don’t want them to be known as “child actors.” They’re smart, fun, and they feel like they’re actual friends which we have captured in this story. Their performance is realistic. I’m sure the actors grew close while filming Stranger Things but it feels like they’ve really grown up together.

I highly recommend Stranger Things. The music, the acting, the story, and its ambition is fantastic. It is the best original show I’ve seen in years. If you’re a fan of Spielberg, Stephen King, or J.J. Abrams (or just a fan of good television), you should watch Stranger Things on Netflix before it gets spoiled for you.

2016 Oscar Picks

I’ll be updating this throughout the show! How many did I get right? 15 out of 23!

That was the best Oscar awards I’ve seen in a year!

I thought that after Innaritu and Lubetzski won Director and Cinematographer that The Revenant would be a lock, but Spotlight pulled it out. It is a great film, up there with the best of all time.

After 6 nominations, Leonardo DiCaprio finally got it!

One last plea, if you haven’t seen “Room,” do not miss it. Brie Larson and Jacon Tremblay were fantastic.

Continue reading 2016 Oscar Picks

Day 06 – 30 Day Movie Challenge

Favorite Made For Television Movie

I am six days into the 30 Day Movie Challenge and I have remained faithful. But today presents a couple of obstacles. First, it is Wednesday and this is the one day a week that I take my kids to school. I choose Wednesday because that is Chapel day and I can sit with them as they sing and dance. It reminds me of an opening rally at VBS. I am writing this as I wait for chapel to begin, but this will delay me from my blogging time until about 10am. Add to that the very obscure topic for today, and it really does present a challenge.

I don’t recall ever purposefully watching a made for TV movie. I might have stumbled across one and watched a few minutes, I remember my mom and dad planning to watch and recording Hallmark movies when I was in High School, but I never found those sappy melodramas entertaining. Doing some searches for what others have said, I came across several that I had never seen but have now added to my want to watch list. I Know My Name is Steven was one that looked interesting, also Brian’s Song, Sybil, The Day After, RKO 281 – The Battle Over Citizen Kane, & The Boy in the Plastic Bubble.

Last week when I posted this challenge and began looking down the list and making my picks, I saw this one and drew a complete blank. So I began to ask the people that I work and go to church with, and I wasn’t the only one who drew a blank, but one of them had a suggestion and I found it on some other people’s list. This piqued my interest enough to find a copy and watch it. It’s called Door to Door, it was a TV movie from 2002 that aired on TNT. It was nominated for 23 awards, including 2 Golden Globes, and won 13 (including 6 Emmys). William H. Macy is Bill Porter in this inspirational story about a man afflicted with Cerebral Palsy who manages to become a successful door-to-door salesman with a career spanning four decades: from 1955 when he gets his first shot at being a salesman for the Watkins company to 1997 when the door–to-door division is all but dissolved. Macy nails the role with absolute brilliance, and Helen Mirren is stunning as his supportive then ailing mother, and to top it off, we get a young Kyra Sedgwick playing the bright-eyed Mormon college student who helps Bill with his business and becomes his friend.

Unfortunately, Door to Door is so coated with saccharine sweetness that it almost seems like a project that may have been intended for Lifetime. The story-lines involving Porter’s customers and how their lives were changed by him are certainly inspiring, but one must also wonder if they actually did happen. I was most intrigued by the story-line involving the gay couple and an obvious insinuation that one of their friends might have been afflicted with the AIDS virus. This was never resolved and seemed a little misplaced. Also, what is probably the films most quotable line, “God created us all, Shelly. He doesn’t make mistakes,” is in relation to this couple. The fact that this little bit of tolerance propaganda was tagged on kept this from being a really great film. But it doesn’t keep Door to Door from being a really an inspirational story that I still recommended for those who are sick movies about things getting blown up or people getting peppered with bullets.

Do you have any favorite made for TV movies. If so, please leave your recommendations in the comments below or on Twitter or Facebook.