Category Archives: 2010s

The Perks of Being a Wallflower (2012) – Not New Review

Every Wednesday, I post a review of a movie which is not new (no less that 2 years since release). In general, these will be movies that I enjoyed watching and in some cases have seen multiple times. This is primarily because, unlike many critics, I don’t enjoy spewing invective. Instead, I like to think about and spend my time on movies that I liked. That being said, I tend to like a wide range of films and I hope that some of my tastes match your own. I will freely reveal major plot points and spoilers in these reviews, but I will do my best to warn you or to [su_spoiler title=”Spoiler Hidden”]hide the spoiler material behind a shield.[/su_spoiler] With that being said, let’s get to the review.

perks3

The depiction of high school life in The Perks of Being a Wallflower really isn’t all that different than it was in 1985 when John Hughes’ The Breakfast Club highlighted how even though we are all dysfunctional, we all have worth. In fact, the immortal words of The Breakfast Club’s resident jock Andrew Clark could practically be Wallflower’s chief thesis: “We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.”

Writer/Director Stephen Chbosky, who also penned the best selling novel of the same name, captures the high school years in all their awkward glory. He definitely has his finger on the pulse of the joys, fears, and angst that most high schoolers deal with. Charlie (Logan Lerman) has already been through a lot outside the classroom. Ever since his best friend committed suicide and his favorite aunt died in a car crash, he’s simply been unable to cope. He can’t seem to shake a sinking feeling of utter hopelessness. Add to that, the bullying, hazing and cruel antics of high school and it’s no wonder then that Charlie already has a running countdown to graduation. Just 1,384 more days, and he’s free.

Perks1

Logan Lerman is great as the understated lead. I see Charlie as a Holden Caulfield for the MTV generation. He mostly keeps his thoughts to himself and blurts them out passionately and awkwardly when he does choose to express them. Lerman shows something special that was missing from his Percy Jackson portrayals in this nuanced performance. He refuses to make Charlie pitiful when he has every right to be. I could not help to get knots in my stomach as he takes each step forward with uncertainty. It just feels genuine like the rest of the film.

The movie takes place around 1991, before cellphones and social media monopolized teenage communication. This absence underscores the incredible generational divide that has opened up in so short an amount of time. Check out the clip below to get a sense of the emotional climate of the movie. There are definitely funny portions, but overall, this is a gut-wrenching film which wrestles with a very complicated time of life. Perhaps it just rings true to me because I was a misguided 90s teenager listening to 80s bands and looking for my place in the world.

Charlie embarks on his first days of high school as an old soul who has no friends apart from his English teacher Bill (Paul Rudd) who feeds him tons of great books to continues to feed his love of reading and writing and provide him some guidance along the way. Bill is one of my favorite characters and he gets to answers the ultimate question of a teenage boy, “Why do some girls settle for losers?” Profoundly, he states his answer in a way that I think guides the rest of the story, “We accept the love we think we deserve.”

Soon however, Charlie stumbles into a group of friends who are just as messed up as he is. None of them are particularly good influences, but they give him something that he’s been looking for… belonging. They include the wise-cracking, constantly philosophizing homosexual Patrick (Ezra Miller) and the angry punk-rocking Buddhist Mary Elizabeth (Mae Whitman). But the most influential is the girl. All of you guys know what I mean when I say the girl, she makes him forget some of his troubles and pushes him to be the best version of himself. Being a big fan of Harry Potter and especially Emma Watson, I was excited to see how she did on her first non-Hermione role and she was stunning. The camera loves her and she even nails the American accent.

Perks2

This girl named Sam takes an interest in Charlie’s well-being and welcomes him to the “island of misfit toys,” where they can all “be psychos together.” Charlie describes Sam as “the kind of pretty that deserves to make a big deal out of itself,” but Charlie is immediately drawn to the fact that she doesn’t see herself that way. She seems out of place with this group until we learn her background and realize that like some of The Breakfast Club, she just does a better job at hiding her dysfunction. Naturally, he falls for her, even though she’s three year his senior and is currently dating a jerk who is more than a few years older than her.

As the credits rolled I felt somewhat uplifted, even though it is a dark film. Its PG-13 rating comes from sexually suggestive scenes (mainly springing from the groups’ fascination with the Rocky Horror Picture Show), heavy themes (including sexual abuse), and drug use. It’s fair to say the film’s content is less than wholesome. But the content alone shouldn’t determine the value of a work of art. The important thing is the way the film interacts with, speaks to, and frames that content that really matters. It is from this perspective that I think The Perks of Being a Wallflower is an excellent movie.

For the characters, salvation comes through love and the conscious decision to enjoy life in the moment. Though faced with the unbearable darkness that often finds us in life, these characters find healing as they cling to the love they share and find meaning in the moments in which they feel most alive. Some of the most memorable scenes involve Sam and eventually Charlie standing up in the back of a pickup, arms spread and head back, listening to just the right music, as they speed through a tunnel. They are embracing the meaning of life as it hits them in that moment, and this meaning carries them through the dark moments. Too often, we let life’s unbelievably rich moments pass us by as we focus on trivialities or get so caught up in finding a grand purpose that we miss the meaning and glory in the small things. Perks of Being a Wallflower is one of those small things. Don’t let it pass you by, and keep the tissues close.

New on Blu – Zootopia and Anomalisa

13-Hours-The-Secret-Soldiers-of-Benghazi-poster-4Every week dozens of movies are released on Blu-Ray, DVD, and streaming services. I want to help you find the best Blu-Rays to add to your collection.

This week we have four films that will interest most people. To see all the movies that are being released you can visit Metacritic.

13 Hours: The Secret Soldiers of Benghazi

  • Rated R
  • On Sept. 11, 2012, Islamic militants attack the U.S. Consulate in Benghazi, Libya. Stationed less than one mile away are members of the Annex Security Team, former soldiers assigned to protect operatives and diplomats in the city. As the assault rages on, the six men engage the combatants in a fierce firefight to save the lives of the remaining Americans. Directed and co-produced by Michael Bay, based on Mitchell Zuckoff’s 2014 book.
  • Starring: Alexia Barlier, David Costabile, David Denman, James Badge Dale, John Krasinski, Max Martini, Pablo Schreiber, Toby Stephens

Hail, Caesar!

hail-caesar-quad

  • Rated PG-13
  • The latest from the Coen Brothers. In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn’t enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic “Hail, Caesar!” If the studio doesn’t pay $100,000, it’s the end of the line for the movie star.
  • Starring: Alden Ehrenreich, Channing Tatum, Frances McDormand, George Clooney, Jonah Hill, Josh Brolin, Ralph Fiennes, Scarlett Johansson, Tilda Swinton

Zootopia

Zootopia

  • Rated PG
  • From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps (Ginnifer Goodwin) becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde (Jason Bateman), a wily fox who makes her job even harder.

Anomalisa

anomalisa-poster

  • Rated R (Definitely not an animated film for your kids)
  • You might have missed this one, but it is the latest from the visionary Charlie Kaufman. Nominated for the Academy Award for Best Animated Film, it is created completely in stop motion animation using marionettes.
  • Michael Stone, an inspirational speaker becomes reinvigorated after meeting a lively woman, with a unique voice, who shakes up his mundane existence.
  • Starring: David Thewlis, Jennifer Jason Leigh, Tom Noonan

Is Brie Larson Captain Marvel?

We are still a few years away from seeing a solo Captain Marvel film, but it was reported earlier this week by Variety that Brie Larson is in talks with Marvel to play the lead character. Now, thanks to BossLogic we have a picture of what she might look like as the interstellar heroine.

I’m excited for Captain Marvel, especially with someone like Larson involved. The studio is also in talks with a couple of talented directors to take on the project. Those directors are Jennifer Kent (The Babadook) and Niki Caro (Whale Rider, McFarland, USA)

Captain Marvel is set to be released on July 6th, 2018. What do you think?

Creed (2015)

The Italian Stallion, Rocky Balboa, is a character who’s become part of the American mythos ever since Rocky debuted in 1976. Sylvester Stallone’s creation has boxed on through five more episodes of the Rocky saga as the heavyweight champ fought for glory, revenge, America, or whatever motivation was handy. Yet none of the subsequent chapters carried the same emotional satisfaction as the original Rocky – until now, with Creed, whose very title signals a new start and unwillingness to settle for being simply Rocky VII. This icon has managed a difficult movie task in Creed: He ages gracefully and passes the torch to a new generation.

creed2

Stallone is in fine form in Creed – as an actor, though not as a boxer. Shrewdly, he never dons the gloves or spars in the ring with his protégé Adonis (Michael B. Jordan). Stallone more or less acts his age, which, sadly, is a rare thing among American actors. He still manages to imbue the character with full heart and down-to-earth demeanor and speech that endeared him to us in the first place.

Creed3

However, the infusion of new energy comes from the efforts of co-writer and director, Ryan Coogler, and star Jordan, who reunited for this picture following their attention-grabbing breakthrough film Fruitvale Station in 2013. Jordan plays the illegitimate son of Apollo Creed (Carl Weathers) who died in the ring in Rocky IV before Adonis was born. That was in 1985, and though Creed fudges a bit with Adonis’ age (30 seems a bit old to begin a boxing career), the natural aptitude that is his birthright more than sells the concept.

Creed4

Eager and determined, Adonis (aka Donny) wants to succeed on his own merits, rather than as the son of a legend. He begins fighting under his adopted mother’s surname, Johnson. Despite the warnings of those who couldn’t understand why he would fight since he didn’t have to, he quits his white-collar job in L.A. to move to Philadelphia, where he plans to convince Rocky Balboa to be his trainer. This takes more than a little badgering, which gives Adonis time to start up a romance with singer Bianca (Tessa Thompson). While she and Jordan did have a natural on screen chemistry, this romance felt like a necessary plot device more than an actual romance.

creed6

This brings me to the fact that while Creed is giving a fresh face and energy to this series, it still conforms to the familiar formula of a boxer’s rise, beginnings of self-doubt, recovery of self-conviction, and ultimate triumph. However, the performances are rich, and the cinematography, especially in the fight sequences, is deft and dynamic. Also, little touches from the writing and directing add to the film’s authenticity: Bianca’s hearing aids (which resist becoming a plot point); Adonis’ all too human pre-fight jitters; and Rocky’s trip to the cemetery to read the newspaper in the company of Adrian and Paulie’s headstones. Creed isn’t a complete knockout, but it goes all 12 rounds with passion and style.

Creed5

I would not call myself a fan of the original series having only seen 3 of the 6 films, but Creed does a great job of taking the well known story and paying homage to it without requiring the viewers to know all of the details. This film would have worked just as well even if the previous films in the series never existed. So, of course, since this film was well received and successful, there are already plans in the works for a Creed 2 coming to theaters in late 2017.

What did you think of Creed? Were you a big fan of the Rocky story? How do you think Creed measured up? I’d love to hear your thoughts in the comments below.

Weekend Outlook – June 3, 2016

What is your best bet at the theater this weekend? The 2016 summer movie season rolls on with three more big films hitting theaters, and after a relatively light Memorial Day holiday at the cinema, during which X-Men: Apocalypse did fairly well but Alice Through the Looking Glass bombed, this week’s releases are arguably even more forgettable than those released over the three-day weekend.

In addition to what remains in theaters from previous weeks, our latest releases include a kid-friendly cartoon adaption, an R-rated comedy packed with Saturday Night Live cast members, and a tearjerker romance based on a best-selling novel. Out of those three, the romance novel looks like the best option to me.

First, I don’t have any doubts that droves of young families will flock to see the latest from Michael Bay, but almost as many 30 somethings will come hoping that Michael Bay won’t destroy their childhood… again. Second, I like Andy Samberg as much as the next middle-aged white guy, but his latest vehicle just looks too much like other SNL productions that have left me disappointed. It could be good like Bridesmaids, but it is more likely that it will end up in the $2 DVD rack with the likes of MacGruber or The Ladies Man. If you want to hear more then I’ll share the details after the jump.

Continue reading Weekend Outlook – June 3, 2016

Captain America: Civil War (2016)

When Marvel Studios began ambitiously building towards the first Avengers movie, many openly wondered: “How can they even hope to do this?” Many times over the years, most notably in Sam Raimi’s bloated Spider-Man 3, too many characters clogged up the screen, diluting that film and others like it of any real focus. This was a legitimate concern for Marvel and for The Avengers, a movie that was going to star not one, but seven superheroes. Now we jump ahead to 2016 and seven superheroes suddenly doesn’t seem like such a big number. Now Marvel has arrived with Captain America: Civil War, the latest in their progressively expanding franchise, with a lineup that includes 12 superheroes and three villains. Have we reached maximum capacity superhero? Was this finally, once and for all, just too much?

civilwar6

Judging from the $1.1 billion that this film has grossed worldwide, I would say that is a big NOPE. Captain America: Civil War doesn’t even feel like a crowded restaurant on a Friday night. Suddenly, I can imagine the whole mutant universe from the X-Men films joining with the Fantastic Four and the Guardians of the Galaxy. I’m getting excited just thinking about it. I will try not to spoil anything major however, if you haven’t seen this film stop reading and find a theater and go see it. It won’t be there much longer. Soon it will be moving to Blu-Ray and will hold a permanent spot on my shelf. Also, since this is a sequel to other Marvel Cinematic Universe (MCU) films you should be familiar with them as well.

Civil War is loosely based on a 2006-2007 Marvel comics storyline, the film serves as a sequel to both Captain America: The Winter Soldier and Avengers: Age of Ultron. The film opens with Captain America and a small group of Avengers — Falcon, Black Widow and Scarlet Witch — teaming to stop Crossbones from stealing a biological weapon. Crossbones is Frank Grillo who survived the ending of Winter Soldier, but now has a severely scarred face and jackhammer fists. Despite stopping Crossbones, the operation ends poorly, resulting in a number of civilian casualties.

civilwar1

The Captain and team are called into the office of the Secretary of State, Gen. Thaddeus “Thunderbolt” Ross. You’ll remember him from 2008’s The Incredible Hulk. Following the events of Age of Ultron, the United Nations drew up the Sokovia Accords, a treaty that would essentially put the governing nations in charge of The Avengers. Tony, after being confronted by a mother who blamed him for the death of her son in Sokovia, is feeling guilty and sides with Ross arguing that the Avengers need to be put into check.

Naturally in a movie subtitled Civil War, not everyone agrees. There are some polite arguments and disagreements until a terrorist attack at a United Nations conference is blamed on Winter Soldier. Polite arguments quickly heat up as Cap defends his BFF and is determined to keep him concealed as they attempt to prove his innocence. With the Sokovia Accords now signed, Ross wants Captain America and his team arrested. Tony Stark asks for 36 hours to bring them in without incident. Let the Civil War begin.

civilwar2

In a movie that has an almost literal army of superheroes — Captain America, Iron Man, Winter Soldier, Falcon, Hawkeye, Black Widow, Scarlet Witch, Vision, Black Panther, Spider-Man, War Machine, Ant-Man, it’s almost remarkable that a movie this big can still feel intimate. True to its name, Civil War remains a movie about Steve Rogers and Bucky Barnes, two friends from Brooklyn and their enduring relationship over 60 years. However, this movie is definitely not a bromantic comedy.

Captain America: Civil War includes some of the finest action in a Marvel movie, including a glorious showstopper extended battle sequence between Team Cap and Team Iron Man at a Berlin airport. It’s a magnificent and exhilarating scene that never once feels overstuffed or confused, despite the sheer enormity of the action. What could serve as the detriment to some hero-stuffed movies, actually works to the advantage of Civil War. Part of what is so delightful is how easily the characters, the majority of which we’ve come to know over the course of 13 Marvel Studios movies, interact and play off each other. Scarlet Witch using her powers to allow Captain America to super jump into a high-rise building. Hawkeye firing a miniaturized Ant-Man on an arrow inside Iron Man’s armor. Spider-Man using his webbing to wrap up…OK that one is too good to spoil here.

civilwar3

After this sequence, which would be an extremely hard act to follow, directors Joe and Anthony Russo wisely dial back the scope of the film. Instead of trying to go even bigger and having our heroes fight against a giant, spiny, CGI glob, the focus shifts to our three main protagonists: Tony, Steve and Bucky. While more than one character manipulates the events of this film for their own nefarious purposes, it all comes down to these characters, ultimately Captain America vs. Iron Man, and their own beliefs, personalities, neuroses and paranoias coming out to play. Tony expresses resentment over how his father, Howard Stark, liked Steve Rogers more than he liked his own son. Steve repeats a line a pre-Super Serum Steve told a group of bullies who were beating him up in an alley (“I could do this all day”).

This is not some hastily assembled superhero brawl to sell more movie tickets; These two have been bickering and brawling over the course of two Avengers movies — one of their very first conversations includes Cap telling Stark, “Put on the suit, let’s go a few rounds.” — and that all comes to a head over the course of the film, whose finale feels earned rather than mandated by the mechanics of the plot. If the idea of watching even more superheroes punch each other after Batman vs. Superman feels like a chore, let me assure you this film could not be more dissimilar. While slightly overlong, this movie is bright, creative, insightful, affecting and, above all else, fun.

civilwar4

Here’s how enjoyable Captain America: Civil War is: Much has been made about Spider-Man returning to the Marvel Cinematic Universe after a few disastrous movies over at Sony Pictures. I was acutely aware and excited that Spider-Man would be making his debut in this movie alongside Captain America, Iron Man and the rest of the Avengers. Yet midway through the movie, I was so invested in the film, that when Spider-Man shows, it was a legitimate surprise. Civil War is so entertaining that I actually forgot Spider-Man was coming. It’s like enjoying a delicious meal and then the chef reminds you that was just the first course.

By the time Avengers: Infinity War – Part 1 charges into theaters in 2018, who knows how massive the film’s roster of superheroes and supervillains will have expanded to, and whether that will be too much. Just a few years ago I would have argued that this film would be “too much.” However, for now, it turns out that “too much” may be just enough.

Where to Invade Next (2015)

What’s a conservative Christian like me doing watching a documentary from progressive activist and documentarian Michael Moore? I have actually watched all of his documentaries, most of which focus on a mean-spirited critique of America’s economic and social structure. Most of them make some good points about how Americans have allowed corporate greed and political bureaucracy to get us away from being the nation that our founding fathers established.

[youtube https://www.youtube.com/watch?v=yu5B3M2Ogjo&w=560&h=315]

His most recent film is all about this theme, however he changes up his theme in a big way. It is not a critique, but a graceful and witty film that offers possible solutions to the problems that Moore believes plague the United States. He identifies these solutions by “invading” countries in Europe and North Africa with the hopes to take some of their best ideas back to the US.

Moore admits that he looks only at each country’s positive achievements and ignores its problems. He uses each country to illustrate one way government can help citizens navigate through the various stages of their lives – education, employment, parenthood, and retirement. Moore celebrates the ways these countries have found to temper Capitalism with strict regulations and a solid set of social-welfare programs.

invade3

In Italy, he chats with a couple about a law that compels employers to provide up to 22 weeks of paid maternity leave. As Moore reminds viewers, America is the only country in the world besides Papua New Guinea that doesn’t provide its citizens with paid maternity leave. In France, he hangs out at a public school that treats the lunch hour as part of the curriculum. The school chef cooks fresh meals daily using local ingredients. It’s far cheaper per head, Moore argues, than the gross frozen food that American schools buy in bulk.

He visits a factory in Germany where he learns that, by law, rank-and-file employees must make up 50 percent of each company’s governing board. Another law forbids bosses from contacting employees who are on vacation. These examples show that Europeans – at least those Moore profiles – value quality of life far more than wealth.

invade2

Where to Invade Next is Moore’s most radical film because it shows there are countries that refuse to shape policy according to the logic of profit and wealth alone, but also factor in the notion of the public good. The higher taxes their citizens pay goes to establish free health care, cheap day care, well-funded public schools. If those needs are met, Moore argues, people are less likely to be obsessed with wealth and more concerned about forming social bonds. It would take a massive revolution to make these things happen in America, but our nation was formed through a massive revolution, perhaps it is time for another one that brings us back to where we should be.

10 Cloverfield Lane (2016)

Two months ago, no one knew that 10 Cloverfield Lane existed, let alone was about to be wide released in theaters. One month ago, no one had any idea how, if at all, this film was related to the 2008 film Cloverfield except for the obvious title and the fact that J.J. Abrams’ name was tied to the project. Not sure how Abrams had time with Star Wars: The Force Awakens to hide this project from the world, but I’m glad he did.

[youtube https://www.youtube.com/watch?v=saHzng8fxLs]

One of the greatest things 10 Cloverfield Lane has to offer is that the audience really has no idea what to expect going into the film. Very much in the J.J Abrams way, the production for this film has been left completely under-wraps and the trailers have revealed next to nothing. That’s one of the best parts of the movie, so I’m not going to spoil or give anything away in my synopsis or the review. I won’t even tell you if this movie is indeed a Cloverfield sequel or if it’s something different altogether. You’ll have to find out for yourself. But I will say that it is worth checking out whether or not you have any knowledge of Cloverfield. It only cost a measly 15 million to make this film and it nearly doubled that on its opening night. It’s a good film all by itself. It won’t win any Oscars, but it was compelling and fun.

10cloverfieldlane2

A woman we know very little about named Michelle (Mary Elizabeth Winstead) is involved in a car crash in a breath taking opening credit sequence. She wakes up a few days later to find herself in an underground bunker with Howard (John Goodman), a large and crazy-eyed farmer standing above her. He tells her that she can’t leave, because some sort of disaster has happened and it’s not safe to go outside. Finding herself alone with Howard and another man named Emmett (John Gallagher Jr.), and I’m stealing their tag line here because it’s a dang good tag line, they find out that monsters come in many forms.

10cloverfiledlane4

Obviously, I had no idea to expect when I saw 10 Cloverfield Lane. No one did. But within the first five minutes they set the tone so you know what kind of movie they are going for, and I found myself instantly engaged. For the rest of the film, I was floored with what was going on. In his directorial debut, Dan Trachtenberg takes the reigns on creating a film that will hit you with the unexpected, and leave you shocked.

10cloverfieldlane5

The best word I could think of to describe this film while I was watching it was claustrophobic. Trapped with Michelle inside the bunker, they create such an intense and nervous atmosphere that you feel yourself getting antsy along with the characters. Because for almost the whole film, we don’t really know what’s going on. We know what Howard is telling us and leading us to believe, but we have no idea if that’s reliable or not. We discover things along with the characters, which is why this film is such a good build up. When the conclusion to the film finally comes, you will leave more than satisfied. But don’t ruin it for yourself by looking up online spoilers to see if it is a Cloverfield sequel. See the movie. Find out for yourself. It’s worth it.

10cloverfieldlane1

The stand-out performance of the film is John Goodman. He is in so many films every year that we sometimes take him for granted and forget how good of an actor he can be when he’s not mailing it in, but rather commits whole heartedly to a role. That’s what happens here. He could have easily over-cooked his performance where it came of as cartoony or unrealistic, but he hit just the right level of disturbing and off-putting where you are crept out by the guy but you can’t be sure if he’s in the right or wrong. It’s a performance similar to Joel Edgerton’s in The Gift.

10cloverfieldlane3

At no point of 10 Cloverfield Lane does the film slow down or lose interest. It uses it’s hour and forty five minute runtime (a surprisingly long one for this type of film) to achieve the best possible effects. The film flies by and I found myself never wanting it to be over.

10 Cloverfield Lane is a movie you should see without being tainted by spoilers. Accept that you know nothing about it going in, and enjoy that experience. Because it’s something that doesn’t happen often and it’s a rare gift when it does. 10 Cloverfield Lane has a lot to offer despite the fact that it’s a very small film. So if it is still playing near you, go see it this weekend. Don’t look for other trailers or read other reviews. Just go, then come back here and tell me what you thought.

X-Men Apocalypse (2016)

The X-Men are back on the big screen for a sequel (or is it a prequel?) featuring a whole slew of characters with dual identities, giving these actors resume credits such as “Scott Summers/Cyclops,” “Peter Maximoff/Quicksilver” and of course “En Sabah Nur/Apocalypse.” I tried to avoid any real spoilers, but as always, reviews are always best when you’ve already seen the movie and can add your commentary.

still-xmenapocalypse-0004

X-Men: Apocalypse is set in 1983, some 10 years after the events of X-Men: Days of Future Past. Erik Lehnsherr/Magneto (the fantastic Michael Fassbender), is living in Poland under an assumed name, laboring as an iron-worker (can you imagine a better blue collar job for Magneto?) and coming home each night to his loving wife and adoring daughter. For this tortured soul, it’s as close to paradise as he’ll ever come — as long as nobody finds out who he really is and what he did in Washington 10 years ago. I don’t think I’m spoiling anything when I tell you that Erik does not spend the entire movie reading bedtime stories to his little girl. I was impressed with the powerful and even realistic tone of this story line. It could have made for a fine film all its own.

still-xmenapocalypse-0006

I was surprised to find out that Oscar Isaac played Apocalypse, a man whom some believe to be the first mutant, he was so covered in makeup, prosthesis, and tubing that he was completely unrecognizable. Apocalypse awakens from the slumber of many thousand years and is shocked to find that weak, normal people have managed to assume control of the world through government, technology, and weapons. This is appalling to him and he vows to destroy the world and rule over the survivors as he rebuilds it in his twisted image.

still-xmenapocalypse-0008

Meanwhile, back at Xavier’s School for Gifted Youngsters, Professor Charles Xavier (The talented James McAvoy) mentors two familiar young mutants. Scott Summers/Cyclops (Tye Sheridan), has yet to learn how to control the deadly beams that shoot from his eyes, and the telepathic Jean Grey (Sophie Turner from “Game of Thrones”) draws whispered stares from other students because they are frightened of her unbridaled abilities. Sparks are definitely flying between these two.

still-xmenapocalypse-0005

There are so many more characters that received excellent treatment. The introduction of Psylocke (played by every fanboy’s dream, Olivia Munn), and the return of the Blue X-Man Group featuring young KurtWagner/Nightcrawler (Kodi Smit-McPhee), Raven/Mystique (played by every other fanboy’s dream, Jennifer Lawrence), and Hank McCoy/Beast (Nicholas Hoult). Alexandra Shipp’s first turn in the iconic role of Ororo Munroe/Storm was solid, although in my opinion you average weather reporter could do better than Halle Berry.

still-xmenapocalypse-0001

This isn’t the best X-Men film of the franchise, but it’s a visual spectacle, brimming with great performances. It doesn’t take itself too seriously, with characters making self-referential jokes about the third movie in a series always being the worst as they walk out of a theater having just seen Return of the Jedi. And they fully embrace the 80’s setting with TAB soda, Rubik’s Cubes, Ms. Pac-Man Arcade games, and a great in school cameo by my favorite Breakfast Clubber Ally Sheedy. Plus, it can’t hurt that it contains perhaps my favorite scene of any movie this year. As an explosion rocks Xavier’s school, Quicksilver (My new favorite young actor, Evan Peters) uses his mind bending speed to save dozens of students, all to the tune of and unforgettable Sweet Dreams (Are Made of This) by the Eurythmics. That one scene is worth the ticket price and is as entertaining as anything I’ve seen at the movies in a long time.

still-xmenapocalypse-0002

The timing isn’t the best for X-Men: Apocalypse, coming so closely after the recent releases of Deadpool, Batman vs. Superman: Dawn of Justice and Captain America: Civil War. Even the hardcore geeks who like to get their Comic-Con on might be feeling a little superhero fatigue right about now. However, with an estimated haul of $8.2 million from Thursday night previews alone, perhaps the hunger has not completely been quenched. That’s a solid start and compares nicely to the $8.1 million X-Men: Days of Future Past launched with in 2014 before opening with $90.8 million over the three-day and $110.5 million for the 2014. (BoxOfficeMojo.com). Whether or not you consider yourself a comic book adaptation fan, you owe it to yourself to see Quicksilver do his thing. How long until Fox coughs up his rights and we get to see him cross over to become an Avenger? Sweet Dreams indeed.