Monsters Inc. (2001)

I’m not very good at this whole “watch a movie a week and write a review on it” thing. I easily watch 3-5 movies a week, but the problem is, I would much rather watch another movie than write a review. Especially when it’s a movie like the one that is on the slate for today. But alas, I made a commitment and so I’m gonna keep it.

20110327-173353.jpgThe most difficult part of writing a review for Monster’s Inc. Is that it is an animated film and we tend to treat these movies simply for their entertainment value for kids. But I think that animated films can have great value apart from mindless entertainment. And that is the area in which Pixar films in recent years have excelled above their peers in the animation business.

Everybody is doing computer animation, but the thing that elevates Pixar’s films and recently some of Dreamworks’ offerings (Flushed Away (really, it’s actually pretty good), Kung Fu Panda, How To Train Your Dragon, and Megamind) is the story. It’s not just about hyper-realistic imagery and the creation of a fully submersible world. Those are all pointless if you don’t have a story with characters in which the audience of both children and adults will invest their emotions.

20110327-173258.jpgMonster’s Inc. at its core is the inversion of a horror film. Normally, kids are wetting their beds at the idea that monsters live in their closets and are going to come out to scare them. Monsters Inc. simply admits this epidemic of home invasion as fact and then goes inside the closet to tell the story from the monsters point of view. It turns out that monsters don’t particularly enjoy scaring children, it is simply their job. Monstropolis (the Narnia on the other end of these impressionable children’s wardrobes) runs on the screams of children. But because human children are flooded with violent movies and television shows at increasingly younger ages, they are getting harder to scare and consequently Monstropolis has a scream shortage.

It seems to me that most animation studios would have been content to leave the story there then throw in a lot of cultural references to make the movie funnier. But Pixar understands the value of irony and as it turns out in this universe, these monsters know just as little about us as we know about them, and that makes monsters deathly afraid of human children.

20110327-173112.jpgAdd to that two of the most likable characters in all of Pixar’s movies, second only to Woody and Buzz, and you’ve got a movie that went toe-to-toe with Shrek, and by all counts lost that battle. But I would invite you to rematch both films and decide for yourself which has aged better. I think that Monsters Inc. could do equally well today, but I’m not sure I could say that about Shrek.

Essentially Monsters Inc. is a great buddy comedy. On one side you have the purple spotted horned Bear-cat named Sully. He looks ferocious which makes him great at his job, but in reality, he is just a big softie. John Goodman did a good job voicing him as he is the most dynamic of the characters in the film. And playing the Laurel to his Hardy is the effervescent Billy Crystal placed in the body of a green volleyball with one giant eye and an even bigger mouth. They make an odd couple to be sure and lift what could have been a mediocre movie to Pixar gold.

20110327-173150.jpgAnymore, it is pointless to mention the superb animation that is present in these movies. But in its time, the computer animation rendering of every frame featuring Sully took 11 hours to complete because the movement of each of his 2,320,413 hairs. With a frame rate of 24 fps that is nearly a month of processor time to create a single second of footage.

This might not be the highest grossing or the best reviewed of any of the Pixar movies, but it is a solid and highly entertaining movie that I have confidence my kids will he showing their kids one day.

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